It has been significantly updated as part of the Fuzed Trilogy. Please see Fuzed Trilogy: IMPACT.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    In this book, she writes honestly about these deeply challenging aspects of motherhood and how God works through them to make us more like his Son.This short, easy-to-read book encourages mothers to depend on Christ when they reach the end of themselves. They will find that God will supply what they need to cope with the daily sacrifices and challenges of motherhood, and that he will use these struggles to make them more like Christ.

    A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question. The books in the series will all follow the same structure:a biography of the novelist, including other works, influences, and, in some cases, an interview; a full-length study of the novel, drawing out the most important themes and ideas; a summary of how the novel was received upon publication; a summary of how the novel has performed since publication, including film or TV adaptations, literary prizes, etc.; a wide range of suggestions for further reading, including websites and discussion forums; and a list of questions for reading groups to discuss.

    

    The volume includes recent essays from Alastair Duckworth, Marilyn Butler, D.A. Miller, Isobel Armstrong and Karen Newman.

    Against a history of relative inattention on the part of Western translators to modern Asian critical theory, this first English publication is sure to have a profound effect on current cultural criticism in the West. It is both the boldest critique of modern Japanese literary history to appear in the post-war era and a major theoretical intervention, which calls into question the idea of modernity that informs Western consciousness.In a sweeping reinterpretation of nineteenth-and twentieth-century Japanese literature, Karatani Kojin forces a reconsideration of the very assumptions underlying our concepts of modernity. In his analysis, such familiar terms as origin, modern, literature, and the state reveal themselves to be ideological constructs. Karatani weaves many separate strands into an argument that exposes what has been hidden in both Japanese and Western accounts of the development of modern culture. Among these strands are: the "discovery" of landscape in painting and literature and its relation to the inwardness of individual consciousness; the similar "discovery" in Japanese drama of the naked face as another kind of landscape produced by interiority; the challenge to the dominance of Chinese characters in writing; the emergence of confessional literature as an outgrowth of the repression of sexuality and the body; the conversion of the samurai class to Christianity; the mythologizing of tuberculosis, cancer, and illness in general as a producer of meaning; and the "discovery" of "the child" as an independent category of human being.A work that will be important beyond the confines of literary studies, Karatani's analysis challenges basic Western presumptions of theoretical centrality and originality and disturbs the binary opposition of the "West" to its so-called "other." Origins of Modern Japanese Literature should be read by all those with an interest in the development of cultural concepts and in the interrelating factors that have determined modernity.

    Some had lost limbs to scurvy and frostbite; some had succumbed to Arctic hysteria; all of them were starving, reduced to eating the rats that seemed impervious to the vise-like cold. All but a handful of the fifty-odd sled dogs were long dead, victims of rabies and lockjaw. Thousands of miles away, people in America were convinced the crew of the Advance was dead, too. But one person remained undaunted: Elisha Kent Kane, the unlikely captain of the ill-fated ship whose previous trip to the remote and mysterious Arctic had made him one of the most famous men in the United States. Small of stature, poetic, and sickly, Kane was nonetheless determined to fulfill his voyage’s mission: to find survivors of the celebrated Arctic expedition of Sir John Franklin, and to prove the existence of a legendary Open Polar Sea that circled the North Pole. Before William Peary and Frederick Cook, there was Kane, the man who set the stage for the golden age of Arctic exploration that would follow. Under his calm yet unrelenting leadership, the crew of the Advance spent two years exploring the frozen realm of the Arctic Archipelago, going farther north than any expedition had before. But when it was finally time to return home, the ice had other ideas.

    In view of the confessions in his ownjournals, saint is out of the question. Even missionary is tenuous,considering he made only one convert. And despite his fame as a scientist andexplorer, Livingstone left his most indelible mark on Africa in an arena fewhave previously examined: slavery.His impact on abolishing what he called “this awful slave-trade” has beenshockingly overlooked as the centerpiece of his African mission.Until now.The Daring Heart of David Livingstone tells his story from the beginning of his time in Africa to the publicity stunt that saved millions after his death.

    Chapters focus on the supernatural elements of the work, as well as the author´s treatment of the physical self.

    Photographs.

    By examining the work produced by writers at the end of their lives, it elucidates the difference between growing old and disintegrating.

    . . Nazarian writes clean and true prose . . ."--Publishers Weekly"Set in an alternate Renaissance Europe, this series opener by Russian-born Nazarian combines the stylistic manner of a folktale with the trappings of an epic fantasy, one driven by compassion rather than heroics.... Fans of period fantasy and those who like stories that feel like fairy tales should appreciate this skillful novel by the twice Nebula Award-nominated author of Dreams of the Compass Rose and The Duke in His Castle."--Library Journal"I really enjoyed the rich, complex and highly unusual storytelling in the Cobweb Bride. Nazarian does an excellent job of painting the Renaissance world of her alternate reality and bringing in interesting twists of fantasy to the story.... Everything about this story that was fresh and new. I loved the premise it was built on and I loved the story itself. The characters are rich, multi-dimensional, and so easy to get to know and identify with. I am really looking forward to reading the next book in the trilogy when it comes out and in finding out more about what happens to the characters that still have a mission to carry out and how the story eventually resolves by the end of the trilogy. I recommend this book to readers of YA, lovers of fantasy, alternate-history, and alternate-reality. It was a terrific read."--Tracy M. Riva, Midwest Book Review"Cobweb Bride is astonishing and captivating; a lush fantasy of imagery and magical realism. The visuals are illustrated by the author's lyrical and metaphoric writing. Every chapter and scene revels in this mortal coil, surrounded by an expansive collage of characters immersed in a plot as rich and decadent as a Verdi opera.... The vibrancy of Ms. Nazarian's writing is sheer kaleidoscopic visualization. The folkloric-fable twists and turns recount shavings from the mythos of Hades and Persephone without boring you with a full-blown serving of predictability. The romance is as subtle as it is grim, with glimmers of hope taking us further to our doom--perhaps.... The overall tone is introspective, hauntingly quiet with elements of horror-fantasy that are as provocative as the works of Tanith Lee and Storm Constantine."--Patrice, Romantic Historical Reviews , a 5-Star Top Pick Many are called... She alone can save the world and become Death's bride. COBWEB BRIDE is a history-flavored fantasy novel with romantic elements of the Persephone myth, about Death's ultimatum to the world. What if you killed someone and then fell in love with them? In an alternate Renaissance world, somewhere in an imaginary "pocket" of Europe called the Kingdom of Lethe, Death comes, in the form of a grim Spaniard, to claim his Bride. Until she is found, in a single time-stopping moment all dying stops. There is no relief for the mortally wounded and the terminally ill... Covered in white cobwebs of a thousand snow spiders she lies in the darkness... Her skin is cold as snow... Her eyes, frozen... Her gaze, fiercely alive...

    But who can afford to hire a sports psychologist to learn the fundamentals necessary to succeed? This book will help you uncover your mental skills and teach you techniques to strengthen your mental toughness. It contains detailed sections on motivation, performance anxiety, athletic pain, and race strategy. You will learn the mental skills necessary to better motivate yourself, overcome pain, perform better in races, and gain more enjoyment from running. In short, it will help you become the best runner you can be.