It never quite plays out as beautifully as I imagine this scene to be. I am still a normal girl, after all, and in my head I've blocked it perfectly: We wake up with a slow stretch, cuddle for a few minutes, conduct a short conversation with our husky sleepy voices..."Even for a struggling actress like 26-year-old Kach, love doesn't come easy. Especially if your timing is off and you miss your cue and forget to deliver the right lines at the right time...Beautiful, talented and starving, theater actress Kach, who has a real penchant for drama, lives off the refrigerators and affection of her childhood friends: Nats, a chef who has taken it upon herself to play mother to Kach, and Jorge, an overachieving research genius who balances off Kach when she starts overreacting and who gladly supplies much-needed warm hugs when her world - or her tiny Makati apartment - dramatically turns cold.Now Kach has finally landed a legitimate role costarring an intense, sexy and brooding young stage actor named Sanchez. Their onstage chemistry quickly reaches boiling point and overflows into real-life, and suddenly Kach finds herself in a super-kilig affair, complete with snatches of smooches behind closed stage curtains.But their romance takes a dramatic turn when Kach discovers that Sanchez isn't tailor-made for the role of her real-life leading man...and that someone else is ready and willing to audition!

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    Edward Said wrote that the role of the intellectual is to present altenative narratives on history other than those provided by the “combatants” who claim entitlement to official memory and national identity-who propagate “ heroic anthems sung in order to sweep all before them.” In this fearlessly intellectual novel, Gina Apostol takes on the keepers of official memory and creates a new, atonal anthem that defies single ownership and, in fact, can only be performed by the many- by multiple voices in multiple readings Raymundo Mata, appropriately blind, exists in a parallel universe where perception is always in question, and memory and the Filipino identity are turned inside out.-Eric Gamalinda

    I was, you see, a person with no history. Lacking this, I developed a curiosity about other's people's stories. . . ."Clara Perez is a reporter on a small South seas island. An orphan raised by nuns, she is a young woman with origins shrouded in mystery. Full of idealistic ambition, she grows tired of the trivial assignments she's given at the daily paper, yearning to write articles of substance. So when the tiny street of Calle de Leon bursts into flames after a student demonstration--and a soldier kills an unarmed man--Clara seizes the chance to cover the explosive story.Yet after Clara rushes to the burning street to investigate the tragedy, she discovers another, more personal one involving some remarkable truths about her unknown past--ghosts, she realizes, which have been silently pursuing her all her life. And as family secrets begin to unfold, Clara's missing history slowly spreads itself out on the tumultuous backdrop of a country wracked by revolution. . . .An evocative and multilayered tale, at once political and personal, Eating Fire and Drinking Water is an extraordinary work, a powerful and pulsing novel of politics and commitment, loyalty and love, and the poignant search for truth.From the Trade Paperback edition.

    More than the individual story of a mother watching her sons grow and plunge into real life, Dekada '70 is an indictment of martial law, and here, Lualhati minces no worlds." - Female Forum, November 21, 1983

    "Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece which tries to make sense of the madness which overtook South Africa during apartheid.

    Film for stock (you never know when digital will backfire)2. Garbage bags XXL (for all those plastic kubyertos and takeout boxes for one)3. Pills (last time you forgot them, well...)4. Condoms (you can't be too sure - just in case he doesn't have any)5. Calcium supplements (among other vitamins OB-Gyne prescribed)6. Stretchy tops (didn't realize your tummy could balloon so much)7. Maternity pants (never ever succumb to tent-like dresses)8. Disposable diapers (lots and lots of them)9. Breast pump (no, it's not a foreplay trick)10. Infant formula (but breast milk is still best for babies)11. Coke in cans (for your babysitter who makes more money than you, by the way)12. Lipstick (the really nice, luxe kind, to make you feel better because it's not going to be over soon - it's only the beginning)For on-the-go shutterbabe Denise. one night of fun quickly turns into a life extraordinary as she assumes a new title: Mommy. Er, make that: Single Mommy. With a demanding career, a brand new baby girl, and very little breast milk, she needs all the help she can get, including that from Coby: Father of the Child. No one said motherhood was easy but single motherhood sure raises the bar!

    Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic who is devastated by the unfeeling rejection of his brutal father, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they, like their more fortunate brothers, are allotted on this earth.

    She has spent her career on both sides of the auditioning process, both as an award-winning casting director who has worked with Harold Prince, Bernard Bertolucci, and James Ivory, and as an accomplished actor herself. In this highly informative and accessible book, Merlin provides everything the actor needs to achieve self-confidence and artistic honesty–from the most basic practical tips to an in-depth framework for preparing a part. Filled with advice from the most esteemed people in the business, such as James Lapine, Nora Ephron, and Stephen Sondheim, and charged with tremendous wisdom and compassion, this indispensable resource will arm the reader to face an actor's greatest challenge: getting the part.

    It finds in the lives of Maggie, her family and her neighbours not only all the tragedy that appalling housing, massive unemployment and grinding poverty can produce, but alo a rich vein of comedy - the sense of the ridiculous, the need for a good laugh.

    Here the lives of rich and poor, white and coloured are tightly interwoven. Various characters roam here, each with their own story. As Oom Kêppies says: “He’s like the sea, like a wave. You think you’ve got him, but his foam line on the sand is all that’s left.” But even before the line of foam is all that remains on the sand, the calm life cycle of the “salt of the earth” is suddenly threatened.,

    Created by The United States Theatre Project, written by Stephen Karam and PJ Paparelli, with dramaturgy by Patricia Hersch, and conceived and directed by PJ Paparelli, columbinus weaves together excerpts from discussions with parents, survivors and community leaders in Littleton as well as diaries and home video footage to bring to light the dark recesses of American adolescence. -Doollee.com

    A farce with a hilarious drunk scene for two stylish comediennes.

    Graham Lord was born and educated in Southern Rhodesia (now Zimbabwe), raised in Mozambique, took an honours degree in History at Cambridge, and spent twenty-three years as Literary Editor of the Sunday Express in London, where he wrote a weekly column about books and met almost every major English language author of the 1960s to the 1990s.After leaving the Sunday Express in 1992 to become a full-time author he wrote regularly for The Daily Telegraph, The Times and the Daily Mail, and from 1994 to 1996 he edited the short story magazine Raconteur.Printed book size: 482 pages

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.