I am furious. Because I never thought it would happen to us. Not us, the rainbow nation that defied doomsayers and suckled and nurtured a fragile democracy into life for its children. I never thought it would happen to us, this relentless decline, the flirtation with a leap over the cliff.” In a searing, honest paean to his country, renowned political journalist and commentator Justice Malala forces South Africa to come face to face with the country it has become: corrupt, crime-ridden, compromised, its institutions captured by a selfish political elite bent on enriching itself at the expense of everyone else. In this deeply personal reflection, Malala’s diagnosis is devastating: South Africa is on the brink of ruin. He does not stop there. Malala believes that we have the wherewithal to turn things around: our lauded Constitution, the wealth of talent that exists, our history of activism and a democratic trajectory can all be used to stop the rot. But he has a warning: South Africans of all walks of life need to wake up and act, or else they will soon find their country has been stolen.

    Told in his own way, in his own words, a symphony written by the King of Jazz. His story spans and defines a half-century of modern music.This man who created over 1500 compositions was as much at home in Harlem's Cotton Club in the ‘20s as he was at a White House birthday celebration in his honor in the ‘60s. For Duke knew everyone and savored them all. Passionate about his music and the people who made music, he counted as his friends hundreds of the musicians who changed the face of music throughout the world: Bechet, Basie, Armstrong, Lena Horne, Ella Fitzgerald, Sinatra, to name a few of them. Here are 100 photographs to give us an intimate view of Duke's world—his family, his friends, his associates.What emerges most strongly in his commitment to music, the mistress for whom he saves the fullest intensity of his passion. ”Lovers have come and gone, but only my mistress stays,” he says. He composed not only songs that all the world has sung, but also suites, sacred works, music for stage and screen and symphonies. This rich book, the embodiment of the life and works of the Duke, is replete with appendices listing singers, arrangers, lyricists and the symphony orchestras with whom the Duke played. There is a book to own and cherish by all who love Jazz and the contributions made to it by the Duke.

    This captivating novel intertwines the stories of several inhabitants on Saipan, America's least-appreciated tropical island. George Griffin is a jaded writer who comes for a press junket and stays far longer than expected; Stephanie Warner is a university professor recently on "trial separation" from her husband; Mel Brodie is an elderly entrepreneur; and Khan is a Bangladeshi laborer who comes to Saipan ("America") to escape hunger. Their voices circle the enthralling element of Saipan-and the hopes that originally drew them to the island. With the versatility that won Kluge accolades as the writer behind Dog Day Afternoon, The Master Blaster is a rare wonder of contemporary storytelling.

    Goodall crowns her first quarter-century with the chimpanzees of Gombe by giving a comprehensive, up-to-date account of her work, a grand synthesis of animal behavior that presents a vast amount of information about man's nearest phylogenetic relative. 336 black-and-white, 23 color halftones. Illustrations.

    Since then, they have become embroiled in allegations of state capture, of dishing out cabinet posts to officials who would do their bidding, and of benefiting from lucrative state contracts and dubious loans. The Republic of Gupta investigates what the Gupta brothers were up to during Thabo Mbeki’s presidency and how they got into the inner circle of President Jacob Zuma. It shines new light on their controversial ventures in computers, cricket, newspapers and TV news, and coal and uranium mining. And it explores their exposure by public protector Thuli Madonsela, their conflict with finance minister Pravin Gordhan, and the real reasons behind the cabinet reshuffle of March 2017.Pieter-Louis Myburgh delves deeper than ever before into the Guptas’ business dealings and their links to prominent South African politicians, and explains how one family managed to transform an entire country into the Republic of Gupta.

    Barely able to speak the language and fiercely proud of his Genoese heritage, it will nevertheless take Napoleon Bonaparte just 20 years to become absolute ruler of the country he once saw as his oppressor. Set against the murderous unpredictability of revolutionary politics and the battlefields of Italy, Egypt, and France, The Song of Departure introduces us to the man who would become the Little Emperor.

