Meanwhile, Earth, in the midst of thirty simultaneous wars, burns to ash beneath them. And as the robots on board become increasingly insane and cannibalistic, and the Earth becomes a toxic wasteland, the boys have to wonder if they’ll be stranded alone in space forever.

    This is a book about surviving it." I felt like a babyless freak. No matter what we tried, I couldn’t get pregnant, even after standing on my head after sex. I was pretty sure I was the only woman on the planet going through infertility, certainly the only one jamming needles into my butt on commercial breaks during my favorite TV shows. Everyone was getting pregnant around me and no one was talking about what happened if you couldn’t. After my experience, I wanted to write a book for other infertile women and couples who feel alone, the book I wish I’d had when I was going through it, filled with dark humor and illustrations of quirky ovaries and whimsical sperm. If you’re like me, you want blunt, honest conversations about all the crazy stuff you’re going through with someone who’s been there and understands at least some of what you’re dealing with and how you’re feeling. And if it can somehow give you permission to laugh without diminishing the pain you’re feeling? Even better. This is the funnest book you’ll ever read about the worst thing that’s ever happened to you. Each chapter covers a different challenge with infertility and is broken into sections, a little of my story and concerns, a blurb from my husband, Alex, kind of a window into his dudely brain, and practical tips on how to cope. Read it yourself, read it as a couple, and if you’re struggling to explain your feelings to friends and family, hurl a copy at them and run away. I really wish you didn’t need this book, but since you do, come on over. You’re not alone.

    This anger reaches its peak in the poems of the Mad Farmer, an open-ended sequence he’s found himself impelled to continue against his better instincts. These poems can take the shape of manifestos, meditations, insults, Whitmanic fits and ravings—and are often funny in spite of themselves. The Mad Farmer is a character as necessary, perhaps, as he is regrettable. Here are gathered the individual poems from Berry’s various collections to offer the teachings and bitcheries of this amazing American voice. After the great success of the lovely Window Poems, Bob Baris of the Press on Scroll Road returns to design and produce an edition illustrated with etchings by Abigail Rover. James Baker Hall and William Kloefkorn offer poems here that also show how the Mad Farmer has escaped into the work of others. The whole is a wonderful testimony to the power of anger and humor to bring even the most terrible consequences into a focus otherwise impossible to obtain.

    Have you ever wondered what it would be like to be a fly on the wall of a creative agency? No? Well, that’s fine as well. You wouldn’t know you were in an agency anyway; flies have no concept of that kind of thing. All they’re interested in is standing in poo then walking around the rim of your coffee mug.

    The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    He may look like your regular ginger flabby tabby, but unlike most tabbies, he can actually communicate with his human, reporter for the Hampton Cove Gazette Odelia Poole. Max takes a keen interest in the goings-on in their small town, by snooping around with his best friends Dooley, a not-too-bright ragamuffin, and Harriet, a gorgeous white Persian. Their regular visits to the police station, the barbershop and the doctor’s office provide them with those precious and exclusive scoops that have made Odelia the number one reporter in town. Purrfect Murder When the body of a bestselling writer is discovered buried in the last Long Island outhouse, and a new policeman arrives in town to solve the murder, it looks like things are about to change in Hampton Cove. Detective Chase Kingsley doesn’t take kindly to nosy reporters like Odelia snooping around his crime scene or interviewing his suspects. And to make matters worse, he’s got a cat of his own in Brutus, a buff, black bully, who, just like his owner, likes to lay down the law. Soon Brutus isn’t just restricting access to the police station, but he’s putting the moves on Harriet, breaking up the band.

 Now it’s all Odelia, Max and Dooley can do to try and solve the murder, in spite of Detective Kingsley’s and Brutus’s protestations, and show the overbearing cop and his bullyragging feline how things are done in Hampton Cove. Purrfectly Deadly When famous eighties pop star John Paul George is found floating facedown in his pool, Hampton Cove’s premier sleuthing tabby Max and his feline friends are on the case. Soon they’re chasing leads and following clues, helping their human Odelia Poole, reporter for the Hampton Cove Gazette, solve the murder.

