This volume includes several of Tolstoy's stories for children.

    He spent his early childhood in Astrakhan where his father worked as a shipping agent, but when the boy was only five years old, his father died, and he was sent to live with his maternal grandparents. This was not a happy time for the young Gorky as conditions were poor and often violent. At the age of eight, the boy's grandfather forced him to quit school and apprenticed him to several tradesmen including a shoemaker and an icon painter. Fortunately, Gorky also worked as a dishwasher on a Volga steamer where a friendly cook taught him to read, and literature soon became his passion. At the age of twelve, Gorky ran away from home and barely survived, half starving, moving from one small job to the next. He was often beaten by his employers and seldom had enough to eat. The bitterness of these early experiences led him to choose the name Maxim Gorky (which means "the bitter one") as his pseudonym.

    But he isn’t just a grouch extraordinaire, he’s been through hell and has the invisible scars to prove it. She knows the situation is delicate but she has a reputation for stomping in like a hurricane. Somehow, she’ll have to help him heal from his past, even if they can never have a future. Hearts have to break before they can be fixed… Adam lost everything, and now he’s a man lost. There’s no coming back from what he experienced. He knows you can’t have a perfect life twice. But one spunky vixen shifter is determined to test that theory… and his very last nerve. He can’t deny that Barb makes him feel like a man again, makes him remember what life was like before it all fell apart. But risking another heartbreak is something he can’t bring himself to do. Not when he has his daughter to think about. She’s all he has left of his old life, and he’s not about to risk hurting her. Limits are tested, boundaries are drawn, hearts get cracked, but it will all come out in the wash. Nothing a little dirty, messy, hope can’t fix

    The biggest game in town centers on a massive, deadly roller coaster that winds its way through the Strip’s most famous attractions. On the first Saturday of every month, twenty-four desperate passengers get strapped into the notorious ride and gamble with their lives in a twisted game of chance, to the thrill of webcast audiences worldwide. One of them will win, and one will die, but the other twenty-two will escape with nothing but their lives. Bets are placed as the ride begins, but in Vegas, the house always wins.The Ride by acclaimed author Aric Davis is a terrifying near-future vision of bloodlust-as-entertainment taken to a horrific extreme.

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    Contents:Introduction: The Song of the Soul (1971) essayI Have No Mouth, and I Must Scream (1967)The Discarded (1959)Deeper Than the Darkness (1957)Blind Lightning (1956)All the Sounds of Fear (1962)The Silver Corridor (1956)"Repent, Harlequin!" Said the Ticktockman (1965)Bright Eyes (1965)

    Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.

    These works, which grew from Hemingway's adventures as a newspaper correspondent in and around besieged Madrid, movingly portray the effects of war on soldiers, civilians, and the correspondents sent to cover it.

    

    

    A figure of speech inwhich a part is used for the whole, as in the screen for movies.From Charlie Kaufman, perhaps the most distinctive screenwritingvoice of our generation, comes a visual and philosophicadventure of epic proportions. Much as he did with hisgroundbreaking scripts for Being John Malkovich, Adaptation,and Eternal Sunshine of the Spotless Mind, Kaufman twists andsubverts the form and language of film as he delves into themind of a man who, obsessed with his own mortality, sets outto construct a massive artistic enterprise that could give somemeaning to his life. Starring Philip Seymour Hoffman,Samantha Morton, Michelle Williams, Catherine Keener,Emily Watson, Dianne Wiest, Jennifer Jason Leigh, HopeDavis, and Tom Noonan, and directed by Kaufman,Synecdoche, New York is an epic story of grand artistic ambitionsand creative madness.This Newmarket Shooting Script® Book includes:Exclusive introduction by Charlie KaufmanComplete Shooting ScriptExclusive Q&AColor photo sectionComplete cast and crew credits

    "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker

    This gargantuan helping of the human comedy relates how he is devoured by the masses of New York, a city boiling over with the itch to grab it now.

    When that fails, he dramatizes his novel. To Maxudov's surprise - and the resentment of literary Moscow - the play is accepted by the legendary Independent Theater, and Maxudov plunges into a vortex of inflated egos. Each rehearsal sees more and more sparks flying higher and higher, and less and less chance of poor Maxudov's play ever being performed. Black Snow is the ultimate backstage novel, and a masterly satire on Mikhail Bulgakov's ten-year love-hate relationship with Stanislavsky, Method acting, and the Moscow Arts Theater.This title comes with an introduction by Terry Gilliam. After a lifetime spent struggling against censorship, not least in the theater, Bulgakov died in 1940, not long after completing his masterpiece, The Master and Margarita. None of his major fiction was published during his lifetime.

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.