Based on years of research in Gestapo archives, on more than 1,100 Gestapo and "special court" case files, and on surveys and interviews with German perpetrators, Jewish victims and ordinary Germans who experienced the Third Reich firsthand, Johnson's book settles many nagging questions about who, exactly, was responsible for what, who knew what, and when they knew it. Nazi Terror is the most fine-grained portrait we may ever have of the mechanism of terror in a dictatorship.

    Its founder, Otto von Bismarck, had a formidable task at hand. How would he bring thirty-nine individual states under the yoke of a single Kaiser, convincing proud Prussians, Bavarians and Rhinelanders to become Germans? Once united, could the young European nation wield enough power to rival the empires of Britain and France – all without destroying itself in the process? In a unique study of five decades that changed the course of modern history, Katja Hoyer tells the story of the German Empire from its violent beginnings to its calamitous defeat in the First World War. It is a dramatic tale of national self-discovery, social upheaval and realpolitik that ended, as it started, in blood and iron.

    Personalities such as Elvis Presley, Oprah Winfrey, and Michael Jordan are more recognizable to many people than are most elected officials. With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, dance, and music. Paying careful attention to matters of race, gender, class, technology, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture, revealing that the world of entertainment constantly evolves as it tries to meet the demands of a diverse audience. Trends in popular entertainment often reveal the tensions between competing ideologies, appetites, and values in American society. For example, in the late nineteenth century, Americans embraced "self-made men" such as John D. Rockefeller and Andrew Carnegie: the celebrities of the day were circus tycoons P.T. Barnum and James A. Bailey, Wild West star "Buffalo Bill" Cody, professional baseball organizer Albert Spalding, and prizefighter John L. Sullivan. At the same time, however, several female performers challenged traditional notions of weak, frail Victorian women. Adah Isaacs Menken astonished crowds by wearing tights that made her appear nude while performing dangerous stunts on horseback, and the shows of the voluptuous burlesque group British Blondes often centered on provocative images of female sexual power and dominance. Ashby describes how history and politics frequently influence mainstream entertainment. When Native Americans, blacks, and other non-whites appeared in the nineteenth-century circuses and Wild West shows, it was often to perpetuate demeaning racial stereotypes -- crowds jeered Sitting Bull at Cody's shows. By the early twentieth century, however, black minstrel acts reveled in racial tensions, reinforcing stereotypes while at the same time satirizing them and mocking racist attitudes before a predominantly white audience. Decades later, Red Foxx and Richard Pryor's profane comedy routines changed American entertainment. The raw ethnic material of Pryor's short-lived television show led to a series of African-American sitcoms in the 1980s that presented common American experiences -- from family life to college life -- with black casts. Mainstream entertainment has often co-opted and sanitized fringe amusements in an ongoing process of redefining the cultural center and its boundaries. Social control and respectability vied with the bold, erotic, sensational, and surprising, as entrepreneurs sought to manipulate the vagaries of the market, control shifting public appetites, and capitalize on campaigns to protect public morals. Rock 'n Roll was one such fringe culture; in the 1950s, Elvis blurred gender norms with his androgynous style and challenged conventions of public decency with his sexually-charged performances. By the end of the 1960s, Bob Dylan introduced the social consciousness of folk music into the rock scene, and The Beatles embraced hippie counter-culture. Don McLean's 1971 anthem "American Pie" served as an epitaph for rock's political core, which had been replaced by the spectacle of hard rock acts such as Kiss and Alice Cooper. While Rock 'n Roll did not lose its ability to shock, in less than three decades it became part of the established order that it had originally sought to challenge. With Amusement for All provides the context to what Americans have done for fun since 1830, showing the reciprocal nature of the relationships between social, political, economic, and cultural forces and the way in which the entertainment world has reflected, refracted, or reinforced the values those forces represent in America.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    This book by British socialist Tony Cliff (1917-2000) traces the building of that party and, in particular, the work of its main architect, Lenin.

