And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing. How is it that even as criticism drifts away from academia, it becomes more academic? How is it that sifting through a countless array of colorful periodicals and catalogs makes criticism seem to slip even further from our grasp? In this pamphlet, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes."In What Happened to Art Criticism?, art historian James Elkins sounds the alarm about the perilous state of that craft, which he believes is 'In worldwide crisis . . . dissolving into the background clutter of ephemeral cultural criticism' even as more and more people are doing it. 'It's dying, but it's everywhere . . . massively produced, and massively ignored.' Those who pay attention to other sorts of criticism may recognize the problems Elkins describes: 'Local judgments are preferred to wider ones, and recently judgments themselves have even come to seem inappropriate. In their place critics proffer informal opinions or transitory thoughts, and they shy from strong commitments.' What he'd like to see more of: ambitious judgment, reflection about judgment itself, and 'criticism important enough to count as history, and vice versa.' Amen to that."—Jennifer Howard, Washington Post Book World

    . . full of sensational revelations and interspersed with episodes of daring, of desperate conflict, of torture, and of ruthless conspiracy . . . It is, first of all, an autobiography the like of which has seldom been.”The son of a seafaring father, Richard Julius Herman Krebs, a.k.a. Jan Valtin, came of age as a bicycle messenger during a maritime rebellion. His life as an intimate insider account of the dramatic events of 1920’s and 1930s, where he rose both within the ranks of the Communist Party and on the Gestapo hit list. Known for his honesty and incredible memory, Krebs dedicated his life to the Communist Party, rising to a position as head of maritime, organizing worldwide for the Comintern, only to flee the Party and Europe to evade his own comrade’s attempts to kill him. As a professional revolutionary, agitator, spy and would-be assassin, Krebs traveled the globe from Germany to China, India to Sierra Leon, Moscow to the United States where a botched assassination attempt landed him a stint in San Quentin.From his spellbinding account of artful deception to gain release from a Nazi prison and his work as a double-agent within the Gestapo, to his vivid depiction of a Communist Party fraught with intrigue and subterfuge, Krebs gives an unflinching portrayal of the internal machinations of both parties.Writing at age 36 under the name Jan Valtin, Krebs lays bare a young life filled with idealism and devotion—disillusionment and loss—in a world full of revolutionary promise gone immeasurably wrong.”An exciting, real book without a trace of unnecessary melodrama.”—H.G.Wells

    L. Mencken's astonishing career as the premier American social critic of the twentieth century. Gathered by Mencken himself before he died in 1956, this second chrestomathy ("a collection of selected literary passages," with the accent on the tom) contains writings about a variety of subjects - politics, war, music, literature, men and women, lawyers, brethren of the cloth. Some of his essays have beguiling titles - "Notes for an Honest Autobiography," "The Commonwealth of Morons," "Le Vice Anglais," "Acres of Babble," "Hooch for the Artist." All of them are a pleasure to read, and we are reminded that what Mencken wrote in the early years of this century remains applicable to a very different America.Publishers WeeklyThis book's precursor, A Mencken Chrestomathy (collection), was a bestseller in 1949; this anthology of 238 short excerpts from a range of works, selected and annotated by Mencken but unfinished, lay undisturbed in a Baltimore library until Teachout, an arts columnist for the New York Daily News, found it in 1992, while working on a Mencken biography. Teachout considers Mencken's work still immediate. Indeed, quotable lines abound: ``His public life is an endless series of evasions and false pretenses,'' writes Mencken on ``the politician under democracy.'' Baltimore's bard can be magnificent and maddening in the same passage, damning American idiocies while disparaging immigrants. But what impresses most about this collection is Mencken's breadth; few contemporary writers would assume such a broad brief, writing not only about politics, law and the clergy but also about geography, literature, music and drink. To apply a Mencken sobriquet, he was no lesser eminento. (Jan.)Library JournalSelected as a continuation of the original chrestomathy by the Baltimore iconoclast himself before his death, this logically organized sampling of his pre-Depression credos (mostly from The Smart Set and American Mercury) suggests why Mencken was to a whole generation of American youth not just a witty newspaperman with a dazzling style but a force gleefully battering America's deep-rooted Puritan inhibitions. An early champion of Sinclair Lewis, Eugene O'Neill, and Theodore Dreiser, Mencken ridiculed America's institutions, from Rotary Clubs to Harvard professors to the Senate. Sometimes wrongheaded in his judgments, he was unschooled but self-educated in music and politics. His views are sometimes racist and sexist, but they're seldom dull and-in an age of self-conscious "niceness"-never polite. Well worth dipping into.-Charles C. Nash, Cottey Coll., Nevada, Mo.Gilbert TaylorFollowing My Life as Author and Editor" (1993) and Fred Hobson's biography , the Menckenian revival continues apace with this sparkling successor to the first chrestomathy, which was a best-seller in 1949. More than an anthology, the second volume represents pieces (some previously unpublished) that Mencken himself selected and revised before his stroke aborted the project; another proposal to publish came to nought in 1963. Over 60 percent of the 238 items, many from Mencken's magazines Smart Set" and American Mercury", are not available elsewhere, which in itself makes the publication of this title something of a literary event. That it parades again the sage of Baltimore in his incisive, if often irksome, eloquence only confirms him as one of the better belletrists of the century. The job of discriminator of taste exists to be seized in any age, and in the teens and twenties, Mencken extolled and excoriated with idiosyncratic abandon. The books and music he reviewed have faded from memory, but his satirical exfoliations remain fresh, for example, in praise of a bartender's memoir of the bibulous arts or in contempt for a Rotarian's history of his organization. Edited by New York critic Terry Teachout, who is preparing his own biography of the provocateur, this entertaining, exasperating collection captures Mencken's gloomy view of human nature and his bright delight in stripping from it all cant and concealment.

