Rock Your Plot: A Simple System for Plotting Your Novel


Cathy Yardley - 2012
    It includes: how to test your premise, some easy steps to develop your character and define your story question from that character, how to hit your major plot points, and how to write a scene outline. Concise, clear, and action-oriented, this book is all about plotting, simplified.

The Forest for the Trees


Betsy Lerner - 2000
    From her long experience working with successful writers and discovering new voices, Lerner looks at different writer personality types and addresses the concerns of writers just getting started as well as those stalled mid-career.

It Was The Best Of Sentences, It Was The Worst Of Sentences: A Writer's Guide To Crafting Killer Sentences


June Casagrande - 2010
    But too many writers--and writing guides--overlook this most important unit. The result? Manuscripts that will never be published and writing careers that will never begin. In this wickedly humorous manual, language columnist June Casagrande uses grammar and syntax to show exactly what makes some sentences great--and other sentences suck. With chapters on "Conjunctions That Kill" and "Words Gone Wild," this lighthearted guide is perfect for anyone who's dead serious about writing, from aspiring novelists to nonfiction writers, conscientious students to cheeky literati. So roll up your sleeves and prepare to craft one bold, effective sentence after another. Your readers will thank you. "From the Trade Paperback edition."

Pity the Reader: On Writing with Style


Kurt Vonnegut Jr. - 2019
    Of course, he has given us glimpses in his aphorisms, short essays, articles, and speeches. But, never before has an entire book been devoted to Kurt Vonnegut, the teacher. Here is pretty much everything Vonnegut ever said or wrote having to do with the art and craft of writing - Plus - a wonderful, healing/nourishing expedition, of which McConnell has outfitted us for the journey, and in these 37 chapters, covers the waterfront of how one American writer brought himself to the pinnacle of the writing art; and the result only serves to benefit us.Kurt Vonnegut was one of the few grandmasters of American literature, whose novels continue to influence new generations about the ways in which our imaginations can help us to live. Few aspects of his contribution have not been plumbed - 14 novels, collections of his speeches, his essays, his letters, his plays - so this fresh view of him, written by a former student, is a bonanza for writers, readers, listeners and Vonnegut fans everywhere.©2019 Trust u/w of Kurt Vonnegut Jr. (P)2019 Highbridge, a division of Recorded Books

Writing a Killer Thriller: An Editor's Guide to Writing Compelling Fiction


Jodie Renner - 2012
    As of August 30, 2013, this book has 35 5-star reviews and 8 4-star reviews on Amazon, out of a total of 45 reviews (average 4.7 out of 5 stars).Whether you’re planning your first novel or revising your fourth, you’ll discover lots of concrete ideas here for taking your fiction up a level or two, captivating readers, and gaining fans. Both published and aspiring authors of fast-paced, popular fiction will find these tips indispensable, and the reader-friendly format makes it easy to zoom in on specific advice, with examples, for creating compelling characters, planning a high-stakes plot, writing a riveting opening, ramping up the tension and intrigue, picking up the pace, revising for power, and creating a page-turner that sells.“Finally, someone who understands the thriller! More than ever an author must also be his own best editor and Jodie Renner is there to help. Writing a Killer Thriller should be on every thriller writer’s desk. It breaks down the thriller into its must-have component parts to write a scintillating, edge of the seat novel that will get readers buzzing and sales flowing.” ~ Robert Dugoni, New York Times bestselling author of The Jury Master and Murder One“Writing a Killer Thriller by Jodie Renner is an in-depth journey through each component of the thriller. Renner breaks down the process into key elements, each essential to keeping the reader turning those pages. From character development to building suspense, Writing a Killer Thriller should be on the desk of every thriller author out there. A staple for the beginner, a refresher for the pro.” ~ Joe Moore, #1 Amazon and international bestselling co-author of The Blade and The Phoenix Apostles“Writing is hard, editing harder, and self-editing almost impossible. Writing a Killer Thriller demystifies each of these steps on the road to a published manuscript. Read this book. It will help you now and for many years to come.”~ DP Lyle, Macavity Award winning and Edgar, Agatha, Anthony, Benjamin Franklin, Scribe, and USA Best Books nominated author of the Dub Walker thriller series“A killer of a thriller guide! Jodie Renner lays out, in clear, easy steps and lists, how the best writers craft their works of art – and shows how you can do it, too. A terrific how-to in avoiding the pitfalls and burnishing the gotta-haves of writing a bestselling thriller novel, by an editor who knows her way around action, drama and creating characters so fresh and real you’ll swear they were your friends.”~ Shane Gericke, national bestselling and No. 1 Kindle bestselling author of Torn Apart

Verbalize: bring stories to life & life to stories (live wire writer guides)


Damon Suede - 2018
    This Live Wire Writer Guide presents a simple, effective technique to sharpen your hook, charge your scenes, and amplify your voice whether you're a beginner or an expert.Most writing manuals skirt craft questions with gimmicks and quick fixes rather than plugging directly into your story's power source. Energize your fiction and boost your career with a new characterization method that jumpstarts drafting, crafting, revision, and pitching.  skill-builders to intensify language, stakes, and emotion for your readers.  battle-tested solutions for common traps, crutches, and habits.  a dynamic story-planning strategy effective for plotters and pantsers.  ample examples and exercises to help you upgrade fiction in any genre.  Blast past overused tics and types with storycraft that busts your ruts and awes your audience. Whether you like to wing it or bring it, Verbalize offers a fresh set of user-friendly, language-based tools to populate your pages and lay the foundations of unforgettable genre fiction.

Breathing Life Into Your Characters: How to Give Your Characters Emotional & Psychological Depth


Rachel Ballon - 2003
    Through a mix of instruction, examples, and writing and visualization exercises, readers learn how to tap into their own stories and emotions to create realistic, complex characters.

