Having MS—and trying to pretend he doesn’t—makes everything more complicated, especially his fantasies of coming on strong and holding a guy down. Finding a partner who’ll explore that with him isn’t Emerson’s idea of a realistic goal. Until a chance meeting with a hipster on a bus makes him reconsider. Obie is happy, open-hearted, and warm; what’s more, he gets his kicks being physically dominated, spanked, and teased until he’s begging. It would be perfect, except for one thing: Emerson isn’t made for happiness, and he doesn’t see how a guy like Obie would settle for a cynic like him. But as far as Obie’s concerned, the only thing keeping them apart is Emerson. Can Emerson handle a boyfriend who’s more invested in his future than he is? Emerson’s barely convinced he has a future. But when Obie’s smiling at him, anything seems possible. * * * * * * * This book can be read on its own, or enjoyed as the first book in the Queers of La Vista series. Word count: 59,400; page count 232

    Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly“In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—BooklistEllen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness.From "Another Story":After dinner, we're drinking scotch at the kitchen table.Janet and I just watched a NOVA specialand we're explaining to her motherthe age and size of the universe—the hundred billion stars in the hundred billion galaxies.Dotty lives at Dominican Oaks, making her way down the long hall.How about the sun? she asks, a little farmshit in the endlessness.I gather up a cantaloupe, a lime, a cherry,and start revolving this salad around the chicken carcass.This is the best scotch I ever tasted, Dotty says,even though we gave her the Maker's Markwhile we're drinking Glendronach...Ellen Bass's poetry includes  Like A Beggar (Copper Canyon Press, 2014), The Human Line  (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award.  She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun  and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.

    His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.  A selection of InsightOut Book Club Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation Finalist, TLA Gaybie Award for Best Gay Fiction Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University Semi-finalist, William Saroyan International Prize For Writing, Stanford University

    Now, Nepantla will appear for the first time in print as a survey of poetry by queer poets of color throughout U.S. history, including literary legends such as Audre Lorde, James Baldwin, June Jordan, Ai, and Pat Parker alongside contemporaries such as Natalie Diaz, Ocean Vuong, Danez Smith, Joshua Jennifer Espinoza, Robin Coste Lewis, Joy Harjo, Richard Blanco, Erika L. Sanchez, Jericho Brown, Carl Phillips, Tommy Pico, Eduardo C. Corral, Chen Chen, and more.

    For years, he's been able to meet the increasing demands from his aging immigrant parents, while hiding his crystal meth use every other weekend. One Friday night, as he's passed out from a drug binge, he misses thirty-eight phone calls from his father, detailing first the collapse and eventually the death of his mother. Carson has always been close to his mother; he was the only person she confided in when his father had a one-night affair with her younger sister twenty years ago. For the following two weeks, he throws himself into the preparation of his mother's funeral, juggling between temptations and obligations. Sometimes slipping into relapse, his efforts are thwarted by a stoic father who is impractical and unable to take care of himself, a grandmother suffering dementia, a sister with a failing marriage, and a young niece with unknown trauma that can be triggered by the sound of running water. He tries to find support from his ex, Jeremy. Now clean and sober, Jeremy rebuffs him. As Carson assumes his mother's caregiving role, her secret resurfaces and now haunts him alone. Will this tragedy plunge him deeper into his abuse or finally rouse him from his addiction stupor?

    Undeniably celebratory and deeply troubling, this sharp-edged collection (of fiction, prose poetry, personal essay, photographs, and illustration) figures the un-hyphenated femme experience emerging in performance, betrayal, violence, humor and survival.Brazen Femme recognizes femme as an identity in flux and in motion, as constantly being reinvented. This mutability sets the stage for creative and thoughtful representation featuring critically acclaimed writers including Michelle Tea, Camilla Gibb, Sky Gilbert, Amber Hollibaugh and Anurima Banerji. The collection includes the entertaining and challenging work of writers and artists whose stories are missing from existing explorations of femme that exclude experiences of men, transsexual women, and sex workers.Whether by choice or necessity, these frenzied femmes each explore their desires to make (and remake) femininity fit their own queer frames. Darlings, drag queens, whores and action heroes . . . a femme by any other name is spectacular.With writings by Debra Anderson, Anurima Banerji, T.J. Bryan, Anna Camilleri, Daniel Collins, Lisa Duggan and Kathleen McHugh, Camilla Gibb, Sky Gilbert, Tara Hardy, Amber Hollibaugh, Suzann Kole, Heather Mc-Callister, Elaine Miller, Kathryn Payne, Leah Piepzna-Samarasinha, Elizabeth Ruth, Trish Salah, Abi Slone and Allyson Mitchell, Michelle Tea, Zoe Whittal and Karin Wolf.With photographs by Chloë Brushwood Rose, and Daniel Collins, and illustrations by comic artists Sandi Rapini, Suzy Malik and Allyson Mitchell.Chloë Brushwood Rose and Anna Camilleri have been collaborating in Toronto as curators, editors and art-makers for the past four years. Anna co-founded the interdisciplinary performance troupe Taste This, who collaborated on the acclaimed Boys Like Her.

    Having been fired from his job because of a sex scandal involving a student, the teacher travels to Paris under an assumed name -- that of his best friend, Herbert. In Paris, "Herbert" becomes enchanted by Stephane, a fifteen-year-old boy. As he unravels the gilded but sad childhood of Allan Stein, "Herbert" is haunted by memories of his own boyhood, particularly his odd, flamboyant mother. Moving from the late twentieth century back to the 1900s, effortlessly blending fact and fiction, Allan Stein is a charged exploration of eroticism, obsession, and identity.