    International politics is the realm of power, of struggle, and of accommodation. . . . States, like people, are insecure in proportion to the extent of their freedom. If freedom is wanted, insecurity must be accepted. Organizations that establish relations of authority and control may increase security as they decrease freedom. If might does not make right, whether among people or states, then some institution or agency has intervened to lift them out of nature s realm. The more influential the agency, the stronger the desire to control it becomes. In contrast, units in an anarchic order act for their own sakes and not for the sake of preserving an organization and furthering their fortunes within it. Force is used for one s own interest. In the absence of organization, people or states are free to leave one another alone. Even when they do not do so, they are better able, in the absence of the politics of the organization, to concentrate on the politics of the problem and to aim for a minimum agreement that will permit their separate existence rather than a maximum agreement for the sake of maintaining unity. If might decides, then bloody struggles over right can more easily be avoided. TABLE OF CONTENTS: 1. Laws and Theories 2. Reductionist Theories 3. Systemic Approaches and Theories 4. Reductionist and Systemic Theories 5. Political Structures 6. Anarchic Orders and Balances of Power 7. Structural Causes and Economic Effects 8. Structural Causes and Military Effects 9. The Management of International Affairs

    The sense of private mystery that fills these photographs--mostly taken during Koudelka's many years of wandering through Europe and Great Britain since leaving his native Czechoslovakia in 1968--speaks of passion and reserve, of his rage to see. Solitary, moving, deeply felt and strangely disturbing, the images in Exiles suggest alienation, disconnection and love. Exiles evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this current moment of profound migrations and transience.Josef Koudelka (born 1938) has published ten books of photographs, many of which focus on the relationship between man and the landscape, including Gypsies (1975; revised and enlarged edition in 2011), Exiles (1988), Black Triangle (1994), Invasion 68: Prague (2008) and Wall (2013). Significant exhibitions of his work have been held at The Museum of Modern Art and the International Center of Photography, both in New York; Hayward Gallery, London; and Palais de Tokyo, Paris. Koudelka is the recipient of the Medal of Merit awarded by the Czech Republic (2002) and numerous other awards. In 2012, he was named Commandeur de l'Ordre des Arts et des Lettres by the French Ministry of Culture. He is based in Paris and Prague.

    McCoy locates the deep roots of recent scandals at Abu Ghraib and Guantánamo in a long-standing, covert program of interrogation. A Question of Torture investigates the CIA's practice of "sensory deprivation" and "self-inflicted pain," in which techniques including isolation, hooding, hours of standing, and manipulation of time assault the victim's senses and destroy the basis of personal identity. McCoy traces the spread of these practices across the globe, from Vietnam to Iran to Central America, and argues that after 9/11, psychological torture became the weapon of choice in the CIA's global prisons, reinforced by "rendition" of detainees to "torture-friendly" countries. Finally, McCoy shows that information extracted by coercion is worthless, making a strong case for the FBI's legal methods of interrogation.Scrupulously documented and grippingly told, A Question of Torture is a devastating indictment of inhumane practices that have damaged America's laws, military, and international standing.

