Jekyll and Mr. Hyde from the monster's perspective, Hyde makes a hero of a villain. As a bonus, Stevenson's original novel is included at the back. Mr. Hyde is hiding, trapped in Dr. Jekyll's surgical cabinet, counting the hours until capture. As four days pass, he has the chance, finally, to tell the story of his brief, marvelous life.We join Hyde, awakened after years of dormancy, in the mind he hesitantly shares with Jekyll. We spin with dizzy confusion as the potions take effect. We tromp through the dark streets of Victorian London. We watch Jekyll's high-class life at a remove, blurred by a membrane of consciousness. We feel the horror of lost time, the helplessness of knowing we are responsible for the actions of a body not entirely our own.Girls have gone missing. Someone has been killed. The evidence points to Mr. Hyde. Someone is framing him, terrorizing him with cryptic notes and whisper campaigns. Who can it be? Even if these crimes weren't of his choosing, can they have been by his hand?Though this classic has been often reinvented, no one ever imagined Hyde's perspective, or that he could be heroic. Daniel Levine changes that. A mesmerizing gothic, Hyde tells the fascinating story of an underexamined villain.

    Four days later, his mother is dead, and a strange cult of religious wanderers have been brutally murdered by the terrified local farmers. In 1995, a gnarled sycamore tree planted over their graves is uprooted by bulldozers--and evil arises.

    Crag. . . a place of natural beauty and solitude . . . a place where village life has remained unchanged for decades. . .but also a place where dead bodies have a strange way of showing up every couple of years. . .ravaged, mutilated bodies.The Folks is a good old-fashioned horror novel from the master-mind of Ray Garton. The book opens on Halloween morning, at a rain-soaked cemetery, and the action doesn't stop until the final page is turned. Scary, suspenseful and a whole lotta fun, The Folks is available only from Cemetery Dance Publications!

    Within the hour James will witness the suicide of his closest friend, be responsible for countless murders, and become a fugitive from the police. In the shadow of James' mind, a demon lurks. Bloodlust is a virus-it's infecting his logic. James has become a pawn in a game he does not understand, and only one thing is clear: Survival is not an option.

    Antique specialist Rick Dellatolla knew a good deal when he saw one. And the mahogany chair, thickly carved in a cascade of intertwined human bodies, seemed a genuine stroke of luck. Then weird things started happening to Rick and his family. The foliage died in their garden. They lost track of time once inside their house. And their pet dog died a horrifying and pathetic bloody death. That was when Rick decided to destroy the chair before it destroyed everything he'd ever cared for. But by then then it was too late to stop the Evil that seemed to remain with Rick as a gift for he rest of his entire, hell-filled life...

    It's been thirteen years since siblings Jennifer and Jackie Nailer nearly lost their very souls to the enchantments of Eleanor Grimm. The Victorian mansion where Eleanor once conjured her wicked schemes now belongs to Jen and her husband. The couple is converting the former mortuary into a bed and breakfast and artist colony to create a nurturing environment for the baby they're expecting--and hopefully to purge the house of its evil. But although Eleanor's body has been laid to rest, her spirit still lingers in the mind of the youngest Nailer sibling, Steve. A mere infant when Eleanor was thwarted in her attempt to possess his body, Steve has now come of age--ripe for plucking and easily manipulated. With Eleanor guiding his every move, Steve is compelled to help her gather victims and perform the rituals that will place her soul into Jennifer's unborn child. Only Jackie, tormented for years by nightmares of the horrors Eleanor inflicted upon him, is aware of his brother's possession. And only he knows what must be sacrificed if anyone in his family is to survive... Grimm Reapings

    While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

    Never before has anyone seen anything like this. Three months later, all over Mumbai, men, women and children are ravaged by a disease that begins with initially mild symptoms—that swiftly progress until an ultimately gruesome death. Who will it hit next? And where did it come from? As the rogue microbe wreaks its bloody havoc—striking rich and poor, young and old—chaos ensues. Thousands try to flee the city, including the most powerful man in the country. Can this deadly plague be stopped? After all, all that stands between the city and apocalypse is a ragged team of doctors, civil servants, and scientists. But their intervention may be too little, too late. Suspenseful and gripping from the first page to the last, Bombay Fever is a meticulously researched novel—too plausible to ignore and too chilling to put down—from one of India’s most talented writers.

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    Bess Hardemon, a tough and canny young teacher living in the mid-nineteenth century, is determined to make a difference at her new school, Priors Heath. Under the austere gaze of the Reverend Carnegie and his deputy, Miss Simms, the young girls remain underfed and unstimulated -- until the arrival of the bright, motivated young Bess.At the cost of her own chance of finding love, Bess remains trapped by her duty, a confinement echoed a century later by Sarah, a teacher at the modern-day Priors Heath who must make her own choice between her duty to her pupils and her efforts to save a broken marriage.

    Except, as Peter and Helen Radley know but their children have yet to find out, the Radleys happen to be a family of abstaining vampires. When one night Clara finds herself driven to commit a bloodthirsty act, her parents decide to explain a few things.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    Grace had already scraped away accumulated dirt and grime to reveal a crudely chiselled out initial, name and date. With a sinking feeling in her stomach, Amelia read the inscription.”When their parents died, Amelia and Grace Farrell believed they had no other family. Then out of the blue a letter arrives informing them they have inherited a cottage from their paternal grandfather. Amelia and Grace move into the cottage and make Woodbury their home, but when Grace finds a headstone in the garden, they are plunged straight into an age-old mystery.Infatuated with the handsome vicar, Amelia looks to him for help, and Grace wants to know if he has any gravestones missing. But it is an elderly aunt, and an old diary which hold the answers to secrets long buried. Grace decides to look into their past for the truth, but someone is determined to stop her. Unknowingly, Grace puts both their lives in danger and they realise they must face the consequences so that the dead can be laid to rest at last.1911-1928:When the wrong twin, Laurence Deverell, is brutally murdered, John Farrell does his best to cover up the crime, trying only to protect his wife and daughter. Seventeen years later when history is about to repeat itself, the murderer strikes again, and this time, they make no mistakes.

    She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse...Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession - through its soothing, blank darkness into the blinding core of terror...

    Then one night, she strips in front of the parish priest and sinks her nails into his throat. If not madness, then the answer must be demonic possession. To vanquish the Devil, Bishop Crimmings recruits Father Gregory Sargent, a younger priest with a taste for modern ideas and brandy. As the two men fight not just the darkness tormenting Susan but also one another, a soul-chilling revelation lurks in the shadows—one that knows that the darkest evil goes by many names.