    When his boss and dear friend asks him to entertain his nephew, Adrian readily agrees, but meeting Dan challenges him in ways he'd never imagined.Dan is scarred inside and out from an accident that destroyed a promising future. Despite Adrian's loveless lifestyle and Dan's withdrawal and anger, the two men forge a deep--if unnerving--connection. Soon they find themselves questioning the choices they've made and the futures they've mapped out for themselves.Yet even bright young men like Adrian and Dan fear the unknown and take comfort in the familiar. Neither may be strong enough to step away from the life they know and toward the one they dare not hope for. But while it's true that love can't heal all wounds, it is the surest balm for where you hurt the most."(This title is part of the 2012 Rentboy Collection.)"

    We are witness here to an almost religious celebration of the flesh: a flesh vital with the vulnerability of love and loss, to desire and its departure. In an extraordinary blend of McMillan’s own colloquial Yorkshire rhythms with a sinewy, Metaphysical music and Thom Gunn’s torque and speed – ‘your kiss was deep enough to stand in’ – the poems in this first collection confront what it is to be a man and interrogate the very idea of masculinity. This is poetry where every instance of human connection, from the casual encounter to the intimate relationship, becomes redeemable and revelatory.Dispensing with conventional punctuation, the poet is attentive and alert to the quality of breathing, giving the work an extraordinary sense of being vividly poised and present – drawing lines that are deft, lyrical and perfectly pitched from a world of urban dereliction. An elegant stylist and unfashionably honest poet, McMillan’s eye and ear are tuned, exactly, to both the mechanics of the body and the miracles of the heart.

    But I assure you, I’m quite well trained.'When Benjamin and Edgar Bowen embark on a Grand Tour of Europe, they are ready to meet People of Quality. They have trunks full of powdered silver wigs and matching suits, a hunger to experience the architectural wonders of Ancient Rome and an ability to quote Voltaire (at length). They will make connections and establish themselves in high society, just as their mother has planned.But it soon becomes apparent that their outfits are not quite the right shade of grey, their smiles are too ready, their appreciation of the arts ridiculous. Class, they learn, is not something that can be studied.Benjamin’s true education begins when he meets Horace Lavelle. Beautiful, charismatic, seductive, Lavelle delights in skewering the pretensions and prejudices of their milieu. He consumes Benjamin’s every thought.Love can transform a person. Can it save them?

    With each letter, the two begin to develop a friendship that eventually grows into love. But with homophobia, bullying, and devastating family secrets, Jonathan and Kurl struggle to overcome their conflicts and hold onto their relationship...and each other.This rare and special novel celebrates love and life with engaging characters and stunning language, making it perfect for fans of Jandy Nelson, Nina LaCour, and David Levithan.

    Gunner has spent half his life running from his past, and the other half trying to protect himself from ever being vulnerable again. He’s escaped his old club and worked hard to earn the VP patch on his cut after joining the Broken Chains. But his entire life is turned upside down when Gunner’s past comes back to haunt him, and the club’s Deaf delivery guy ends up at the wrong place at the wrong time. When his president asks him to protect the injured man, Gunner wants to say no. After all, he hasn’t been able to take his eyes off Logan since the day they met, and Gunner can’t afford that kind of distraction. But ignoring him is damn near impossible when every time he looks at Logan, he starts to feel something. And Gunner doesn’t think he has the power to resist him for much longer. There will be no promise of a future though, if the Broken Chains can’t protect Logan from the mess he’s in, but even if they succeed, Gunner isn’t sure there’s a place for Logan in his world.

    There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us. Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.

    Jude Welton has two dreams: for humans to stop killing monsters, and for his strange abilities to vanish.But in no reality should a boy raised to love monsters fall for a boy raised to kill them.Nyx Llorca keeps two secrets: the moon speaks to her, and she’s in love with Dahlia, her best friend. Braeden Tennant wants two things: to get out from his mother's shadow, and to unlearn Epsilon's darkest secret.They’ll both have to commit treason to find the truth.During one twenty-seven-hour night, if they can’t stop the war between the colonies and the monsters from becoming a war of extinction, the things they wish for will never come true, and the things they fear will be all that’s left.27 Hours is a sweeping, thrilling story featuring a stellar cast of queer teenagers battling to save their homes and possibly every human on Sahara as the clock ticks down to zero.

    Adrift and still grieving, he tries to find meaning in an unsatisfying job. Work takes him to the remote seaside villa of an old friend, where, among an odd assortment of guests, he meets the eunuch sword-dancer Varazda. Enigmatic and beautiful but distinctly prickly, Varazda is the antithesis of the straightforward and serious Damiskos. Yet as they keep getting in each other’s way at the villa, their mutual dislike is complicated by a spark of undeniable attraction. Then the villa’s guests begin to reveal their true characters and motives—no one here is what they seem—and Damiskos finds himself at the centre of a bizarre web of espionage, theft, and assassination. Varazda may need Damiskos’s help, but not as much as Damiskos, finally awakening to a new sense of life and purpose, needs Varazda. Sword Dance is the first book in the Sword Dance trilogy, an m/nb romance set in an imaginary ancient world, with murderous philosophy students, sex acts named after fruit, and love blossoming in the midst of mayhem.