Included in this collection are stories, painstakingly culled and thoughtfully crafted, from the Mahabharata (‘Shiva’s Anger’ and ‘Shakuntala’); the Jataka (‘The Hare in the Moon’ and ‘The Crane and the Crab’) and from regional folklore (‘The Tiger-King’s Gift’ and ‘The Happy Herdsman’). With detailed annotations on the sources of each of these stories, Tales and Legends from India showcases the unique and wonderful ethos of India, as told by its most beloved storyteller, Ruskin Bond.

    But when the Emperor is imprisoned in a high tower, only the Princess can save the day, flying her kite high up into the sky to rescue her father.

    In its journey across worlds and time, it delves into the powerful forces that drive mortals and gods alike toward revenge, loyalty—and love.

    For the Akha people, ensconced in ritual and routine, life goes on as it has for generations—until a stranger appears at the village gate in a jeep, the first automobile any of the villagers has ever seen. Slowly, Li-yan, one of the few educated girls on her mountain, begins to reject the customs that shaped her early life. When she has a baby out of wedlock she rejects the tradition that would compel her to give the child over to be killed, and instead leaves her, wrapped in a blanket with a tea cake tucked in its folds, near an orphanage in a nearby city. As Li-yan comes into herself, leaving her village for an education, a business, and city life, her daughter, Haley, is raised in California by loving adoptive parents. Despite her privileged childhood, Haley wonders about her origins. Across the ocean Li-yan longs for her lost daughter. Over the course of years, each searches for meaning in the study of Pu’er, the tea that has shaped their family’s destiny for centuries.

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    The House of Wu, one of the oldest and most revered in China, is thrown into an uproar by her decision, but Madame Wu will not be dissuaded and arranges for a young country girl to come take her place in bed. Elegant and detached, Madame Wu orchestrates this change as she manages everything in the extended household of more than sixty relatives and servants. Alone in her own quarters, she relishes her freedom and reads books she has never been allowed to touch. When her son begins English lessons, she listens, and is soon learning from the foreigner, a free-thinking priest named Brother Andre, who will change her life. Few books raise so many questions about the nature and roles of men and women, about self-discipline and happiness.

    As the Chinese move in, the elders of the Japanese settler village of Sakito decide to preserve their honour by killing all the villagers in an act of mass suicide. Only 16-year-old Tatsuru escapes.But Tatsuru's trials have just begun. As she flees, she falls into the hands of human traffickers. She is sold to a wealthy Chinese family, where she becomes Duohe - the clandestine second wife to the only son, and the secret bearer of his children. Against all odds, Duohe forms an unlikely friendship with the first wife Xiaohuan, united by the unshakeable bonds of motherhood and family.Spanning several tumultuous decades of Mao’s rule, Little Aunt Crane is a novel about love, bravery and survival, and how humanity endures in the most unlikely of circumstances.

    Who is at the end of your red thread?” After losing her infant daughter in a freak accident, Maya Lange opens The Red Thread, an adoption agency that specializes in placing baby girls from China with American families. Maya finds some comfort in her work, until a group of six couples share their personal stories of their desire for a child. Their painful and courageous journey toward adoption forces her to confront the lost daughter of her past. Brilliantly braiding together the stories of Chinese birth mothers who give up their daughters, Ann Hood writes a moving and beautifully told novel of fate and the red thread that binds these characters’ lives. Heartrending and wise, The Red Thread is a stirring portrait of unforgettable love and yearning for a baby.

    "Absolutely splendid." -- Kirkuse Reviews. "An extraordinary and powerful book." -- Publisher's Weekly.

    Set in 1930s Shanghai,the Paris of the East, but where following the path of duty still takes precedence over personal desires, a young Chinese woman named Feng finds herself in an arranged marriage to a wealthy businessman. In the enclosed world of her new household-a place of public ceremony and private cruelty-she learns that, above all else, she must bear a male heir. Ruthless and embittered by the life that has been forced on her, Feng seeks revenge by doing the unthinkable. Years later, she must come to a reckoning with the decisions she has made to assure her place in family and society, before the entire country is caught up in the fast-flowing tide of revolution.