    From Gary to Greatness. In his first book in 14 years, the living pop-icon gives an exclusive insight into his private photo archive. My World contains lots of never before seen photographs of Jackson, from 1980 to 2006. Jackson also opens up the doors to his work as the world's most brillant artist (2002 American Music Awards: Artist of the Century) by publishing his hand-written lyrics to his world-famous smash hits Billie Jean, Bad, Black or White, and Smooth Criminal. Moreover the book features personal thoughts and rarely seen lyrics by Jackson along with the high quality pictures of Jackson's dance, stage shows, private life, and public appearances that show the true genius and achievements of music's biggest icon: Michael Jackson.

    After a bizarre mishap Jack Morgan takes up a UN posting in Kenya, hoping to find obscurity on the streets of Nairobi. there he is befriended by the American 'Bear' Hoffman, a man equally at home in the city's racy nightlife as in the Kenyan bush. Jack's hopes for seclusion are soon dashed as he is seduced by the excitement of Africa and by a beautiful Maasai woman named Malaika. Malaika carries a dark secret, and when a warrior returns from her past, she and Jack are plunged into a world of ancient spiritualism and tribal curses. Caught at the centre of a gathering storm, they must fight for the survival of their love... Rich in historical details, tears of the Maasai follows Jack on a flight from truth, and a Maasai family's journey through time, from warrior supremacy to the colour and drama of modern-day Kenya. 'remarkable... adventuresome... suffused with tenderness' Australian Book Review

    As the leader of the movement for independence, Nkrumah provides an illuminating discussion of the problems and conflicts along the way to political freedom, and the new prospects beyond. This book is essential for understanding the genesis of the African Revolution and the maturing of one of its outstanding leaders.

    Growing up, he knew that his mother’s ancestors were from France and Sweden, but he heard only suspiciously vague stories about where his father’s family was from—Italy, Portugal, the Basque country. Then one day, a college professor told him his name may have come from sub-Saharan Africa, which made no sense at all: Mozingo was a blueeyed white man from the suburbs of Southern California. His family greeted the news as a lark—his uncle took to calling them “Bantu warriors”—but Mozingo set off on a journey to find the truth of his roots. He soon discovered that all Mozingos in America, including his father’s line, appeared to have descended from a black man named Edward Mozingo who was brought to the Jamestown colony as a slave in 1644 and won his freedom twenty-eight years later. He became a tenant farmer growing tobacco by a creek called Pantico Run, married a white woman, and fathered one of the country’s earliest mixed-race family lineages. But Mozingo had so many more questions to answer. How had it been possible for Edward to keep his African name? When had some of his descendants crossed over the color line, and when had the memory of their connection to Edward been obscured? The journalist plunged deep into the scattered historical records, traveled the country meeting other Mozingos—white, black, and in between—and journeyed to Africa to learn what he could about Edward’s life there, retracing old slave routes he may have traversed. The Fiddler on Pantico Run is the beautifully written account of Mozingo’s quest to discover his family’s lost past. A captivating narrative of both personal discovery and historical revelation that takes many turns, the book traces one family line from the ravages of the slave trade on both sides of the Atlantic, to the horrors of the Jamestown colony, to the mixed-race society of colonial Virginia and through the brutal imposition of racial laws, when those who could pass for white distanced themselves from their slave heritage, yet still struggled to rise above poverty. The author’s great-great-great-great-great grandfather Spencer lived as a dirt-poor white man, right down the road from James Madison, then moved west to the frontier, trying to catch a piece of America’s manifest destiny. Mozingos fought on both sides of the Civil War, some were abolitionists, some never crossed the color line, some joined the KKK. Today the majority of Mozingos are white and run the gamut from unapologetic racists to a growing number whose interracial marriages are bringing the family full circle to its mixed-race genesis. Tugging at the buried thread of his origins, Joe Mozingo has unearthed a saga that encompasses the full sweep of the American story and lays bare the country’s tortured and paradoxical experience with race and the ways in which designations based on color are both illusory and life altering. The Fiddler on Pantico Run is both the story of one man’s search for a sense of mooring, finding a place in a continuum of ancestors, and a lyrically written exploration of lineage, identity, and race in America. *** From The Fiddler on Pantico Run As I listened to the dry rasp of the elephant grass, I gazed out over the Kingdom of Kom. A narrow gorge threaded through the lush terrain below, opening into a smoky blue chasm in the distance, the Valley of Too Many Bends. . . . This belt of fertile savannah in western Cameroon rested at a terrible crossroads, with no forest to hide in when the marauders arrived. The kings may have been safe in their fortified isolation, but their people were not. They were taken first by Arab invaders in the Sudan in the north, and then by the southern peoples who found that humans were the commodity Europeans most desired. . . . Those who survived had been handed from tribe to tribe, through too many hostile foreign territories to dream of escaping and returning home. And then off they went, into the sea. High on a ridge, three hundred miles by road from the Atlantic, I sat at the headwaters of that outward movement, imagining the people flowing away like the rivers below. I pictured a boy, gazing down into that blue mountain cradle, the grass dry-swishing in the breeze, the drums coming up in the night. A boy suddenly pulled into the current and scrambling to reach the bank. A boy unable to imagine the ocean and sickly white men in big wooden ships and the swampy, malarial settlement called Jamestown where he would be sold to a planter in the year of their lord 1644. This is the beginning, I said to myself. The beginning of my family’s story, the point just after which my forebears obscured the truth—and nearly buried it forever.

