From Ann Siang Road in Singapore to Matnog in Sorsogon, from Amsterdam to Tokyo to Hawaii, they explore love, loss, life, and loneliness in this collection, hoping to finally find their place in this world.

    Plus the portrait of a hip chick from then Swinging London as she discourses indelicately on a most delicate topic: the Filipino as Lover.

    Married to a man who has little care for her, she longs for something to fill the emptiness within - and fears that she is almost out of time.When Seren meets a woman who says she can help, she thinks her dreams have come true. But the locals suspect Anwen of witchcraft, and any association with her may taint Seren too.And as Seren finds herself growing closer to Elwyn Davies, the local minister, who has made no secret of his attraction to her, she must ask herself what it will take to find happiness - and whether she is willing to pay the price . . .

    It ran straight south from Caldwell, Kansas to Fort Reno, I.T., then down through the Cheyenne and Comanche and Kiowa lands, crossing the Red River into Bowie, Texas. It was a line on the map, a demarcation. West of it no law existed, only outlaws. On trails out there, outlaws put notes on trees and posts to let lawmen know they'd be killed if they continued their pursuits west of the Dead Line.In the storied times of the American West, in what was called Indian Territory, no place came close to matching the dangers and mortality U.S.marshals faced doing their jobs. Those who survived became titans in the legends of the West, particularly one man called Bass Reeves. These stories are fiction; the encounters this lawman faced, and The Dead Line, were not.

    But by day Gerry is Gerrard, who is not only married, he’s a vicar. A vicar with doubts. Although Lucinda, his wife, has very few doubts when a trip to Birmingham goes startlingly right. And ageing gigolo Nelson never sees himself as a messiah until Albert convinces him he can walk on water – or is that just revenge for Nelson having put his head down the toilet at school? Does Gerrard really witness the Second Coming? Will Lucinda’s American prove himself in Hong Kong? And will the Late Contessa ever retrieve her Bentley?Find out in Giles Curtis’s twelfth rip-roaring, hilarious romp through the intricacies of fidelity, faith and epiphanies.

     Young Nora is the heiress to the great champagne dynasty of the House of Tramont. Under the care of her kindly guardians, Gabrielle and Marc Auduron-Tramont, little Nora blossoms into a beautiful and confident woman. But like those family members who came before her, Nora will face challenges and heartbreak. The Last Heiress follow's Nora's journey from girl to woman as she lives through the excitement of the jazz age, the glamour of Coco Chanel's Paris, and the dangers of New York during the Prohibition. Nora will need the courage and determination typical of the women of the House of Tramont as she fights for all that she holds dear. Praise for Tessa Barclay: ‘Tessa Barclay always spins a fine yarn. Her novels are gripping and entertaining.’ Wendy Craig ‘Filled with fascinating historical detail and teeming with human passions.’ Marie Joseph ‘A red hot contender for the Romantic Novelist of the Year Award.’ Daily Mirror From the publishers of Hardacre and Hardacre’s Luck.

    

    The end of his journey turns out to be the beginning of an odyssey in his beloved city where he finds "an insidious lawlessness creeping upon the land."Set in Manila in the last beleaguered months before the politico-military takeover in 1972, Bamboo in the Wind tells of the last desperate efforts of a people fighting to stave off disaster. Amid the escalating madness of a regime gone berserk, an odd assortment of people—a senator, a young nationalist, a dispossessed farmer, a radical activist, a convent school girl, a Jesuit scholastic—make their way along the labyrinthine corridors of greed and power. Each is forced to examine his own commitment in the face of brutality and evil, as the book conjures up scene after scene of devastation: the massacre of the demonstrators, the demolition of Sapang Bato, the murder of the sugar plantation workers, the burning of the Laguardia rice fields. And, as a climax to the mounting violence, that final September day—the arrests, the torture, and finally, the darkness that overtakes the land.

    Written with extraordinary insight, honesty, and a master writer's creative sensibility.

    

    O’Bannon also includes his insights on subjects such as the logic of the three-act structure, the role of the producer in screenplay development, and the psychological principle known as “hedonic adaptation,” which has a unique effect on the structuring of screen stories.

    Coyote, Donald Duck, Tom and Jerry, and many other cartoon favorites. Beginning with black-and-white silent cartoons, Barrier offers an insightful account, taking us inside early New York studios and such Hollywood giants as Disney, Warner Bros., and MGM. Barrier excels at illuminating the creative side of animation--revealing how stories are put together, how animators develop a character, how technical innovations enhance the realism of cartoons. Here too are colorful portraits of the giants of the field, from Walt and Roy Disney and their animators, to Bill Hanna and Joe Barbera. Based on hundreds of interviews with veteran animators, Hollywood Cartoons gives us the definitive inside look at this colorful era and at the creative process behind these marvelous cartoons.

    With unprecedented access to the Lee family and new interviews with stars and celebrities—including Denzel Washington, Halle Berry, Rosie Perez, Adrien Brody, John Turturro, and many others—film critic Kaleem Aftab chronicles Spike Lee's explosive rise to stardom, exploring such important issues as Black Nationalism, Hollywood stereotyping, and the rise of a powerful black middle class. Lee's prominence in American culture continues in 2006 with the release of The Inside Man and a forthcoming documentary on Hurricane Katrina. Spike Lee tells us as much about the last two decades of American social history as it does about the life of this fascinating director.

    In this wide-ranging and elegiac essay, Nick Pinkerton reflects upon Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn, a modern classic haunted by the ghosts and portents of a culture in flux.

    Among the many subjects it discusses: working with non-traditional forms; maintaining a consistent and ongoing storyline; developing a personal cinematic style; finding a script's audience; keeping an audience's attention; developing subtexts; utilising psychology and philosophy; creating realism; polishing scenes; creating memorable dialogue.