    Written at the onset of the First World War, My Own Story brings attention to Pankhurst's cause while defending her decision to cease activism until the end of the war. Notable for its descriptions of the British prison system, My Own Story is an invaluable document of a life dedicated to others, of a historical moment in which an oppressed group rose up to advocate for the simplest of demands: equality.Born in a politically active household, Emmeline Pankhurst was introduced to the women's suffrage movement at a young age. In 1903, she founded the Women's Social and Political Union (WSPU), an organization dedicated to the suffragette movement. As their speeches, rallies, and petitions failed to make headway, they turned to militant protest, and in 1908 Emmeline was arrested for attempting to enter Parliament to deliver a document to Prime Minister H.H. Asquith. Imprisoned for six weeks, she observed the horrifying conditions of prison life, including solitary confinement. This experience changed her outlook on the struggle for women's suffrage, and she increasingly saw imprisonment as a means of radical publicity. Over the next several years, she would be arrested seven times for rioting, destroying property, and assaulting police officers, and while in prison staged hunger strikes in order to gain the attention of the press and political establishment. My Own Story is a record of one woman's tireless advocacy for the sake of countless others.With a beautifully designed cover and professionally typeset manuscript, this edition of Emmeline Pankhurst's My Own Story is a classic of English literature reimagined for modern readers.

    A vital counter-interpretation of madness in women, showing how it is often a consequence of, rather than a deviation from, the traditional female role.

    Doron Swade, technology historian and assistant director of London's Science Museum, investigates the troubles that plagued 19th-century knowledge engineers in The Difference Engine: Charles Babbage and the Quest to Build the First Computer.The author is in a unique position to appreciate the technical difficulties of the time, as he led a team that built a working model of a Difference Engine, using contemporary materials, in time for Babbage's 1991 bicentenary. The meat of the book is comprised of the story of the first computing machine design as gathered from the technical notes and drawings curated by Swade. Though Babbage certainly had problems translating his ideas into brass, the reader also comes to understand his fruitless, drawn-out arguments with his funders. Swade had it comparatively easy, though his depictions of the frustrating search for money and then working out how best to build the enormous machine in the late 1980s are delightful.It is difficult--maybe impossible--to draw a clear, unbroken line of influence from Babbage to any modern computer researchers, but his importance both as the first pioneer and as a symbol of the joys and sorrows of computing is unquestioned. Swade clearly respects his subject deeply, all the more so for having tried to bring the great old man's ideas to life. The Difference Engine is lovingly comprehensive and will thrill readers looking for a more technical examination of Babbage's career. --Rob Lightner

    It was perhaps the most cosmopolitan state in the world--and possibly the most volatile. "A Brief History of the Late Ottoman Empire" now gives scholars and general readers a concise history of the late empire between 1789 and 1918, turbulent years marked by incredible social change. Moving past standard treatments of the subject, M. Sukru Hanioglu emphasizes broad historical trends and processes more than single events. He examines the imperial struggle to centralize amid powerful opposition from local rulers, nationalist and other groups, and foreign powers. He looks closely at the socioeconomic changes this struggle wrought and addresses the Ottoman response to the challenges of modernity. Hanioglu shows how this history is not only essential to comprehending modern Turkey, but is integral to the histories of Europe and the world. He brings Ottoman society marvelously to life in all its facets--cultural, diplomatic, intellectual, literary, military, and political--and he mines imperial archives and other documents from the period to describe it as it actually was, not as it has been portrayed in postimperial nationalist narratives. "A Brief History of the Late Ottoman Empire" is a must-read for anyone seeking to understand the legacy left in this empire's ruins--a legacy the world still grapples with today."

    But had this bold and spirited beauty really descended into prostitution, drunkenness, and early death--or did her life, hidden from history, take a different course altogether? Eunice Lipton's search for the answer combines the suspense of a detective story with the revelatory power of art, peeling off layers of lies to reveal startling truths about Victorine Meurent--and about Lipton herself.