    This is the documented autobiography of a victim of government mind control. Cathy O'Brien is the only vocal and recovered survivor of the Central Intelligence Agency's MK-Ultra Project Monarch mind control operation. Chiseled deep into the white stone of the CIA's Langley, Virginia headquarters is a partial verse lifted from the Holy Bible and writings of Saint John... "and the truth shall set you free". This statement, like the agency, is total reality. The building that it is engraved upon houses the world's most successful manufacturer of lies to facilitate psychological warfare. The "Company" uses truth and technology as their raw materials to produce "pure" lies for control of you and America's allies.This book is amongst the most shocking ever to reach this desk. Trance-formation of America is the chronicle of Cathy O'Brien, a recovered survivor of the CIA's infamous MK-ULTRA Project Monarch mind-control operation, and of Mark Phillips, the courageous man who rescued her (and her daughter) in 1988 from certain death and helped her recover her memories and regain some control over her life. Cathy O'Brien's troubles began at birth (in 1957) when she was subjected to constant abuse by her family. As she grew up, her father ensnared her in a corrupt pedophile ring and eventually sold her out to the CIA where, under the auspices of Project Monarch, Cathy became a mind-controlled White House sex slave deprived of any love, free will, or self-respect and forced to endure drug and electro-induced torture.

    "The most obvious moral of this book is that violence always breeds more violence. The Nazis subjected the Jews to violence. The Jews treated the Palestinians with violence. The Palestinians see violence as the only means of recovering their country and their freedom. At the age of twenty, Leila Khaled wrote, "armed struggle is the way of salvation"....Yet this determined young woman did not call on her comrades to exterminate the Israelis or to drive them into the sea. When victory is won, she says, we will establish a democratic state in Palestine with Jews and native Palestinians on equal terms. The author's descriptions of her hijacking exploits are vividly written and exciting. We do not often have the opportunity to hear an account of such incidents written by the hijacker rather than by the victims.

    Said once urged the legendary Eqbal Ahmad not to 'leave your works scattered to the winds, or even recorded on tape, but collected and published in several volumes for everyone to read. Then those who don’t have the privilege of knowing you will know what a truly remarkable, gifted man you are.'Unfortunately, Ahmad died suddenly before Said's wish came to fruition. Now, for the first time, Ahmad's most provocative ideas are available in book form.In these intimate and wide-ranging conversations, Ahmad discusses nationalism, ethnic conflict, the politics of memory, and liberation struggles around the world.Praise for Eqbal Ahmad:"Eqbal Ahmad, perhaps the shrewdest and most original anti-imperialist analyst of Asia and Africa, was a man of enormous charisma and incorruptible ideals. He had an almost instinctive attraction to movements of the oppressed and the persecuted, and a formidable knowledge of history. Arabs, for example, learned more from him about the failures of Arab nationalism than from anyone else. Ahmad was that rare thing, an intellectual unintimidated by power or authority." -Edward W. Said, author of Culture and Imperialism"Eqbal Ahmad was a shining example of what a true internationalist should be. Eqbal was at home in the history of all the world's great civilizations. He had an encyclopedic knowledge of states past and present, and he knew that states had a rightful role to play. But he also knew that states existed to serve people, not the other way around, and he had little to do with governments, except as a thorn in their side. To friends, colleagues, and students, however, he gave unstintingly of himself and his time. His example and his memory will inspire many to carry on his work."-Kofi Annan, Secretary-General of the United Nations"A very dedicated and honorable activist, Eqbal was right in the middle of everything. He was a student of revolution and imperialism and a very good one."-Noam Chomsky, MIT"Eqbal Ahmad was unique in combining compassion for the dispossessed-en masse and one by one; the intellectual capacity to analyze cultural, political, and economic issues on a transnational level; and an ability to raise his always eloquent voice on behalf of constructive and original solutions."-Victory Navasky, Publisher and Editorial Director, The Nation

    foreign policy spanning sixty years. For those who want the details on our most famous actions (Chile, Cuba, Vietnam, to name a few), and for those who want to learn about our lesser-known efforts (France, China, Bolivia, Brazil, for example), this book provides a window on what our foreign policy goals really are. This edition is updated through 2003.

