Assuming no knowledge of the field of morphology on the part of the reader, the book presents a broad range of morphological phenomena from a wide variety of languages. Starting with the core areas of inflection and derivation, the book presents the interfaces between morphology and syntax and between morphology and syntax and morphology and phonology. The synchronic study of word structure is covered as are the phenomena of diachronic change such as analogy and grammaticalization. Theories presented clearly in accessible language with the main purpose of shedding light on the data, rather than as a goal in themselves. The author consistently draws on the best research available, thus utilizing and discussing both functionalist and generative theoretical approaches. Each chapter includes a summary, suggestions for further reading, and exercises. As such this is the ideal book for both beginning students of linguistics, or anyone in a related discipline looking for a first introduction to morphology.

    Time heals all wounds, they say. But when your husband dies suddenly, on a glorious sunny day when all he did was go to work, it takes more than the passage of time to get you through. It takes the love and support of women who are exactly where you are -- and when you're lucky enough to find them, you cling to each other until you're strong enough to stand on your own. The truths you discover in the process are universal, compelling, and altogether inspiring. That was the lesson learned by Pattie Carrington, Julia Collins, Claudia Gerbasi, and Ann Haynes, four thirty-something women whose husbands worked at the World Trade Center. Before September 11, 2001, they didn't know each other, but in the months following that horrible day they came together, drawn as much by their diverse backgrounds as their shared tragedy. At their very first meeting, the foursome realized their bond was too special to ignore, and in no time their Widows Club had cemented into a source of hope and, soon, love that saw them through their darkest hours, and forward. They took to signing off emails and phone conversations with a lighthearted phrase: Love You, Mean It. "Feeling this love for one another meant our hearts were beginning to open again. It was a risk -- love brought with it the ever-present possibility of loss. But this was a risk worth taking. More than ever, we understood how important it was to put love at the center of our lives." A celebration of friendship, optimism, and empathy, Love You, Mean It is a shared memoir of rebuilt lives. It will offer hope to anyone who has suffered a loss, and exhilarate readers from coast to coast.

    Cela sera pour nous une attitude intérieure, mieux : une vigilance, ou mieux encore, une sorte d'enveloppe mentale au mitan de laquelle se bâtira notre monde en pleine conscience du monde.» Publié en 1989, cet éloge de l'identité créole, cette quête lyrique «d'une pensée plus fertile, d'une expression plus juste, d'une esthétique plus vraie», fonde un art poétique qui devait très vite, dans une illustration magnifique, donner des œuvres importantes : Raphaël Confiant a reçu le prix Novembre pour Eau de Café (1991), Patrick Chamoiseau le prix Goncourt pour Texaco (1992). "Neither Europeans, nor Africans, nor Asians, we proclaim ourselves to be Creoles. For us this will be a state of mind, or, rather, a state of vigilance, or, better still, a sort of mental envelope within which we will build our world, in full awareness of the world." Published in 1989, this hymn to the Creole identity, this lyrical quest "for a more fertile way of thinking, for a more accurate means of expression, and for a more genuine aesthetics", laid the foundations of a poetic art that was very quickly, and brilliantly, to produce major works : Raphaël Confiant was awarded the prix Novembre for Eau de Café (1991), and Patrick Chamoiseau received the prix Goncourt for Tewaco (1992).

    Comes complete with a color photo section of scenes from the movie and a bio of the renowned film score composer John Barry.

    For the first time, William Poundstone reveals the toughest questions used at Microsoft and other Fortune 500 companies -- and supplies the answers. He traces the rise and controversial fall of employer-mandated IQ tests, the peculiar obsessions of Bill Gates (who plays jigsaw puzzles as a competitive sport), the sadistic mind games of Wall Street (which reportedly led one job seeker to smash a forty-third-story window), and the bizarre excesses of today's hiring managers (who may start off your interview with a box of Legos or a game of virtual Russian roulette). How Would You Move Mount Fuji? is an indispensable book for anyone in business. Managers seeking the most talented employees will learn to incorporate puzzle interviews in their search for the top candidates. Job seekers will discover how to tackle even the most brain-busting questions, and gain the advantage that could win the job of a lifetime. And anyone who has ever dreamed of going up against the best minds in business may discover that these puzzles are simply a lot of fun. Why are beer cans tapered on the end, anyway?

