We found a great number of books in these letters and since they contained nothing but superstitions and falsehoods of the devil we burned them all, which they took most grievously, and which gave them great pain.So writes Friar Diego de Landa in his Relación De las cosas de Yucatan of 1566, the basic book in Maya studies. Landa did all he could to wipe out Maya culture and civilization. In the famous auto da fé of July 1562 at Maní, as he tells us, he destroyed 5,000 "idols" and burned 27 hieroglyphic rolls. And yet paradoxically Landa's book, written in Spain to defend himself against charges of despotic mismanagement, is the only significant account of Yucatan done in the early post-Conquest era. As the distinguished Maya scholar William Gates states in his introduction, "ninety-nine percent of what we today know of the Mayas, we know as the result either of what Landa has told us in the pages that follow, or have learned in the use and study of what he told." Yucatan Before and After the Conquest is the first English translation of this very important work.Landa's book gives us a full account of Maya customs, daily activities, history, ceremonial festivals, and the many social and communal functions in which their life was expressed. Included here are the geography and natural history of Yucatan, the history of the Conquest, indigenous architecture and other aspects of Maya civilization (sciences, books, religion, etc.), native historical traditions, the Inquisition instituted by the Spanish clergy, Maya clothing, food, commerce, agriculture, human sacrifices, calendrical lore, and much more.

    The Theogony contains a systematic genealogy of the gods from the beginning of the world and an account of their violent struggles before the present order was established. The Works and Days, a compendium of moral and practical advice for a life of honest husbandry, throws a unique and fascinating light on archaic Greek society, ethics, and superstition. Hesiod's poetry is the oldest source for the myths of Prometheus, Pandora, and the Golden Age.Unlike Homer, Hesiod tells us about himself and his family (he lived in central Greece in the late eighth century BC). This new translation by a leading expert combines accuracy with readability.

    [captures] the relentless urgency of Lucretius' didacticism, his passionate conviction and proselytizing fervour.' --The Classical Review

    Beginning with the story of the Spanish conquest, the text then charts the rise of the Aztecs from humble nomads to empire builders. Within 100 years they established the largest empire in Mesoamerican history and, at Tenochtitlan, built a vast city in a lake, a Venice of the New World. This revised edition has been updated, assimilating information from archaeological excavations and ethnohistoric studies, and widening the picture of Aztec culture beyond their cities. Additional material on topics ranging from local crafts, trade, agriculture and food to architecture, society and women's roles depicts the richness of life in villages and regional centres. Illustrations of archaeological sites, pictorial manuscripts and monuments enhance the narrative.

    Rabbi Alfred J. Kolatch includes the attitudes of Jewish legal scholars toward such far-reaching topics as artificial insemination, birth control, and intermarriage, while expanding on answers included in the first volume.

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    One of the great classics of world literature, it has inspired such diverse thinkers as Henry David Thoreau, Mahatma Gandhi, and T.S. Eliot; most recently, it formed the core of Peter Brook's celebrated production of the Mahabharata.

    Prescott after the publication of History of the Conquest of Mexico in 1843. Since then, his sweeping account of Cortés's subjugation of the Aztec people has endured as a landmark work of scholarship and dramatic storytelling. This pioneering study presents a compelling view of the clash of civilizations that reverberates in Latin America to this day. "Regarded simply from the standpoint of literary criticism, the Conquest of Mexico is Prescott's masterpiece," judged his biographer Harry Thurston Peck. "More than that, it is one of the most brilliant examples which the English language possesses of literary art applied to historical narration. . . . Here, as nowhere else, has Prescott succeeded in delineating character. All the chief actors of his great historic drama not only live and breathe, but they are as distinctly differentiated as they must have been in life. Cortés and his lieutenants are persons whom we actually come to know in the pages of Pres-cott. . . . Over against these brilliant figures stands the melancholy form of Montezuma, around whom, even from the first, one feels gathering the darkness of his coming fate. He reminds one of some hero of Greek tragedy, doomed to destruction and intensely conscious of it, yet striving in vain against the decree of an inexorable destiny. . . . [Prescott] transmuted the acquisitions of laborious research into an enduring monument of pure literature."From the eBook edition.

