Initially conceived as a response to the 'austerity measures' implemented by the coalition government in 2011, the poems quickly began taking on a life in kind: 'cutting' themselves on levels of sentiment, structure and even subject matter. Not content to merely build a series of freethinking poems, these remarkable pieces seem eagerly and mischievously to analyze their moment of creation, then weigh their worth, then consign their excess to the recycling bin thereafter. Experience is speedy, the poems seem to say, so dizzyingly fast that the poetry will inevitably be running to catch up - often arriving at a scene the moment after the moment has gone. The effect is as funny and it is startling, beguiling as it is surprising, and makes 81 Austerities a vivid reminder that deprivation, as Leonard Cohen put it, can be the mother of poetry.

    “Pastan . . . expresses a full range of the possibilities and potencies of the human, feminine voice” (Boston Globe).from "In the Forest" The trees are lit from within like Sabbath candlesbefore they are snuffed out.Autumn is such a Jewish season,the whole minor key of it.Hear how the wind trembles through the branches, vibratoas notes of cello music.

    She falls in love with his son, Hood, and the narrative unfolds in tragedy of immense proportions. Medea is a verse adaptation of Euripides' drama and was created especially for the actress Judith Anderson. Their combined genius made the play one of the outstanding successes of the 1940s. In Medea, Jeffers relentlessly drove toward what Ralph Waldo Emerson had called "the proper tragic element" terror.

    But Poe is also the author of some of the most haunting poetry ever written--poems of love, death and loneliness that have lost none of their power to enthrall in this unique Signet Classic edition.

    Girls on the Run is a poem loosely based on the works of the outsider artist Henry Darger (1892-1972), a recluse who toiled for decades at an enormous illustrated novel about the adventures of a plucky band of little girls. The Vivians are threatened by human tormentors, supernatural demons, and cataclysmic storms; their calmer moments are passed in Edenic landscapes. Darger traced the figures from comic strips, coloring books, and other ephemeral sources, filling in the backgrounds with luscious watercolor. John Ashbery's Girls on the Run creates a similar childlike world of dreamy landscapes, lurking terror, and veiled eroticism. Its fractured narrative mode almost (but never quite) coalesces into a surrealist adventure story for juvenile adults.

    These thirty-six poems vary from short, intense lyrics to characteristic Neruda odes to magnificent meditations on the office of poet, including poems that would undoubtedly claim a place in any selection of Neruda's greatest work. "The People" ("El Pueblo"), about the state of the working man in Chile's past and present, and the most celebrated of Neruda's later poems, completes this reflective, graceful collection.

    It has been unavailable for an ice age, and Coach House Books is proud to bring it back.'Crystallography' means the study of crystals, but also, taken literally, 'lucid writing.' The book exists in the intersection of poetry and science, exploring the relationship between language and crystals - looking at language as a crystal, a space in which the chaos of individual parts align to expose a perfect formation of structure. As Bök himself says, 'a word is a bit of crystal in formation,' suggesting there is a space in which words, like crystals, can resonate pure form.Lucid, sparkling, a diamond of a book: Crystallography is a crystal-clear approach to the science of poetry from the author of Eunoia.

    She currently lives independently as a 19 year old in New York City. This debut collection chronicles her experiences with love, travel, and self-discovery in a shifting physical and emotional geography.

    S. Lewis wrote the first of more than a hundred letters he would send to a woman he had never met, but with whom he was to maintain a correspondence for the rest of his life.Ranging broadly in subject matter, the letters discuss topics as profound as the love of God and as frivolous as preferences in cats. Lewis himself clearly had no idea that these letters would ever see publication, but they reveal facets of his character little known even to devoted readers of his fantasy and scholarly writings -- a man patiently offering encouragement and guidance to another Christian through the day-to-day joys and sorrows of ordinary life.Letters to an American Lady stands as a fascinating and moving testimony to the remarkable humanity and even more remarkable Christianity of C. S. Lewis, and is richly deserving of the position it now takes among the balance of his Christian writings.

