Screenwriter Tony Kushner blows the dust off history by investing it with flesh, blood, and churning purpose. . . . A great American movie.” –Peter Travers, Rolling Stone“Lincoln is a rough and noble democratic masterpiece. And the genius of Lincoln, finally, lies in its vision of politics as a noble, sometimes clumsy dialectic of the exalted and the mundane…And Mr. Kushner, whose love of passionate, exhaustive disputation is unmatched in the modern theater, fills nearly every scene with wonderful, maddening talk. Go see this movie.” –A.O. Scott, New York Times“A lyrical, ingeniously structured screenplay. Lincoln is one of the most authentic biographical dramas I’ve ever seen…grand and immersive. It plugs us into the final months of Lincoln’s presidency with a purity that makes us feel transported as if by time machine.” –Owen Gleiberman, Entertainment WeeklyA decade-long collaboration between three-time Academy Award® winner Steven Spielberg and Pulitzer Prize winner Tony Kushner, Lincoln is a revealing drama that focuses on the 16th President’s tumultuous final months in office. Having just won re-election in a country divided, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of America, and generations, to come. Containing eight pages of color photos from the film and inspired by Doris Kearns Goodwin’s critically acclaimed Team of Rivals: The Political Genius of Abraham Lincoln, Lincoln is now a major motion picture by DreamWorks starring two-time Academy Award® winner Daniel Day-Lewis.Tony Kushner's plays include Angels in America, Parts One and Two; A Bright Room Called Day; Slavs!; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols's film of Angels in America and for Steven Spielberg's Munich. Kushner is the recipient of a Pultizer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, and two Oscar nominations, among other honors. In 2008 he was the first recipient of the Steinberg Distinguished Playwright Award.

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    It also displays the saga of continuous failures and lesson learns going forward.The Story takes us way back to 2006. Four college students in the final year had a big dream. Despite the average academic marks and knowledge, they dared to envisage big. Although everybody laughed at them for their big fantasies, they were firm in getting their dreams to come true. In the process of getting their dream fulfilled and opening a startup, they had to face a lot of hiccups. There was a lot of confusion among themselves. The troubles and disasters transpired in the way of getting their startups.The dreams, the vision, the ideas, the blunders, the lesson learned, some quick luck is Story's main gist.After each loss, the intensity from which they come back to start another project is the Story's highlight. The Story also revolves around the personal preferences, the ego, the emotional moments of their life.The Story also conveys the cautions that most of the youngster has forgotten nowadays in the rush of opening a startup.

    It is a breathless roller-coaster ride of a movie that keeps springing one bizarre surprise after another, sustaining suspense with dazzling audacity. The unsuspecting audience is lured into a psychological and moral thicket of troubling implications, which bear the unmistakable imprint of Mamet’s intensely personal vision.Here is the complete screenplay of House of Games, with many illustrations selected from the film and an introduction by the author recounting in candid detail his experience as a first-time director.

    A laugh-out-loud romantic comedy about life, love and contemporary manhood, Tom Cooper is a male Bridget Jones for our times.  ‘A gloriously self-aware, satirical romp through the terrors of relationships, family life and survival.  Philip Roth meets Cold Feet!’ Helen Lederer (Absolutely Fabulous, Losing It (P.G.Wodehouse Award nominee))   ‘Spencer Brown is endlessly inventive and delightfully, dependably silly, like a joy-seeking missile’ Richard Ayoade (The IT crowd, Submarine, The Crystal Maze) ‘An aspirational figure for the men of today’ Omid Djalili (Live at the Apollo, The Infidel) ‘Very funny. Peep Show combined with Outnumbered.  But you know.  In a book.’ Josh Howie (Josh Howie’s Losing it, BBC Radio 4) ‘Hilarious and heart-warming’ Andi Osho (Live at the Apollo, Curfew) Tom Cooper’s life has fallen apart. His wife has left, he’s stuck in an accountancy job he hates and he can’t even call on the grandparents for support – they’re too busy – after all, a Scrabble trophy doesn’t engrave itself. But when a creative position opens up at the advertising agency he works for, he sees the opportunity to turn things around. All he has to do is pitch a product to a new market, convince Maestro J he is sufficiently finger-clickingly ‘creative’, beat his weaselly co-worker/nemesis John to the job, and try not to fall for his new mentor, Amanda. Oh, and try to blend in with people 10 years younger than him, survive the office obstacle course using his imaginary agility and stop accidentally turning up to work in the exact same outfit as Doug. The Rebuilding of Tom Cooper is a laugh-out-loud comedy about life, love and 21st century manhood. 
 About the author Spencer Brown cut his teeth in the Cambridge Footlights alongside John Oliver and Matthew Holness, before becoming an internationally acclaimed stand-up comedian and TV presenter on shows including Lip Service which he hosted with Holly Willoughby. He has also appeared in cult comedies including Nathan Barley and Garth Merenghi's Darkplace, as well as starring in the films 'Shed of the Dead' and the upcoming 'The Devil went down to Islington'. He is also an award winning film maker, having written and directed The Boy with a Camera for a Face, which won multiple prizes including the Oscar qualifying Best of Fest at SLIFF.