    Astonishing in the sheer detail it amasses, the book is the first comprehensive attempt to catalogue and analyze the crimes of Communism over seventy years.Revolutions, like trees, must be judged by their fruit, Ignazio Silone wrote, and this is the standard the authors apply to the Communist experience--in the China of the Great Helmsman, Kim Il Sung's Korea, Vietnam under Uncle Ho and Cuba under Castro, Ethiopia under Mengistu, Angola under Neto, and Afghanistan under Najibullah. The authors, all distinguished scholars based in Europe, document Communist crimes against humanity, but also crimes against national and universal culture, from Stalin's destruction of hundreds of churches in Moscow to Ceausescu's leveling of the historic heart of Bucharest to the widescale devastation visited on Chinese culture by Mao's Red Guards.As the death toll mounts--as many as 25 million in the former Soviet Union, 65 million in China, 1.7 million in Cambodia, and on and on--the authors systematically show how and why, wherever the millenarian ideology of Communism was established, it quickly led to crime, terror, and repression. An extraordinary accounting, this book amply documents the unparalleled position and significance of Communism in the hierarchy of violence that is the history of the twentieth century.

    The further story of the bloody unravelling of the Revolution until its seizure by Napoleon is equally astounding.Colin Jones' brilliant new book is the first in 40 years to describe the whole period. Jones' key point in this gripping narrative is that France was NOT doomed to Revolution and that the 'ancien regime' DID remain dynamic and innovatory, twisting and turning until finally stoven in by the intolerable costs and humiliation of its wars with Britain.

    Continuous warfare became an accepted way of life in the Victorian era, and in the process the size of the British Empire quadrupled.But engrossing as these small wars are—and they bristle with bizarre, tragic, and often humorous incident—it is the officers and men who fought them that dominate this book. With their courage, foolhardiness, and eccentricities, they are an unforgettable lot.

    Maurice Beebe calls it "a distinguished contribution to modern literary history." Jane Marcus hails it as "the first serious literary history of the period and its women writers, making along the way no small contribution to our understanding of the relationships between women artists and their male counterparts, from Henry James to Hemingway, Joyce, Picasso, and Pound."

     Free History BONUS Inside! Decades after witch-hunting had begun to die down in Europe, North America was about to witness its bloodiest witch hunt in history. The Massachusetts of 1692 was a very different one to the state we know today. Populated by colonists, many of them a generation or less from life in an England bathed in religious turmoil, Massachusetts was not the safe haven that the fleeing Puritans had hoped it would be. Persecuted for their faith in Europe, the Puritans had pictured a kind of utopia founded on biblical principles. They saw the New World as a new beginning, a kind of second chance for humanity. It would be only 72 years after the arrival of the Mayflower that the events in Salem would make it blatantly obvious that humanity had already blown it again. This is not the story of the trials. This is the story of its people. This is not an attempt to explain the events of 1692. It is an attempt to bring to life the victims who died so unjustly. In this book, we will walk side by side with the destitute Sarah Good as she realizes that after having lost all she owns, her reputation, her baby, and even her life will still be taken from her. We stand at the bar with Rebecca Nurse, a sweet little old lady who is sentenced to hang for what she must have perceived to be the most heinous of crimes. We witness George Burroughs at the gallows, a former minister now condemned to die for his supposed alliance with Satan, as he delivers a speech so stirring that it takes quick thinking from his enemies to prevent the crowd from rushing forth to cut him down. We feel our own breaths catching as we watch the cruel and greedy Sheriff George Corwin piling rocks onto the fragile eighty-year-old body of Giles Corey, who is determined to die without entering a plea so that his sons will still get the inheritance he promised them. We will walk through this history in the footprints of those who suffered the hardest in it. The Salem witch hunt and trials killed many and ruined the lives of countless others. And this is their story. In The Salem Witch Hunt: A Captivating Guide to the Hunt and Trials of People Accused of Witchcraft in Colonial Massachusetts, you will discover topics such as Witches in Europe Salem Strange Afflictions The Affliction of Elizabeth Hubbard The Confession of Tituba Fuel on the Fire The Madness Intensifies The Reverend in League with the Devil The First Casualty Hanging A Bid for Mercy The Reverend Hangs Crushed Eight Innocent Firebrands Glimmers of Sense Not Guilty The Last Casualty Life After the Trials The Second Salem Remembering Salem And much, much more! So if you want to learn more about the Salem Witch Hunt, scroll up and click the "add to cart" button!