    Less well known is the fact that Chamoiseau has written a number of extraordinary books about his childhood in Martinique. One of these, Creole Folktales, recreates in truly magical language the stories he heard as a child. Folktales with a twist, fairy tales with attitude, these stories are told in a language as savory as the spicy food so lovingly evoked within these pages.The cheeky urchins, dowagers, ne’er-do-wells, and gluttons in these tales are filled with longing for the simple things in life: a full plate, a safe journey, a good night's sleep. But their world is haunted, and the material comforts we take for granted are the stuff of dreams for them, for there are always monsters waiting to snatch away their tasty bowl of stew—or even life itself.Some of these monsters are familiar: the wicked hag, the envious neighbor, the deceitful suitor, the devil who gobbles up unwary souls. Others may be surprising, and their casual appearance in these tales makes them all the more frightening—like an unexpected glimpse into a fun-house mirror. But in contrast to these folktales’ more fantastic creations, the white plantation owner and the slave ship's captain remind us that these are stories of survival in a colonized land.A marvelous introduction to a world, both real and imaginary, that North Americans have ignored for far too long.

    It’s highly infectious, incredibly lethal, and turns the recently deceased into fast moving zombies with a taste for human flesh. Rookie officer Lacy Sparks is thrust into the action when she is assigned to a federal strike force tasked with preventing the outbreak from becoming a full blown pandemic. It’s a race against the clock as she and her team struggles to survive against the growing forces of the undead.

    Like our own Mark Twain, Herman Charles Bosman wields a laughing intolerance of foolishness and prejudice, a dazzling use of wit and clear- sighted judgment. Spun by the plainclothes local visionary and storyteller Oom Shalk Lourens, these moving and satirical glimpses of lethargic herdsmen, ambitious concertina players, legendary leopards and mambas, and love-struck dreamers lay bare immense emotions, contradictions, and mysteries within the smallest movements and unadorned talk of the Groot Marico District. Leading oral tradition by the hand into a territory all his own, Bosman maps a world at once lucid and layered, distant yet powerfully familiar.

    Today our shared anxiety has become far more complex and insidious, arising from tyranny, terrorism, and the invisible power of the “quasi state.” As Wole Soyinka suggests, the climate of fear that has enveloped the world was sparked long before September 11, 2001. Rather, it can be traced to 1989, when a passenger plane was brought down by terrorists over the Republic of Niger. From Niger to lower Manhattan to Madrid, this invisible threat has erased distinctions between citizens and soldiers; we’re all potential targets now.In this seminal work, Soyinka explores the implications of this climate of fear: the conflict between power and freedom, the motives behind unthinkable acts of violence, and the meaning of human dignity. Fascinating and disturbing, Climate of Fear is a brilliant and defining work for our age.

    A memoir of the author's life as a Crip-beginning at the tender age of ten in the mid-seventies-and his prison turnaround nearly twenty-five years later