    From the horrors of childhood to the vagaries of old age, from confused people to humiliated animals, we're all just trying - and often failing - to keep it together. How carefully should you answer when asked what you'd take to a desert island? What do you do if your parents are reading your diary? How useful is a Swiss Army Knife? And what's A Brief History of Time really about?Armed with a sharp eye for the absurd and an overwhelming sense of doom, Simon Rich explores the ridiculousness of our everyday lives, from the most minute of anxieties to one of life's biggest questions: Does God really have a plan for us? Yes, it turns out. Now if only He could remember what it was ...'Simon Rich is very much laugh-out-loud funny. He can conjure authentic, from-the-abdomen laughter on almost every page. He stacks surrealism on top of slick satire on top of pure childish silliness in such a brilliant and condensed way, there are sometimes three laugh-out-loud moments within the same paragraph ... He is exactly the right kind of writer for the internet: funny, high-concept, accessible, short, sharable, a James Thurber for the Twitter age' Matt Haig

    Gilmore obsesses on a relentless panorama of sex, violence and death in five new chronicles of So Cal sickness: *the sex-and-drug soaked Wonderland murders featuring porn legend John Holmes *Sexpot Starlet Barbara Payton's hellbent descent into the gutters of Tinseltown *the Hollywood Hooker who landed in San Quentin's gas chamber, the Ice Blonde Murderess Barbara Graham For those already steeped in the canon of John Gilmore's work, this is the long-awaited true-crime capstone to a celebrated collection of works, a blood-and-semen-soaked noir trail of all-night diners, nightclubs and cheap motels.

    Set against the splendor and barbarity of the Roman Empire in AD 180, Gladiator tells an epic story of courage and revenge: The great Roman general Maximus (Russell Crowe) has been forced into exile and slavery by the jealous heir to the throne, Commodus (Joaquin Phoenix). Trained as a gladiator, Maximus returns to Rome, intent on avenging the murder of his family by Commodus, now emperor. The one power stronger than that of the emperor is the will of the people, and Maximus knows he can attain his revenge only by becoming the greatest hero in all the Empire. Russell Crowe heads up an international cast that includes Joaquin Phoenix, Connie Nielson, Oliver Reed, Derek Jacobi, Djimon Hounsou, and Richard Harris. Directed by Ridley Scott from a script by David Franzoni and John Logan, Gladiator is produced by Franzoni, Douglas Wick, and Branko Lustig, with Walter F. Parkes serving as executive producer.This is the official full-color companion book, featuring excerpts from the screenplay, historical sidebars and illustrations, details on period costumes and epic set designs, behind-the-scenes photographs from the location filming, and interviews with the screenwriters, actors, and director.

    The park’s general manager is convinced that Rick was destined to greet Fengxian customers, dressed as none other than Ricky Rouse. This original graphic novel is a relentless action comedy, a satire of US–China relations, a parody of Western entertainment, and a curious look at China—a country that, once we look past its often outrageous copyright infringements, is a culture ripe with innovation and a unique, courageous spirit.“I loved Ricky Rouse Has a Gun, a comic filled with deaths and yet full of life." Alejandro Jodorowsky“A story as thrilling as it is bizarre … a true original" Bianca Bosker, The Huffington Post