Write. Publish. Repeat. (The No-Luck-Required Guide to Self-Publishing Success)


Sean Platt - 2013
    Publish. Repeat. The No-Luck-Required Guide to Publishing In 2013, Johnny B. Truant and Sean Platt published 1.5 million words and made their full-time livings as indie authors. In Write. Publish. Repeat., they tell you exactly how they did it: how they created over 15 independent franchises across 50+ published works, how they turned their art into a logical, sustainable business, and how any independent author can do the same to build a sustainable, profitable career with their writing. Write. Publish. Repeat. explains the current self-publishing landscape and covers the truths and myths about what it means to be an indie author now and in the foreseeable future. It explains how to create books your readers will love and will want to return to again and again. Write. Publish. Repeat. details expert methods for building story worlds, characters, and plots, understanding your market (right down to your ideal reader), using the best tools possible to capture your draft, and explains proven best practices for editing. The book also discusses covers, titles, formatting, pricing, and publishing to multiple platforms, plus a bit on getting your books into print (and why that might not be a good idea!). But most importantly, Write. Publish. Repeat. details the psychology-driven marketing plan that Sean and Johnny built to shape their stories into "products" that readers couldn't help but be drawn into -- thus almost automatically generating sales -- and explores ways that smart, business-minded writers can do the same to future-proof their careers. This book is not a formula with an easy path to follow. It is a guidebook that will help you build a successful indie publishing career, no matter what type of writer you are ... so long as you're the type who's willing to do the work.

On Writing


Ernest Hemingway - 1984
    In his novels and stories, in letters to editors, friends, fellow artists, and critics, in interviews and in commissioned articles on the subject, Hemingway wrote often about writing. And he wrote as well and as incisively about the subject as any writer who ever lived…This book contains Hemingway’s reflections on the nature of the writer and on elements of the writer’s life, including specific and helpful advice to writers on the craft of writing, work habits, and discipline. The Hemingway personality comes through in general wisdom, wit, humor, and insight, and in his insistence on the integrity of the writer and of the profession itself.—From the Preface by Larry W. Phillips

"I Give You My Body . . .": How I Write Sex Scenes


Diana Gabaldon - 2016
      “Ask me to your bed,” he said. “I shall come to ye.”   In this revealing compendium, acclaimed writer Diana Gabaldon shares her invaluable lessons for creating an immersive reading experience, from evoking a mood to using the power of emotions to communicate physical intimacy. You’ll learn the difference between gratuitous sex and genuine encounters that move the story forward, and how to handle less-than-savory acts that nevertheless serve a narrative purpose. Gabaldon also notes that sex can be conveyed instead of described. With such tips as “The Rule of Three” for involving the senses, handy lists of naughty euphemisms (with instructions for use), and Gabaldon’s own examples from the Outlander novels, “I Give You My Body . . .” is a master class in writing to draw readers in and keep them riveted to the page.

The Courage to Write: How Writers Transcend Fear


Ralph Keyes - 1995
    I have to talk myself into bravery with every sentence, agreed Cynthia Ozick, sometimes every syllable. E. B. White said he admired anyone who has the guts to write anything at all.An author who has taught writing for more than thirty years,In The Courage to Write, Ralph Keyes, an author who has taught writing for more than thirty years, assures us that anxiety is felt by writers at every level, especially when they dare to do their best. He describes the sequence of courage points through which all writers must pass, from the challenge of identifying a worthwhile project to the mixture of pride and panic they feel when examining a newly published book or article.Keyes also offers specifics on how to root out dread of public performance and of the judgment of family and friends, make the best use of writers' workshops and conferences, and handle criticism of works in progress. Throughout, he includes the comments of many accomplished writers -- Pat Conroy, Amy Tan, Rita Dove, Isabel Allende, and others -- on how they transcended their own fears to produce great works.

The Writer's Lexicon: Descriptions, Overused Words, and Taboos


Kathy Steinemann - 2017
    When they’re not nodding, they roll their eyes.Time to slash the Pinocchio strings and turn them into real people. Award-winning author Kathy Steinemann provides the tools. She cuts through the so-called rules and offers simple solutions.Too many repetitions of “little”? There’s a cure for that. Do you rely on “very” too often? There’s a cure for that too. You’ll find the remedies in this book’s dispensary.Should you ever use anything other than “said” to attribute dialogue? Are exclamation points taboo? The answers might surprise you.Learn how to harness body language, purge hackneyed adjectives, and draw on the environment for ambience. No more wooden characters. You’ll transform them into believable personalities that your readers will learn to love. Or hate.Get in the driver’s seat, relax, and enjoy your journey—with Kathy Steinemann’s book as your GPS.

How Fiction Works


James Wood - 2008
    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

The Elements of Style


William Strunk Jr. - 1918
    Throughout, the emphasis is on promoting a plain English style. This little book can help you communicate more effectively by showing you how to enliven your sentences.

Proofreading Secrets of Best-Selling Authors


Kathy Ide - 2007
    Proofreading Secrets of Best-Selling Authors, by professional freelance author, editor, and proofreader Kathy Ide, is the essential go-to tool for aspiring and experienced writers and editors. This book includes all of the material from Ide's popular Polishing the PUGS book (now out of print), with added PUGS guidelines and helpful tips from multi-published authors on how to catch typos and other common mistakes. In Proofreading Secrets of Best-Selling Authors, Kathy Ide identifies the industry-standard references for books, magazines, and newspapers (which are different from the guidelines for other types of writing, such as college term papers). Using these official references, she highlights the most common mistakes writers make in the areas of punctuation, usage, grammar, and spelling (for which she uses the acronym PUGS). She also includes guidelines from The Christian Writer's Manual of Style for authors and editors who work in the inspirational market.