Unable to hold a job for long, his life revolves around Glasgow bars, living with his sister and brother-in-law, betting shops, and casinos. Sometimes Tammas wins, more often he loses. But gambling gives him as good a chance as any of discovering what he seeks from life since society offers no prospect of a more fulfilling alternative.

    Her mission is to emotionally reunite them. She organises a festival to bring them together, during which an amazing story unfolds, often funny, sometimes sad, always compelling, and with a twist in the tail!

    But what elements of nature and nuture combined to make this notorious character? An entertaining view is presented by Titus Petronius, Nero's pleasure-loving Advisor on Taste, through whose eyes we see the tumultuous, and ultimately tragic, life of the emperor. But is it a view we can trust? As their relationship develops, Petronius finds to his dismay that his personal sympathies lie more with the mad emperor than with the forces that seek to keep him in check. Caught between his own beliefs and the political realities of his time, he finds himself walking a path which will lead him and others inevitably to disaster.

    Ramanujan (who died in 1993) has rendered two services: he has introduced Indian and Western readers to an unfamiliar and fascinating literary tradition, and he has provided access to some examples of a mature classical poetry. In them, as the translator notes, passion is balanced by courtesy, transparency by ironies and nuances of design, impersonality by vivid detail, spareness by richness of implication. The poems come from one of the earliest surviving texts of Tamil poetry, the Kuruntokai, an anthology of love lyrics probably recorded during the first three centuries A.D. Seventy-six of these classical poems have here been given a modern language and form. In an effort at fidelity to the effect of the images and their placement in the original, Ramanujan has given a visual shape to the poems by typographic devices. This classic anthology of translations has long been out of print. It should interest all those who read poetry, as well as those who value Ramanujan's gift as a translator.

    Written by Giovanni Boccaccio between 1343 and 1345, The Elegy has never before been available in a complete or accurate English translation. Lady Fiammetta, the first-person narrator and protagonist, recounts how, although a married woman, she falls in love with a handsome young foreigner named Panfilo and, driven by irresistible passion, becomes his lover. Panfilo subsequently abandons Fiammetta and returns to his native land, where his elderly father is said to be dying. When he fails to keep his promise to return, Fiammetta, in what is the heart of the narrative, describes her longings, her anguish, and her despair. A host of contradictory sentiments drive her to desperation and to an unsuccessful suicide attempt. After a time, Fiammetta resumes her futile wait for Panfilo. She finally resolves to seek him out in his native land. Disguising her true intent from her husband, she secures his promise to help her in this undertaking. Addressing an exclusively female audience, Fiammetta warns them about the vicious ways of men. Her whole narrative, in fact, adds up to an indictment of men as both readers and lovers. Eliciting a remarkably wide range of responses from readers and critics, Fiammetta has been variously described as a pathetic victim of male cruelty; an irresponsible fool of a girl; a sophisticated, cunning, and wholly disingenuous female; and, finally, a genuinely modern woman. Whatever judgment we make of her, Fiammetta stands out among medieval women as an ardent and outspoken feminist.

     The Akkadian Empire was one of the first empires in human history and certainly the first to involve the central government of a large, multi-ethnic populace. It also introduced things like the very first postal system and facilitated advances in science, art, and medicine. The heart of the empire, the city of Akkad, became the most important trading center in the ancient world and one of the largest cities in the world. Then, in a relatively short time, the empire disintegrated, and the city itself was abandoned. Now, we don’t even know where the city of Akkad was located. How is this possible? How could an empire which controlled most of the civilized world suddenly fall apart? Successors of the Akkadians thought that they had the answer. Many texts from the Babylonians and others talk of the Curse of Akkad, a curse placed on the empire after its king offended the gods which led to its destruction. For thousands of years, historians assumed that the story of the curse was nothing more than a quaint legend. However, modern research shows that the Akkadian Empire was most likely destroyed by a cataclysmic change as a result of sudden and unprecedented climate change. Inside you will read about... ✓ Origins: The Black Heads and King Sargon ✓ Palace Conspiracies and Assassinations ✓ Naram-Sin and the Curse of Akkad ✓ The 4.2 Kiloyear Event ✓ The Fall of the Akkadian Empire ✓ The Search for Akkad And much more! In little more than two hundred years, the Akkadian Empire rose from nothing to become the most important and powerful empire in the world, and then went back to obscurity. This is the story of the rise and sudden fall of the Akkadian Empire.

    It recounts in vivid historical detail the turbulent years at the close of the Han Dynasty, when China broke into three competing kingdoms and over half the population were either killed or driven from their homes. Part myth, part fact, readers will experience the loyalty and treachery, the brotherhood and rivalry of China's legendary heroes and villains during the most tumultuous period in Chinese history.Considered the greatest work in classic Chinese literature, The Three Kingdoms is read by millions throughout Asia today. Seen not just as a great work of art, many Chinese view it as a guide to success in life and business as well as a work that offers great moral clarity—while many foreigners read it to gain insights into Chinese society and culture. From the saga of The Three Kingdoms, readers will learn how great warriors motivate their troops and enhance their influence, while disguising their weaknesses and turning the strengths of others against them.This first volume in a trilogy introduces Liu Bei and his sworn brothers-in-arms Zhang Fei and Guan Yu, whose allegiance is sorely tested in a society that is in flux where each group is fighting for its survival against the other.

    Popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s excellent volume. Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: ideal romance, travel adventure, historical fiction, and comic parody. A new foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.

    It is known for its feminist message, as it eulogizes women's talents and challenges gender roles.

    This tale of seduction is itself a seduction, with a plot that could be said to slowly unveil itself before arriving at last at an unexpected consummation.Summoned by Madame de T—— to her country house, the young hero of Deion's novella is taken on a tour of the grounds, only the beginning of a night that not only will be full of unanticipated delights but will give rise to unforeseen, perhaps unanswerable, questions. Lydia Davis's definitive translation of Denon's slim masterpiece is accompanied by the French text. Peter Brooks's illuminating introduction explores the mysteries of No Tomorrow's original publication and the subtleties of Denon's ethics of pleasure.

    He conceived of the four parts–The Stories of Jacob, Young Joseph, Joseph in Egypt, and Joseph the Provider–as a unified narrative, a “mythological novel” of Joseph’s fall into slavery and his rise to be lord over Egypt. Deploying lavish, persuasive detail, Mann conjures for us the world of patriarchs and pharaohs, the ancient civilizations of Egypt, Mesopotamia, and Palestine, and the universal force of human love in all its beauty, desperation, absurdity, and pain. The result is a brilliant amalgam of humor, emotion, psychological insight, and epic grandeur.Now the award-winning translator John E. Woods gives us a definitive new English version of Joseph and His Brothers that is worthy of Mann’s achievement, revealing the novel’s exuberant polyphony of ancient and modern voices, a rich music that is by turns elegant, coarse, and sublime.--front flap

    So argues Efraim Karsh in this highly provocative book. Rejecting the conventional Western interpretation of Middle Eastern history as an offshoot of global power politics, Karsh contends that the region’s experience is the culmination of long-existing indigenous trends, passions, and patterns of behavior, and that foremost among these is Islam’s millenarian imperial tradition.The author explores the history of Islam’s imperialism and the persistence of the Ottoman imperialist dream that outlasted World War I to haunt Islamic and Middle Eastern politics to the present day. September 11 can be seen as simply the latest expression of this dream, and such attacks have little to do with U.S. international behavior or policy in the Middle East, says Karsh. The House of Islam’s war for world mastery is traditional, indeed venerable, and it is a quest that is far from over.

    Thirteen stories written in the five years between 1976 and 1981, "Midnight Mass" picks up where Bowles' Collected Stories left off, and includes the wonderful novella-length "Here to Learn", concerning a young Moroccan woman 'adopted' by various affluent Europeans.

    Together, they face all the difficulties of poor immigrants—the passage by ship, admittance through Ellis Island and the rough immigrant life. Khalid, always the dreamer, tries to participate in the political and cultural life of the teeming city—to often humiliating and comic result.Tiring of their sojourn, he convinces Shakib they should return to Lebanon. But their heads are now full of New World ideas. And Khalid, trying to improve his brethren, turns his understanding of Western thought into a call for political progress, and religious unity and tolerance in the Arab world. A call that has him, accidentally, almost founding a new religion—and almost becoming its first martyr, when his ideas incite the faithful to riot.Playing with classical Arabic literary forms, as well as Western literary conventions, Ameen Rihani’s The Book of Khalid is a unique contribution to American and World literature.From the Trade Paperback edition.

    Powys thought Porius his masterpiece, but because of the paper shortage after World War II and the novel's lengthiness, he could not find a publisher for it. Only after he cut one-third from it was it accepted. This new edition not only brings Porius back into print, but makes the original book at last available to readers. Set in the geographic confines of Powys's own homeland of Northern Wales, Porius takes place in the course of a mere eight October days in 499 A.D., when King Arthur - a key character in the novel, along with Myrddin Wyllt, or Merlin - was attempting to persuade the people of Britian to repel the barbaric Saxon invaders. Porius, the only child of Prince Einion of Edeyrnion, is the main character who is sent on a journey that is both historical melodrama and satirical allegory. A complex novel, Porius is a mixture of mystery and philosophy on a huge narrative scale, as if Nabokov or Pynchon tried to compress Dostoevsky into a Ulyssean mold. Writing in The New Yorker, George Steiner has said of the abridged Porius that it "combines [a] Shakespearean-epic sweep of historicity with a Jamesian finesse of psychological detail and acuity. Faulkner's Absalom, Absalom!, which I believe to be the American masterpiece after Melville, is a smaller thing by comparison." This new, and first complete, edition of the novel substantiates both Steiner's judgement and Powys's claim for Porius as his masterpiece.