    By night he spent it as fast as he could, on drugs, sex, and international globe-trotting. From the binge that sank a 170-foot motor yacht and ran up a $700,000 hotel tab, to the wife and kids waiting at home, and the fast-talking, hard-partying young stockbrokers who called him king and did his bidding, here, in his own inimitable words, is the story of the ill-fated genius they called . . .THE WOLF OF WALL STREETIn the 1990s Jordan Belfort, former kingpin of the notorious investment firm Stratton Oakmont, became one of the most infamous names in American finance: a brilliant, conniving stock-chopper who led his merry mob on a wild ride out of the canyons of Wall Street and into a massive office on Long Island. Now, in this astounding and hilarious tell-all autobiography, Belfort narrates a story of greed, power, and excess that no one could invent.Reputedly the prototype for the film Boiler Room, Stratton Oakmont turned microcap investing into a wickedly lucrative game as Belfort’s hyped-up, coked-out brokers browbeat clients into stock buys that were guaranteed to earn obscene profits—for the house. But an insatiable appetite for debauchery, questionable tactics, and a fateful partnership with a breakout shoe designer named Steve Madden would land Belfort on both sides of the law and into a harrowing darkness all his own.From the stormy relationship Belfort shared with his model-wife as they ran a madcap household that included two young children, a full-time staff of twenty-two, a pair of bodyguards, and hidden cameras everywhere—even as the SEC and FBI zeroed in on them—to the unbridled hedonism of his office life, here is the extraordinary story of an ordinary guy who went from hustling Italian ices at sixteen to making hundreds of millions. Until it all came crashing down . . .

    Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Now in its tenth anniversary year, The Room is an international phenomenon to rival The Rocky Horror Picture Show. Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons.Readers need not have seen The Room to appreciate its costar Greg Sestero’s account of how Tommy Wiseau defied every law of artistry, business, and interpersonal relationships to achieve the dream only he could love. While it does unravel mysteries for fans, The Disaster Artist is more than just an hilarious story about cinematic hubris: It is ultimately a surprisingly inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of a supremely enigmatic man who will capture your heart.

    But as a twenty-five-year-old waiter in Greenwich Village he met Diana, the love of his life; followed her out to Northern California; then moved in and never moved out. He also, without realizing it, put himself on track to found UBU Productions (named after his beloved Labrador retriever) and become a successful creator of such family sitcoms as Family Ties, Brooklyn Bridge, and Spin City.*In Sit, Ubu, Sit, award-winning writer/producer Goldberg tells the mostly upbeat, sometimes difficult, and frequently hilarious tale of his improbable career and the people who have filled it. A love story and a rare behind-the-scenes look at the entertainment industry, Sit, Ubu, Sit proves that it is possible to be creative and successful while holding on to your integrity, your family, and your sense of humor. *with Bill Lawrence

    The manuscript is comprised of the lyrics to Denis Leary's popular Christmas song of the same title (plus three new verses written for this book), and includes 25 newly commissioned illustrations in the style of classic stop-motion TV Christmas specials.

    Now he’s opening up for the first time and sharing his behind-the-scenes stories in a warmly endearing, sharply observed, and frankly funny look at life in Hollywood. In 1986, Jon Cryer won over America as Molly Ringwald’s loyal and lovable best friend, Duckie, in the cult classic Pretty in Pink in a role that set the tone for his three-decade-long career in Hollywood. He went on to establish himself as one of the most talented comedic actors in the business, ultimately culminating in his current turn as Alan Harper on the massively popular sitcom Two and a Half Men. With the instincts of a natural storyteller, Cryer charts his extraordinary journey in show business, illuminating his many triumphs and some missteps along the way. Filled with exclusive behind-the-scenes anecdotes, Cryer offers his own endearing perspective on Hollywood, the business at large, and the art of acting. Cryer has worked with some of the biggest and most provocative names in the business, and here, for the first time, he details his experiences with Charlie Sheen, John Hughes, Robert Altman, Molly Ringwald, Demi Moore, Judd Nelson, and Christopher Reeve, among many others. He shares the intimate details of his friendships and relationships, pays tribute to his mentors, and explores the peculiar combination of heart, talent, and wisdom it takes to survive not just the bad times in a notoriously fickle industry but even the good times. In this revealing, humorous, and introspective memoir, Cryer offers readers a front-row seat as he reminisces about his life and experiences in showbiz over the past thirty years.

    Taking his title from the wounded cry of the once great Max Bialystock in The Producers -- “Look at me now! Look at me now! I’m wearing a cardboard belt!” -- Epstein gives us his largest and most comprehensive collection to date.Writing as a memoirist, polemicist, literary critic, and amused observer of contemporary culture, he uses to deft and devastating effect his signature gifts: wide-ranging erudition, sparkling humor, and a penetrating intelligence. In personally revealing essays about his father and about his years as a teacher, in deeply considered examinations of writers from Paul Valery to Truman Capote, and in incisive take-downs of such cultural pooh-bahs as Harold Bloom and George Steiner, this remarkable collection presents us with the best work of our country’s most singular talent, engaged with the richness and variety of life, witty in his response to the world, and always entertaining.