    Introduces the traditional life-giving story of the Corn-Mother, called selu by the Cherokee.

    He is also a satirical and epigrammatic writer who savagely consoles with laughter. Carmina captures in English both the mordant, scathing wit and also the concise tenderness, the famous love for reluctant Lesbia who is made present in these new versions. A range of English metres and rhymes evoke the epigrammatic power of the many modes and moods of this most engaging, erotic and influential of the Latin poets. He left a mark on Horace, Virgil, Ovid and on the lyric and epigrammatic traditions of all the languages of Europe. Of Len Krisak's Horace translations, Frederic Raphael said, ‘[He] enables us both to enjoy a fresh voice and to hear (and see), very distinctly, what lies behind and within his unintimidated rescripts’. Again in Carmina he works his precise magic.

    I shall release you -SAKUNTALA When?KING When?When, like a bee, I kiss the bud of your unbruised lipAnd flood my thirsting mouth with nectar.Kalidasa's play about the love of King Dusyanta and Sakuntala, a hermitage girl, their separation by a curse, and eventual reunion, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone, in peformance The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, akin to certain types of mystical experience.The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation includes the famous version of the story from the Mahabharata, a poetic and dramatic text in its own right and a likely source for Kalidasa. The introduction discusses the play in the aesthetic and cultural context of ancient India.

    Double Runner Small Leggings Mad Wolf and the Little Blackfoot were smoking and talking and I was writing in my note-book. As I put aside the book and reached out my hand for the pipe Double Runner bent over and picked up a scrap of printed paper which had fallen to the ground.

     Uncovers the rise and fall of the many different empires of Mexico and Central America – their political and military campaigns, their legends and myths, and their art, architecture and social history Ground plans and detailed photographs explore over 20 magnificent and vitally important World Heritage sites, including Teotihuacán, Tenochtitlán, Chichén Itzá, Palenque, Tikal and Monte Albán Surveys the region’s mythology, including tales of creation, earth and sky; legends of the gods, goddesses and heroes; and stories of fertility, harvest and the afterlife

    For as long as people have lived together in communities and built enduring cultures, they have sung and written about their relationship with the God or gods they believed in. In the words of the Irish writer Sean O'Faolain, "all good writing in the end is the writer's argument with God."The Soul Is Here For Its Own Joy gathers poems from a wide range of cultures and traditions and divides them into ten parts, each forming a resonant exploration of a specific and timeless spiritual question. Selections include the work of Dante, Dogen, Goethe, Hafez, Juan Ramon Jimenez, Kabir, Lalla, Li Po, Mirabai, Mary Oliver, Owl Woman, Rainer Maria Rilke, and Rumi, in addition to Blake, Dickinson, Donne, Hopkins, Stevens, Yeats, and other important English and American poets. Together these poems form both a celebration and a quest--a kind of pilgrim's progress that embraces all the rich wisdom of East and West, ancient and modern, male and female, spirit and flesh.

    Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as "Phoenix of Mexico, America's Tenth Muse"; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, and she is now considered one of the finest Hispanic poets of the seventeenth century. She deserves to be known to English-speaking readers for another reason as well: she speaks directly to our concern for the freedom of women to realize themselves artistically and intellectually.Her poetry is surprising in its scope and variety. She handled with ease the intricate verse forms of her day and wrote in a wide range of genres. Many of her lyrics reflect the worldliness and wit of the courtly society she moved in before becoming a nun; some, composed to be sung, offer charming glimpses of the native people, their festivities and colorful diversity. Alan Trueblood has chosen, in consultation with Octavio Paz, a generous selection of Sor Juana's writings and has provided an introductory overview of her life and work. The short poems, and excerpts from her play The Divine Narcissus, are accompanied by the Spanish texts on facing pages. Her long philosophical poem, First Dream, is translated in its entirety, as is her famous autobiographical letter to the Bishop of Puebla, which is both a self-defense and a vindication of the right of women to cultivate their minds.The Anthology was conceived as a companion to the English-language edition of Octavio Paz's magisterial study of Sor Juana. On its own, it will be welcomed as the first representative selection in English of her verse and prose.