    leaders try to convince the world of their success in fighting al Qaeda, one member of the U.S. intelligence community would like to inform the public that we are, in fact, losing the war on terror. Further, until U.S. leaders recognize the errant path they have irresponsibly chosen, he says, our enemies will only grow stronger. According to the author Michael Scheuer, the greatest danger for Americans confronting the Islamist threat is to believe—at the urging of U.S. leaders—that Muslims attack us for what we are and what we think rather than for what we do. Blustering political rhetoric “informs” the public that the Islamists are offended by the Western world’s democratic freedoms, civil liberties, inter-mingling of genders, and separation of church and state. However, although aspects of the modern world may offend conservative Muslims, no Islamist leader has fomented jihad to destroy participatory democracy, for example, the national association of credit unions, or coed universities. Instead, a growing segment of the Islamic world strenuously disapproves of specific U.S. policies and their attendant military, political, and economic implications. Capitalizing on growing anti-U.S. animosity, Osama bin Laden’s genius lies not simply in calling for jihad, but in articulating a consistent and convincing case that Islam is under attack by America. Al Qaeda’s public statements condemn America’s protection of corrupt Muslim regimes, unqualified support for Israel, the occupation of Iraq and Afghanistan, and a further litany of real-world grievances. Bin Laden’s supporters thus identify their problem and believe their solution lies in war. Scheuer contends they will go to any length, not to destroy our secular, democratic way of life, but to deter what they view as specific attacks on their lands, their communities, and their religion. Unless U.S. leaders recognize this fact and adjust their policies abroad accordingly, even moderate Muslims will join the bin Laden camp.

    Bush will find fodder for fears—and suggestions for activism—in The COINTELPRO Papers. Ward Churchill and Jim Vander Wall's exposé of America's political police force, the FBI, reveals the steel fist undergirding "compassionate conservatism's" velvet glove. Using original FBI memos, the authors provide extensive analysis of the agency's treatment of the left, from the Communist Party in the 1950s to the Central America solidarity movement in the 1980s. The authors' new introduction posits likely trajectories for domestic repression.Ward Churchill is author of From a Native Son. Jim Vander Wall is co-author of Agents of Repression: The FBI's Secret Wars Against the Black Panther Party and the American Indian Movement, with Ward Churchill.

    

    The Seven Deadly Sins of Psychology diagnoses the ills besetting the discipline today and proposes sensible, practical solutions to ensure that it remains a legitimate and reliable science in the years ahead.In this unflinchingly candid manifesto, Chris Chambers draws on his own experiences as a working scientist to reveal a dark side to psychology that few of us ever see. Using the seven deadly sins as a metaphor, he shows how practitioners are vulnerable to powerful biases that undercut the scientific method, how they routinely torture data until it produces outcomes that can be published in prestigious journals, and how studies are much less reliable than advertised. He reveals how a culture of secrecy denies the public and other researchers access to the results of psychology experiments, how fraudulent academics can operate with impunity, and how an obsession with bean counting creates perverse incentives for academics. Left unchecked, these problems threaten the very future of psychology as a science--but help is here.Outlining a core set of best practices that can be applied across the sciences, Chambers demonstrates how all these sins can be corrected by embracing open science, an emerging philosophy that seeks to make research and its outcomes as transparent as possible.

    In the early days of photography, many believed and hoped that the camera would prove more efficient than the human eye in capturing the unseen. Spiritualists and animists of the nineteenth century seized on the new technology as a method of substantiating the existence of supernatural beings and happenings. This fascinating book assembles more than 250 photographic images from the Victorian era to the 1960s, each purporting to document an occult phenomenon: levitations, apparitions, transfigurations, ectoplasms, spectres, ghosts, and auras. Drawn from the archives of European and American occult societies and private and public collections, the photographs in many cases have never before been published.The Perfect Medium studies these rare and remarkable photographs through cultural, historical, and artistic lenses. More than mere curiosities, the images on film are important records of the cultural forces and technical methods that brought about their production. They document in unexpected ways a period when developing photographic technology merged with a popular obsession with the occult to create a new genre of haunting experimental photographs.