    Unsurprisingly, he ascended to the Heavens at a very young age. Now, eight hundred years later, Xie Lian ascends to the Heavens for the third time as the laughing stock of all three realms. On his first task as a god, he meets a mysterious demon who rules the ghosts and terrifies the Heavens……yet unbeknownst to Xie Lian, this demon king has been paying attention to him for a very, very long time. (-novelupdates.com)

    Despite divergent lives, the two men spend their nights together, establishing a deep connection. When loyalties are tested, Handong is left questioning his secrets, his choices, and his very identity.Beijing Comrades is the story of a torrid love affair set against the sociopolitical unrest of late-eighties China. Due to its depiction of gay sexuality and its critique of the totalitarian government, it was originally published anonymously on an underground gay website within mainland China. This riveting and heartbreaking novel, circulated throughout China in 1998, quickly developed a cult following, and remains a central work of queer literature from the People's Republic of China. This is the first English-language translation of Beijing Comrades.Bei Tong is the anonymous author of Beijing Comrades. The author's real-world identity has been a subject of ongoing debate since the novel was first published.

    The main content of ""Classic Echo: New Stories (English-Chinese)"" consists of preamble, sky healing, flying to the moon, water, plucking, swords, out customs, non-attack.

    A unique memoir of the first half of the twentieth century as seen through the eyes of one born to be an absolute monarch, the book begins with the author's vivid account of the last, decadent days of the Ching Dynasty, and closes with an introspective self-portrait of the last Ching emperor transformed into a retiring scholar and citizen of the People's Republic of China.In detailing the events of the fifty years between his ascension to the throne and the final period of his life as a quiet-living resident of Beijing, Pu Yi reveals himself to be first and foremost a survivor, caught up in the torrent of global power struggles and world conflict that played itself out on the Asian continent through many decades of violence and upheaval.The firsthand description of the dramatic events of Pu Yi's life was the basis for the internationally acclaimed 1987 Bernardo Bertolucci film The Last Emperor which was named Best Picture of the Year by the American Academy of Motion Picture Arts and Sciences. From Emperor to Citizen readily lends itself to cinematic adaptation as a personal narrative of continuously significant and revealing episodes.Becoming emperor and then forced to abdicate with the establishment of the Republic of China in 1911, all before he is seven years old, Pu Yi continues to live in the Forbidden City for another decade, still treated as the Son of Heaven by the moribund Ching court, but in reality a virtual prisoner with little genuine human contact apart from his beloved nurse Mrs. Wang, his teacher Chen Pao-shen and his English teacher Reginald Johnston.When at the age of nineteen Pu Yi is finally forced to vacate his isolated existence within the Forbidden City, he begins his long odyssey as the dependent of the occupying imperial Japanese regime, first in Tientsin, and eventually installed as "emperor" of the Japanese puppet state styled Manchukuo in China's northeast provinces. With the defeat of Japan and the end of the Second World War, Pu Yi faces a very uncertain future as he is shunted off to Russia for five years before returning to a new China transformed by revolution, where he is confined in the Fushun War Criminal Prison. Here he undergoes several years of rehabilitation, "learning how to become a human being," as he calls it, before receiving an official pardon and being allowed to finally live as an ordinary citizen of Beijing.This autobiography is the culmination of a unique and remarkable life, told simply, directly and frankly by a man whose circumstances and experiences were like no other.

    Not only that, she had to bend her will according to her relatives’ mood. Idiot? Trash? Very well, sooner or later, she will show these group of silly earthlings what it means to be too late for regrets!Battle-qi? Magic? Her talent on both magic and martial arts will mortify every genius in existence. The position of the clan chief? The mythological Vermilion Bird? Want them? So sorry~ She already took them!But who will tell her, that the cute boy who gets carsick easily was really the mythological Vermilion Bird? Then, what about the elder that’s residing in her body, just which deity does that mysterious soul belong to? Furthermore……Why was it that other people’s companion were those kind of domineering, and incomparably mighty type. Why was it the one around her were either an evil merchant or a sly fox, a useless nerd or a playboy, the worst is this sick pretty boy! What happened to ruling the world, and standing above all else? Please don’t f*ck with me!