Like a fantastic film, a feverish delirium, or a dream state, these prose poems use an experimental lexicon of imagery that goes beyond anything typically poetic. Tost's point of departure is the loss of the Other that makes the I: Agnes, And in a sort of coming-of-age soliloquy song, he meditates on a range of topics: fatherhood, childhood, identity, poetry. Together his poems express the unburdening of consciousness, a consciousness that contains the likes of Blake, Italo Calvino, Allen Grossman, and Frank Stanford, among others (including Tost himself), Surreal and surprising, Invisible Bride showcases the prose artistry of a new American talent.

    Now David Young, author of Black Lab, and well known as a translator of Chinese poets, gives us a sparkling new translation of Du Fu’s verse, arranged to give us a tour of the life, each “chapter” of poems preceded by an introductory paragraph that situates us in place, time, and circumstance. What emerges is a portrait of a modest yet great artist, an ordinary man moving and adjusting as he must in troubled times, while creating a startling, timeless body of work.Du Fu wrote poems that engaged his contemporaries and widened the path of the lyric poet. As his society—one of the world’s great civilizations—slipped from a golden age into chaos, he wrote of the uncertain course of empire, the misfortunes and pleasures of his own family, the hard lives of ordinary people, the changing seasons, and the lives of creatures who shared his environment. As the poet chases chickens around the yard, observes tear streaks on his wife’s cheek, or receives a gift of some shallots from a neighbor, Young’s rendering brings Du Fu’s voice naturally and elegantly to life.I sing what comes to mein ways both old and modernmy only audience right now—nearby bushes and treeselegant houses standin an elegant row, too manyif my heart turns to ashesthen that’s all right with me . . .from “Meandering River”

    Featuring brand new stories and some old favorites, many of these tell-all, gritty tales were originally published on the blog Make It MAD between 2010 and 2012, and have been rereleased in their originality for this special print and digital anthology.

    For quick and effective relief -- or at least some literary comfort -- from everyday and exceptional problems, try a poem. Over the ages, people have turned to poets as ambassadors of the emotions, because they give voice and definition to our troubles, and by so doing, ease them. No matter how bad things get, poets have been there, too, and they can help you get over the rough spots.This is the first poetry anthology designed expressly for the self-help generation. The poems listed include classics by Emily Dickinson, Lord Byron, Ogden Nash, and Lucretius, to name just a few, along with newer works by such current practitioners as Seamus Heaney and Wendy Cope. This book has a cure or consolation for nearly every affliction, ancient or modern. And no side effects-except pleasure.

    The poetry of his formative years includes the haunting elegy to his young sister and the grieving lyric at the death of his father. The religious drama of his romance with Rome is captured here, as well as its resolution in his renewed love of ancient Greece. He explores forbidden sexual desires, pays homage to the great theatre stars and poets of his day, observes cityscapes with impressionist intensity. His final masterpiece, The Ballad of Reading Gaol, tells the painful story of his own prison experience and calls for universal compassion. This edition of Wilde's verse presents the full range of his achievement as a poet.

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    The writing text helps students learn to analyze literature and develop responsible and persuasive claims about it — making it matter to them as it hasn’t before.Reading it — when it explores issues that matter. The stories, poems, plays and essays in the anthology are uniquely organized into thematic clusters focusing on life issues that speak to students and evoke their engaged response.

    Alyssa Karr's beautiful words fill the reader with inspiration and hope to turn darkness into light.

    The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of the entire court, but her honour is saved by Krishna who miraculously creates lengths of cloth to replace the ones being removed.

    Ackerman muses on the confines of therapy sessions, where she intersects "twice a week/in a painstaking hide-and-seek/making do with half-light, half-speak"; relishes the succulent pleasure of eating an apricot, with its "gush of taboo sweetness"; and imagines the "unupholstered voice, a life in outline" in her stunning elegy to C. S. Lewis. Whimsical, organic, and wise, the poems in I Praise My Destroyer affirm Ackerman's place as one of the most enchanting poets writing today.

    A title guaranteed to generate "No, wait, read this one!" responses, "The Armpit of Doom" is more mayhem from one of the masters. (J. Patrick Lewis, US Children's Poet Laureate, author of "Please Bury Me in the Library")Kenn Nesbitt wrote a book of poems A funny one I think. And though it's colored black and white Watch it tickle you PINK! (Douglas Florian, author and illustrator of "Comets, Stars, the Moon, and Mars: Space Poems and Paintings")Kenn Nesbitt's brain is the clown car of children's poetry. I don't know how they all fit in there, but they keep tumbling out, one after another, each one funnier than the one before it. (Eric Ode, poet and songwriter. Author of "When You're a Pirate Dog and Other Pirate Poems")I liked "Armpit" (the book) a lot. Armpits aren't my favorite body part. (Bruce Lansky, author of "If Pigs Could Fly... And Other Deep Thoughts" and "My Dog Ate My Homework")Despite the many warnings ("Please Don't Read This Poem!") kids cannot escape the odorous allure of Nesbitt's THE ARMPIT OF DOOM! No problem. They won't want to! Instead they will find "There's only one solution. Here's what you'll have to do: Tell all your friends and family they shouldn't read it too!" (Charles Ghigna, AKA "Father Goose," author of "Score! 50 Poems to Motivate and Inspire")What makes this collection most special are the contemporary details sprinkled throughout (the iPod, XBox, and Kindle, Red Bull, J.K. Rowling, scrunchies, computer woes). Kids will really love the clever nonsense in poems like "On the Thirty-Third of Januaugust" and "It's Fun to Leave the Spaces Out." Teachers, beware: theirsentencesmightlooklikethisforafewdaysafterreadingthisbook!" (Janet Wong, author of "You Have to Write")Fans of Kenn Nesbitt will gobble up this new offering, which combines his infallible command of rhyme scheme with the hilarious--yet oddly contemplative--wisdom of a child pondering the world. (Joyce Sidman, author of "Swirl by Swirl: Spirals in Nature")

    Deceptively simple, Ryokan's poems transcend artifice, presenting spontaneous expressions of pure Zen spirit. Like his contemporary Thoreau, Ryokan celebrates nature and the natural life, but his poems touch the whole range of human experience: joy and sadness, pleasure and pain, enlightenment and illusion, love and loneliness. This collection of translations reflects the full spectrum of Ryokan's spiritual and poetic vision, including Japanese haiku, longer folk songs, and Chinese-style verse. Fifteen ink paintings by Koshi no Sengai (1895-1958) complement these translations and beautifully depict the spirit of this famous poet.

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.