    Containing a collection of poems by the author that, not only investigates the lighter side of love, but also dares to delve deeper, taking the reader on a journey into the darker aspects of love, such as indecision, rejection, fear, betrayal, loss and finally death. Inspired by his own love story, and subsequent bereavement, the author writes emotionally, and from the heart, often resulting in poems that bring a tear to the eye. For information on more chapbooks in Dark Love Poetry series, please visit the authors website located at www.darrenheart.com

    Self and it (word and particle) are ritual and rigmarole, song-and-dance and long distance call into whatever dark matter might exist. How could a self not be selfish? Armantrout accesses the strangeness of everyday occurrence with wit, sensuality, and an eye alert to underlying trauma, as in the poem Price Points where a man conducts an imaginary orchestra but gets no points for originality. In their investigations of the cosmically mundane, Armantrout's poems use an extraordinary microscopic lens--even when she's glancing backwards from the outer reaches of space. An online reader's companion is available at http: //raearmantrout.site.wesleyan.edu.

    He brings to the ordinary--to time, to landscape and stony earth, to bean fields and cities, to events and dreams--magical sound that conveys order, penetrating sight and attention. "The poems written while we are awake...are more original and more beautiful, and sometimes more wild than those made from dreams," Machado said.In the newspapers before and during the Spanish Civil War, he wrote of political and moral issues, and, in 1939, fled from Franco's army into the Pyrenees, dying in exile a month later. When in 1966 a bronze bust of Machado was to be unveiled in a town here he had taught school, thousands of people came in pilgrimage only to find the Civil Guard with clubs and submachine guns blocking their way.This selection of Machado's poetry, beautifully translated by Bly, begins with the Spanish master's first book, Times Alone, Passageways in the House, and Other Poems (1903), and follows his work to the poems published after his death: Poems from the Civil War (written during 1936 - 1939).

    Winner of the Hugo and World Fantasy Awards.Contents:"Come into animal presence / Denise Levertov --Buffalo gals, won't you come out tonight --Three rock poems: Basalt --Flints --Mt. St. Helens/ Omphalos --Mazes --Wife's stories --Five vegetable poems --Torrey pines reserve --Lewis and Clarke and after --West Texas --Xmas over --Crown of Laurel --Direction of the road --Vaster than empires and more slow --Seven bird and beast poems --What is going on in the Oaks --For Ted --Found poem --Totem --Winter downs --Man eater--Sleeping out --White donkey --Horse camp --Four cat poems --Tabby Lorenzo --Black Leonard in negative space --Conversation with a silence --For Leonard, Darko, and Burton Watson --Schrodinger's cat --"Author of the Acacia seeds" and other extracts from the journal of the journal of the association of Therolinguistics --May's lion --Eighth elegy, from "Duino elegies" of R.M. Rilke --She unnames them."A spirited, gracefully polemical introduction and the final story, "She Unnames Them", frame this collection of fiction and poetry, placing it in a natural but unsentimental light. These are not really "talking animal" stories: they are about human apprehension of natural creation (including rocks and plants) and the relations this apprehension governs; or, how communication makes communities. Seven of ten stories and seven of 19 poems having already been published, while a couple of pieces read like working drafts. Among the best pieces is the title story; like many of the others, it works its effect through a reversal of the usual (human) point of view."--Library Journal.

    Whether recalling her former career as a naturalist experimenting on white rats or watching birds from her wheelchair, she draws the reader into unforgettable places rich in image and story. Lucia Perillo is the author of four books of poetry that have won the Norma Farber First Book Award, the Kate Tufts Prize, the Balcones Prize, and the Kingsley Tufts Award. Her critically acclaimed memoir, I’ve Heard the Vultures Singing: Field Notes on Poetry, Illness, and Nature, was published in 2007.

    As its title suggests, For the Living and the Dead works to bridge the space between those real and unreal elements of life, suggesting that a surprising, redemptive cohesion can exist within a universe of opposing forces.Transtromer has referred to his poems as "meeting places," with "their intent to make a sudden connection between aspects of reality that conventional languages and outlooks ordinarily keep apart. Large and small details of the landscape meet, divided cultures and people flow together in a work of art. . ." People and objects alike are given a certain weightiness, their presence filled with a potential carefully measured by the poet's eye and quietly attested to by his language. In "Vermeer," "The airy sky has taken its place leaning against the wall. /It is like a prayer to what is empty./ And what is empty turns its face to us/ and whispers/ 'I am not empty, I am open.'"This volume combines Transtromer's recent poetry with a prose memoir of his childhood in Sweden, written in the same careful, unsentimental voice for which he is so beloved. Through this memoir the author reveals himself as a curious, sensitive child, interested in archeology and insects, terrified of school and his authoritarian teachers.Characterized by the insight and integrity we have come to expect from his work, For the Living and the Dead confirms Tomas Transtromer as one of the most significant living poets writing in any language.