As I crossed over to the other side of forty, I found myself constantly wondering, "Is this it? Is it all there is for me? All those sacrifices that I made as a woman, have they really been worth it?" I was constantly dealing with self-created issues of love, vulnerabilities, and self-worth. On one such day, as I sat under a beautiful, half-naked maple tree, I found myself in the middle of a stark contradiction between the ethereal beauty of nature surrounding my body and the dark shadows of emotions surrounding my mind. As I tried to make peace between the two, my eyes fell on a fallen autumn leaf. There, it lay… Quivering yet unafraid  completely devoid of any shame It let the earth embrace its pain ‘cause in healing, there is no shame. When I turned the leaf over I found my face smiling back at me And just like that on that autumn day I found a piece of my broken me.
And from that day, I began collecting my broken pieces. ‘Unsaid’ is a collection of these broken pieces in the form of poetry & prose. I offer this book as a memoir of my learnings and realizations with the hope that these thoughts will speak to you in the same way they spoke to me. And however sketchy or incomplete these learnings may be, I offer them with complete humility and gratitude.  We live our lives thinking that all that we are doing will one day be worth it. Well, that one day is today. Has it been worth it?

    But [Flenniken] also wrote them to honor the people she grew up with." " - Seattle Times"The poems in "Plume" are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity.

    The moving, uplifting true story of an unlikely friendship between a man on the streets and the ginger cat who adopts him and helps him heal his life.

    It tells a story of love, loss, and rebirth.

    When she fell short, she ran rather than face her parents’ disappointment. Only, distance didn’t make her shame disappear. Caught between loneliness and independence, she struggled with the decision to return home. Plagued with guilt after missing her sister’s wedding, she finally goes home to Jasper Lake, but her life can’t return to what it once had been. Elijah Brewer had his future mapped out—attend seminary, marry a nice girl, then pastor a mid-sized church. Moving to a small town in the Adirondacks didn’t play into those plans, but when he was asked to act as interim youth pastor at Jasper Lake First Community Church, he saw an opportunity to build his resume before leaving for seminary, bolstering his chance for a better position after graduation. Nothing could have prepared him for Trixie Graff. Opposites attract, but will her shame ruin his future or will they both learn the meaning of grace? Jasper Lake Series: Not This Time- Prequel- ASIN: B01IFCYS2K- Drew and Amie Born to Love- Book One- ASIN: B079V68BNW- Landon and Jessa A Love This True- Book Two- ASIN: B07C1V44D2- Elijah and Trixie All That Glitters- Book Three- ASIN: B07G2XV89P- Mac and Phoebe What Matters Most- Book Four- Late Fall 2018- Hunter and Beth

    The aim of the present complete edition, which contains a numbered sequence of the 224 poems written after 1956 together with a further 50 poems chosen from her pre-1956 work, is to bring Sylvia Plath's poetry together in one volume, including the various uncollected and unpublished pieces, and to set everything in as true a chronological order as is possible, so that the whole progress and achievement of this unusual poet will become accessible to readers.

    Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward.

    For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.

    From poems of painful self-inquiry, to celebrating the simple beauty of baking frittatas, Walker offers us a window into her magical, at times difficult, and liberating world of activism, love, hope and, above all, gratitude. Whether she’s urging us to preserve an urban paradise or behold the delicate necessity of beauty to the spirit, Walker encourages us to honor the divine that lives inside all of us and brings her legendary free verse to the page once again, demonstrating that she remains a revolutionary poet and an inspiration to generations of fans.

    John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section—a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s—rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy and, as one critic noted, “the most eclectic diction since Hart Crane.”

    The cabin she rents is perfect, but one look at the owner’s son and Angelita’s in lust big time. She finds resisting the charming Jesse Bloodworth as difficult as maneuvering small town life in her custom made stilettos. Jesse has spent years rebuilding his relationship with his teenaged son and ex-wife after running out on them eleven years ago. But his dad’s not so quick to forgive and forget. The water under the bridge becomes mighty choppy when beautiful Angelita walks into their lives. Jesse’s ex, Kerri Ann, is a far cry from where she thought she’d be in life. Even before she got pregnant with Ty, things between her and Jesse had faltered, and there was only one person to blame: Bryce Jenson. Kerri Ann never expected her long-ago crush to settle back into Sequoyah Falls to practice law. Hell, no one did. Bryce had his reasons for returning home and Kerri Ann was at the very top. They seem destined to remain just friends, until Angelita comes to town and stirs everything up. As Angelita and Jesse embark on a relationship, her father’s demands become threats and she’s forced back to Atlanta. Jesse’s attempt to save her uncovers more of her past than he bargained for. Will Angelita’s prince charming come to her rescue or does Jesse’s love come with Shoe Strings attached?

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.

    In this wise and intimate telling—which carries us through the seasons when her marriage was ending—Sharon Olds opens her heart to the reader, sharing the feeling of invisibility that comes when we are no longer standing in love’s sight; the surprising physical bond that still exists between a couple during parting; the loss of everything from her husband’s smile to the set of his hip. Olds is naked before us, curious and brave and even generous toward the man who was her mate for thirty years and who now loves another woman. As she writes in the remarkable “Stag’s Leap,” “When anyone escapes, my heart / leaps up.  Even when it’s I who am escaped from, / I am half on the side of the leaver.” Olds’s propulsive poetic line and the magic of her imagery are as lively as ever, and there is a new range to the music—sometimes headlong, sometimes contemplative and deep. Her unsparing approach to both pain and love makes this one of the finest, most powerful books of poetry Olds has yet given us.

    And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it's even there when you thought you were searching for something else, like an escape route, or your lover's face.How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan's The Lover's Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

    . . . [Jamaal May's] poems, exquisitely balanced by a sharp intelligence mixed with earnestness, makes his debut a marvel."—Publishers WeeklyFollowing Jamaal May's award-winning debut collection, Hum (2013), these new poems explore parallel landscapes of the poet's interior and an insidious American condition. Using dark humor that helps illuminate the pains of maturity and loss of imagination, May uncovers language like a skilled archaeologist—digging up bones of the past to expose what lies beneath the surface of the fragile human condition.From: "Ask Where I've Been":Ask about the tornado of fists.The blows landed. If you canwatch it all—the spit and blood frozenagainst snow, you can probably tellI am the too-narrow road winding outof a crooked city built of laughter,abandon, feathers and drums.Ask only if you can watch streetlights bow,bridges arc, and power lines sag,and still believe what matters mostis not where I bendbut where I am growing.Jamaal May is a poet, editor, and filmmaker from Detroit, Michigan, where he taught poetry in public schools and worked as a freelance audio engineer and touring performer. His poetry won the 2013 Indiana Review Poetry Prize and appears in journals such as Poetry, Ploughshares, the Believer, NER, and the Kenyon Review. May has earned an MFA from Warren Wilson College as well as fellowships from Cave Canem and The Stadler Center for Poetry at Bucknell University. He founded the Organic Weapon Arts Chapbook Press.