A personal account from a goldfish on life in his bowl as other intruders crowd him.

    You thought you knew the story of the “The Three Little Pigs”… You thought wrong. In this hysterical and clever fracture fairy tale picture book that twists point of view and perspective, young readers will finally hear the other side of the story of “The Three Little Pigs.”

    A hungry lion. A little girl. A box of doughnuts…? Gorgeous proof that a perfect picture book can look even more tempting than a sweet shop window. Worried about wolves? Don’t make Little Red laugh. She’s not even scared of hungry lions. After all, why would this furry chap want to gobble her up? She’s sure he’d rather have a doughnut. Right, Mr Lion? A sassy heroine, beautiful artwork, jungle animals, a funny twist on a tale you adore. Once again, the World Book Day artist gets us all eating from his hand.(Taken from the Scholastic Book Clubs UK site)

    With a little help from her fairy godrobot, Cinderella is going to the ball--but when the prince's ship has mechanical trouble, someone will have to zoom to the rescue! Readers will thank their lucky stars for this irrepressible fairy tale retelling, its independent heroine, and its stellar happy ending.

    . . of a worm. Surprisingly, a worm not that different from you or me: He lives with his parents, plays with his friends, and even goes to school. But unlike you or me, he never has to take a bath, he gets to eat his homework, and because he doesn't have legs, he just can't do the hokey pokey -- no matter how hard he tries. Oh, and his head looks a lot like his rear end.Doreen Cronin, the New York Times best-selling author of Click, Clack, Moo and Giggle, Giggle, Quack, teams up with illustrator Harry Bliss for this hysterical journal about the daily doings and the hidden world of a lovable underground dweller.

    . . and a Dinosaur who happened to be visiting from Norway.One day--for no particular reason--they decided to tidy up their house, make the beds, and prepare pudding of varying temperatures. And then--for no particular reason--they decided to go...someplace else. They were definitely NOT setting a trap for some succulent, unsupervised little girl.Definitely not!This new take on a fairy-tale classic is so funny and so original--it could only come from the brilliant mind of Mo Willems.

    This book will stay with you long after the last page is turned.From the author: The Journey is actually a story about many journeys, and it began with the story of two girls I met in a refugee center in Italy. After meeting them I realized that behind their journey lay something very powerful. So I began collecting more stories of migration and interviewing many people from many different countries. A few months later, in September 2014, when I started studying a Master of Arts in Illustration at the Academy of Lucerne, I knew I wanted to create a book about these true stories. Almost every day on the news we hear the terms "migrants" and "refugees" but we rarely ever speak to or hear the personal journeys that they have had to take. This book is a collage of all those personal stories and the incredible strength of the people within them.Francesca Sanna is an Italian illustrator and graphic designer who moved to Switzerland to follow her dream to work as an illustrator. She graduated in 2015 from the Lucerne School of Art and Design with a Master of Design with focus on Illustration. The Journey is her first picture book.

    He leads Matti's mother and father, the dog and the cat. And a whole colorful cast of characters on a rollicking chase through the village and into the forest, staying just out of reach, daring them to catch him along the way.But Matti's not with them. He's at home in the borders making what turns out to be a gingerbread house into which the Gingerbread Baby runs. Only Matti knows he is safely inside. And readers will too when they look under the lift-the-flap gingerbread house at the end of the story, and there he is!

    B is for Brother. B is for going to see Baba!One morning after breakfast, Baby's big brother is getting ready to take the basket of bananas all the way to Baba's bungalow in the next village. He'll have to go along the bumpy road, past the baobab trees, birds, and butterflies, and all the way over the bridge. But what he doesn't realize is that his very cute, very curious baby sibling has stowed away on his bicycle. Little ones learning about language will love sounding out the words in this playful, vibrantly illustrated story set in West Africa.

    Some might call them mermaids. Each one, it seemed, was more remarkable than the last. Except Minnow.The only remarkable thing about Minnow was the questions she asked. So many questions! "Where do bubbles go?" "Why don't crabs have fins?" "What lies beyond the kingdom?"When a curious and beautiful new object drifts into her life, Minnow can't imagine what it might be for, but she's certain it must have a purpose. So she follows her questions into the unknown, all the way to another, wondrous world. There she makes several remarkable discoveries...

    Priscilla the princess has accidentally switched places with Pigmella, the farmer's new piglet. The kindly farmer and his wife believe it's the work of a good witch, while the ill-tempered king and queen blame the bad witch-after all, this happens in fairy tales all the time! While Priscilla grows up on the farm, poor yet very happy, things don't turn out quite so well for Pigmella. Kissing a frog has done wonders before, but will it work for a pig?Sure to hog all the attention, this story's frequent nods to well-known fairy tales such as Sleeping Beauty, The Frog Princess, and Thumbelina-plus hilarious illustrations-will delight readers of any age.

    dressing up, singing songs, building sand castles, napping (maybe), dancing, painting on walls and - whew! - going to sleep at last.

    Cartwheel has moved to a place that is so strange to her, she no longer feels like herself.This is a story about new ways of speaking, new ways of living, new ways of being.

    This is a story about a mouse, and how he got swallowed up by a wolf, and who he met down in its belly, and what happened after that.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.