    With his mother’s diminishing mental capacity becoming the norm, Clark expects a certain amount of craziness as he heads home for the holidays. What he couldn’t possibly anticipate, though, is that he would find himself catapulted into the middle of the terrorist operation. As the holiday festivities reach a crescendo, a terrorist cell – which happens to be across the street – is activated. Suddenly Clark is discovering things he never knew about deadly chemicals, secret government operations, suspiciously missing neighbors, and the intentions of a gorgeous IRS auditor. Clark’s quiet suburban neighborhood is about to become one of the most deadly places on the planet, and it’s up to Clark to prevent the loss of hundreds of thousands of innocent lives in the nation’s capital.Fast, acerbic, wise and endlessly exciting, LOVE THY NEIGHBOR marks the unforgettable debut of a startling new voice in suspense fiction.A 2014 NATIONAL INDIE EXCELLENCE BOOK AWARD WINNER

    Full of gripping drama and vibrant details, here is the intimate human story of the events surrounding that fateful day of December 7, 1941–the glamorous tropical city that seemed too beautiful to suffer devastation . . . the stunned naval personnel whose lives would permanently be divided into before and after Pearl Harbor . . . the ordinary Honolulu residents who were tragically unprepared to be the first target in the Pacific war . . . the Japanese pilots who manned the squadron of deadly silver bombers . . . and the island’s community of Japanese-Americans whose lives would never be the same again. Blending meticulous historic recreation with lively reporting, Clarke counterpoints the freeze-frame nightmare of the 1941 bombing with the disturbing realities of present-day Honolulu, where hundreds of veterans, both American and Japanese, converge each year to relive every hour of the attack. Wealthy Waikiki landowners and native Hawaiian farmers, admirals and nurses, Navy wives and government officials–all take their part in Clarke’s rich tapestry of memory and insight. In the end, Pearl Harbor emerges as a trauma that spread from Oahu to engulf the nation and the world–an event that continues to reverberate in the lives of all who experienced it.

    As Tobin Buhk shows in this fast-paced narrative, the war created new opportunities to gain profits from illegal activities, to settle old scores against personal enemies under the cover of fighting the nation's enemies, to pillage, plunder, and murder amid the carnage and destruction that seemed to offer license to legitimize such crimes. Students of the Civil War will find new information in this readable account. --James M. McPherson, Author of Battle Cry of Freedom - Examines criminal cases during the conflict - Cases include currency counterfeiting, tyrannical actions of Gen. Benjamin Butler, the murder of Gen. Earl van Dorn, raids by William Quantrill's Bushwhackers, the Fort Pillow Massacre, the horrific prison conditions at Andersonville, the fate of Lincoln the assassination conspirators, and more

    She proclaims, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. Using examples from literature, history, neighborhood signage, and her own imagination, Truss shows how meaning is shaped by commas and apostrophes, and the hilarious consequences of punctuation gone awry.Featuring a foreword by Frank McCourt, and interspersed with a lively history of punctuation from the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, Eats, Shoots & Leaves makes a powerful case for the preservation of proper punctuation.

    Nim Chimpsky, the chimpanzee chosen to realize this potentially groundbreaking experiment, was raised like a human child and taught American Sign Language while living with his "adoptive family" in their elegant Manhattan town house. But when funding for the study ended, Nim's problems began. Over the next two decades he was exiled from the people he loved, put in a cage, and moved from one facility to another, including, most ominously, a medical research lab. But wherever he went, Nim's humanlike qualities and his ability to communicate with humans saved him.

