And as the air raid sirens sound over London, the frightened animals are sent to be put down.Buster, Tiger and Rose make a daring escape but with danger at every turn, can the trio make it across the country as it prepares for battle - and cheat death for the second time?

     The last unconquered stronghold of the Celts and a land of gold and slaves. A dangerous place of men without fear, led by mystical Druid warriors, yet still to face the might of Rome in the unrelenting expansion of the Empire. Four Roman legions have assembled in Gaul undertaking final preparations for the invasion of Britannia. Two young men are posted to a training cohort under the sadistic tutorage of a battle scarred veteran, Remus. The training is brutal but eventually the trainees find themselves involved in their first campaign, The invasion of Britannia. The legions invade in a frenzy of brutality and aggression, and one of the defending Celtic warriors is forced to flee the battle to embark on a frantic rescue mission the isle of Druids, where a young girl is due to be sacrificed. Meanwhile a cohort of legionaries under the command of Remus, is tasked with finding the source of the Celtic gold. The Romans find themselves in strange and unfriendly environment and, as they close in on their quarry, the fates of all four men become intertwined and a long held secret revealed, culminating in a savage and astonishing climax that affects the very future of Britannia..

     Northern Italy. Dux Ambrosius Aurelianus has served the Roman Empire with distinction. His bucellarii, a small band of irregular soldiers, have helped to bring a fragile peace to the beleaguered empire in the west. But, with the empire now at peace, his master, Flavius Aetius, decides to chain up his dogs of war. Ambrosius and his men are left to idle away their days in a rural backwater, but Ambrosius’ boredom is brutally swept aside when old rivals seize the opportunity to destroy him. Pursued as a traitor by the imperial guard, Ambrosius takes his loyal band, along with other dissident soldiers and a Saxon girl, Inga, into the mountains. Since nowhere is safe, Ambrosius travels north, across the crumbling ruins of the empire, to his estranged family in Gaul. But there too, he finds nothing but conflict, for his home town is now besieged by a small army of rebellious Franks. Freedom and peace seem a world away. Whatever course the soldier takes, Ambrosius and his bucellarii will need to muster all their strength and skill to survive. At the twilight of the empire, they may be the Last of the Romans… Recommended for fans of Ben Kane, Anthony Riches and Conn Iggulden. 'Fast-paced and action-packed.' Richard Foreman, author of Spies of Rome Derek Birks is a former history teacher. He is also the author of Rebels & Brothers, a series of historical novels set during The Wars of the Roses.

    Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered.But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum, Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human.

    If adjusting to the rigours of military life isn’t difficult enough for the bookish young man, he also has to contend with the disgust of his colleagues when, because of his imperial connections, he is appointed a rank above them. As second-in-command to Macro, the fearless, battle-scarred centurion who leads them, Cato will have more to prove than most in the adventures that lie ahead. Then the men discover that the army’s next campaign will take them to a land of unparalleled barbarity - Britain. After the long march west, Cato and Macro undertake a special mission that will thrust them headlong into a conspiracy that threatens to topple the Emperor himself...

    A reckless father, his dark past, an Adelaide drug trafficker and the Gold Coast beauty school dropout who kept her mouth shut. This is the explosive untold story of Schapelle Corby and how she took the rap for her father's drug syndicate.The result of a three year investigation, Sins of the Father returns to the beginning of Australia's most famous drug case, to a time when nobody had ever heard the name Schapelle Corby. Finally, the missing pieces of the jigsaw fall into place as we are led, step by step, through the important weeks, days, and hours leading up to her dramatic arrest.