 Meanwhile, new cop in town Chase Kingsley has his own problems to deal with. An old scandal threatens to get him kicked off the force. And even though Odelia and Chase don’t always see eye to eye, she decides to help him clear his name, even if it means keeping Chase’s cat Brutus, Max’s self-declared nemesis, in town.

 Soon Max is up to his whiskers in drug dealers, boy toys, disgruntled ex-wives and even more drug dealers, all while competing with Brutus for the title of Hampton Cove’s one and only ‘true detective.’ Purrfect Revenge Blorange tabby Max and ragamuffin Dooley are on the case again. This time a world-famous reality star has been found murdered in her own bed, and it looks like the crime just might be terror-related. The Kenspeckles, stars of the well-known reality show Keeping Up with the Kenspeckles, are in town to film a new season of their show, so the case soon turns into a complete media circus, with the Kenspeckles insisting the entire investigation is filmed for their show.

 Odelia Poole, Hampton Cove’s premier reporter, teams up with Detective Chase Kingsley to catch the killer, but with cameras filming their every move, and every Kenspeckle a suspect, they’re not making a lot of progress. Good thing Odelia’s cats Max and Dooley can sneak around undetected, tracking leads and hunting clues. But first they have to pacify Shana’s French Bulldog Kane, who just might be in possession of the clue that breaks the case. And they have to outsmart Chase’s black tabby Brutus, who has his own reasons to find the killer.

    Poems from the 1600s to the present day are beautifully illustrated with images from the unrivaled collection of Japanese paintings and prints in the British Museum. The majority of the poems come from the Tokugawa period (early seventeenth to mid nineteenth centuries) and include works from the best-known Japanese classical authors, female poets and a number of contemporary writers. Nearly all are newly translated by Alan Cummings.From the tender and the melancholy to the witty and the ribald, the poems and images in Haiku Love comment on the most universal of human emotions.

    Whether she's describing real life info-gathering for a new prime time TV drama ("Role Research") or addressing the crossroads of public perception and private life ("Fell Off"), Amber Tamblyn reveals questions, answers, and more in Bang Ditto, wielding metaphors mercilessly in a wry and talented voice.“Tamblyn’s witty personal accounts and surprisingly lyrical observations go way above the scripted bullsh*t spouted by most of her peers.”—The Onion A.V. Club“Punchy, spiky, and flush with a young writer's love of language, the collection often deglamourizes the acting business. A great find...”—Barbara Hoffert, Library JournalAmber Tamblyn is an Emmy and Golden Globe Award–nominated actor and poet. She came to fame on the soap opera General Hospital followed by starring roles on the television series Joan of Arcadia and The Unusuals. She has branched out into film roles, appearing in The Sisterhood of the Traveling Pants and many other films. Winner of a Borders Choice Award for Breakout Writing, the author currently resides in New York.

    Gathers poems on a variety of subjects including love, marriage, parenthood, modern life, animals, aging, travel, work, and food.

    Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    First published in the pulp magazine Thrilling Wonder Stories from 1941 - 1949 and lovingly edited for Tom Monteleone's Borderlands Press. Part of a Kickstarter campaign to bring these stories back into print.

    What happens when a broken Marine collides with a girl running from a haunting past? Will the two be each other's saviors or will the havoc, chaos and insanity from their lives consume them?

    He had a beautiful new girlfriend and sudden prosperity as an author. But when he adopts an orphaned infant mouse, his world is turned on its head. The mouse comes to symbolize everything left unresolved in his life — his relationship with his divorced parents, his fear of family and commitment, and his inability to feel true happiness and love. By turns hilarious and moving, Mishka Shubaly’s latest Kindle Single captures the journey we all take in life — from being loved, to giving love. Cover by Adil Dara.

    Man versus monster; conflict versus conversation; age versus youth; humanity versus its environment; utopia versus what we're living through now. This is a combative and moving book and an answer to anyone who's ever accused poetry of receding into irrelevance.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.