    Did you know that the Japanese language has a word to express the way sunlight filters through the leaves of trees? Or that there’s a Finnish word for the distance a reindeer can travel before needing to rest? Lost in Translation brings to life more than fifty words that don’t have direct English translations with charming illustrations of their tender, poignant, and humorous definitions. Often these words provide insight into the cultures they come from, such as the Brazilian Portuguese word for running your fingers through a lover’s hair, the Italian word for being moved to tears by a story, or the Swedish word for a third cup of coffee. In this clever and beautifully rendered exploration of the subtleties of communication, you’ll find new ways to express yourself while getting lost in the artistry of imperfect translation.

    How easy was it to know what was actually going on, to grasp the essence of National Socialism, to remain untouched by the propaganda or predict the Holocaust?Travellers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including students, politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, journalists, fascists, artists, tourists, even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler – one so palpable that the reader will feel, hear, even breathe the atmosphere.These are the accidental eyewitnesses to history. Disturbing, absurd, moving, and ranging from the deeply trivial to the deeply tragic, their tales give a fresh insight into the complexities of the Third Reich, its paradoxes and its ultimate destruction.

    What could possibly go wrong? In this honest and wry memoir, popular blogger, author, and former child actor Quinn Cummings recounts her family’s decision to wade into the unfamiliar waters of homeschooling – the fastest-growing educational trend of our time -- despite a chronic lack of discipline, some major gaps in academic knowledge, and a serious case of math aversion. (And that’s just Quinn.) Quinn’s fearless quest includes some self-homeschooling – reading up on education reform, debating the need for “socialization,” and infiltrating conferences filled with Radical Unschoolers as well as Christian fundamentalists (and even chaperoning a homeschool prom). Part personal narrative, part social commentary, and part how-not-to guide, The Year of Learning Dangerously will make you laugh and make you think. And there may or may not be a quiz at the end. OK, there’s no quiz. Probably.

    At twenty-nine, she receives sudden, life-changing news. She realizes that her everyday life with her fiancé, Jake, was pretty amazing. Who cares about a sarcastic boss or a promotion when losing everything has become a terrifying reality? Cassie’s shocking news infiltrates the lives of everyone she loves, particularly Jake and her estranged sister, Sandy. Jake wants to be strong for Cassie, but this unexpected turn brings back painful memories—and a terrible secret he’s shared with no one. Sandy, who ran away to pursue stardom, is called home to face those she left behind. The golden child of the family, Sandy fell from her pedestal long ago. Will she be able to face her own failures? As Cassie struggles against an uncertain future, Jake and Sandy battle with the demons of the past. All three will learn valuable lessons about love, forgiveness and appreciating the days we’re given.

    The Lexicographer’s Dilemma offers the first narrative history of these endeavors, showing clearly that what we now regard as the only “correct” way to speak emerged out of specific historical and social conditions over the course of centuries.As literary historian Jack Lynch has discovered, every rule has a human history, and the characters peopling his narrative are as interesting for their obsession as for their erudition. The struggle between prescriptivists, who prescribe a correct approach, and descriptivists, who analyze how language works, is at the heart of Lynch’s story. From the sharp-tongued satirist Jonathan Swift, who called for a governmentsponsored academy to issue rulings on the language, and the polymath Samuel Johnson, who put dictionaries on a new footing, to John Horne Tooke, the crackpot linguist whose bizarre theories continue to baffle scholars; Joseph Priestley, whose political radicalism prompted riots; and the ever-crotchety Noah Webster, whose goal was to Americanize the English language—Lynch brings to life a varied cast as illuminating as it is entertaining.Grammatical “rules” or “laws” are not like the law of gravity, or laws against theft or murder—they’re more like rules of etiquette, made by fallible people and subject to change. Charting the evolution of English, Jack Lynch puts today’s debates—whether about Ebonics in the schools or split infinitives in the New York Times—in a rich historical context, and makes us appreciate anew the hard-won standards we now enjoy.