    AD), in the Iraq cities of Basra and Baghdad and in Persia. In the framework of Islamic culture, the novel explores the relation between orthodox faith and mysticism, between the Arabic and Persian worlds, between male and female emotivity and experience of the world. The Arabic-Persian writer al-Muqaffa, the poet, mystic, and Sufi master al-Hallaj, and the philosopher and writer al-Tauhidi, all portrayed in confrontations with their persecutors – policemen and spies, profess esoteric teachings, and all esoteric religious and spiritual orientations are, as Dževad Karahasan says in his essay "Through Secret Gardens" from "Book of Gardens" (Knjiga vrtova, 2002), characterised by a belief that the world is divided into an outer and an inner sphere, of which the inner is the more valuable and the more real. This esoteric orientation leads the novel's protagonists into a conflict with the world: according to Dževad Karahasan, the rifts breeding hatred, excommunication, crime and war are engendered within the cultures and civilisations themselves rather than on their margins or borders. Each society has its 'different ones', the outcast, the persecuted, and the violence projected by us into the Other is actually present within the society itself. The other theme of Eastern Divan is the dialogue between male and female perceptions of the world, a dialogue established through the correspondence between al-Muqaffa, a Persian convert to Islam, and his wife. Their love letters crystallise two cultures, two views of the world, two ways of thinking and feeling.Uspješno transponujući borhesovske lavirinte i ogledala u duhovni ambijent Orijenta, Dževad Karahasan je uspio ostvariti "Istočni diwan" kao roman koji se 'čita u dahu', koji 'uvlači' u čitanje svojom uzbudljivošću, napetošću i mudrošću. I utoliko ovo djelo predstavlja jednu novu, svježu i vrijednu liniju savremenom romanu. "Istočni diwan" je djelo o sufijskom mučeniku i svecu Al-Halladžu, kompleksna studija u kojoj se preklapaju vjerno rekonstruirani ambijent Bagdada u 8. vijeku, refleksivni pasaži i egzistencijalno-spiritualna drama legendarnog martira, pjesnika i aforističkog mislioca. Za razliku od Selimovića u romanu "Derviš i smrt", Karahasan dobro poznaje problematiku sufijskog misticizma.

    Surrounded by men who are jockeying for power–Cicero, Brutus, Cassius, and Mark Antony–young Octavius must work against the powerful Roman political machinations to claim his destiny as first Roman emperor. Sprung from meticulous research and the pen of a true poet, Augustus tells the story of one man’s dream to liberate a corrupt Rome from the fancy of the capriciously crooked and the wildly wealthy.

    

    After conquering the Roman city of Saguntum, Hannibal wages his campaign through the outposts of the empire, shrewdly befriending peoples disillusioned by Rome and, with dazzling tactics, outwitting the opponents who believe the land route he has chosen is impossible. Yet Hannibal's armies must take brutal losses as they pass through the Pyrenees mountains, forge the Rhone river, and make a winter crossing of the Alps before descending to the great tests at Cannae and Rome itself. David Anthony Durham draws a brilliant and complex Hannibal out of the scant historical record?sharp, sure-footed, as nimble among rivals as on the battlefield, yet one who misses his family and longs to see his son grow to manhood. Whether portraying the deliberations of a general or the calculations of a common soldier, vast multilayered scenes of battle or moments of introspection when loss seems imminent, Durham brings history alive.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    The work of Yagyῡ Munenori from 1632 concerns martial arts and military science. It is translated by Thomas Cleary and can be found tucked behind Miyamoto Musashi‘s “the Book of five rings” from 1643. Both these texts analyse conflict between two men armed with swords and scale this up bigger battles. These important treaties on swordsmanship, and have been taken as giving lessons on life in general.

    Watts offers a new history of the fall of the Roman Republic that explains why Rome exchanged freedom for autocracy. For centuries, even as Rome grew into the Mediterranean's premier military and political power, its governing institutions, parliamentary rules, and political customs successfully fostered negotiation and compromise. By the 130s BC, however, Rome's leaders increasingly used these same tools to cynically pursue individual gain and obstruct their opponents. As the center decayed and dysfunction grew, arguments between politicians gave way to political violence in the streets. The stage was set for destructive civil wars--and ultimately the imperial reign of Augustus. The death of Rome's Republic was not inevitable. In Mortal Republic, Watts shows it died because it was allowed to, from thousands of small wounds inflicted by Romans who assumed that it would last forever.

    The so-called divinities of Olympus have not a single worshipper among living men. They belong now not to the department of theology, but to those of literature and taste. There they still hold their place, and will continue to hold it, for they are too closely connected with the finest productions of poetry and art, both ancient and modern, to pass into oblivion.

    Its proponents cite ancient Greek and Latin texts to support their claims--arguing that they articulate a model of masculinity that sustained generations but is now under siege.Donna Zuckerberg dives deep into the virtual communities of the far right, where men lament their loss of power and privilege, and strategize about how to reclaim them. She finds, mixed in with weightlifting tips and misogynistic vitriol, the words of the Stoics deployed to support an ideal vision of masculine life. On other sites, pickup artists quote Ovid's Ars Amatoria to justify ignoring women's boundaries. By appropriating the Classics, these men lend a veneer of intellectual authority and ancient wisdom to their project of patriarchal white supremacy. In defense or retaliation, feminists have also taken up the Classics online, to counter the sanctioning of violence against women.Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.