In the privacy of their homes, who can save them from themselves? In the forests and hills and on the beautiful lakes, what could possibly be wrong? Even in the sweet hometown, with its kindly police, menace lurks in a thousand disguises. Mystery and magic surround this metropolis of the imagination. Once again, James Tate has given us a world of surprising pleasures:... lost in the interstellar space between teacups in the cupboard, found in the beak of a downy woodpecker, the lovers staring into the void and then jumping over it, flying into their beautiful tomorrows like the heroes of a storm.

    One waiter, one customer. The overnight fry cook rambles up to the pie case to take his nightly hit of dessert-topping propellant. It’s not a complete surprise when he falls to the floor; the stuff gives him the spins. That’s the point. It’s a bad moment for the boss to arrive, though. It’s worse when the cook turns out to be dead - from a bullet no one heard. For the waiter, it’s the start of the the worst few months of his life, and before it’s done he’ll be neck-deep in drug deals, romances with a faithless minx and an unintelligible Russian teacher - and a plot by campus radicals to blow something big. It’s 1980, after all. No shortage of things to deplore. They’re not too concerned with disco, though; that seems to be on the way out. “Graveyard Special” is another humorous mystery by the author of “Falling Up the Stairs,” and the first in a series of interconnected mysteries that span six decades.

    Nice Guy who's found companionship and comfort with Marsha.  The only problem is that he's become too comfortable.  Weighing seventy-five pounds more than when the courtship first began, the newly food-obsessed Sonny just can't stay away from Marsha's marvelous dishes, even in the middle of their breakup conversation.Determined to slim down and get his girlfriend back, Sonny joins the FutraSystem weight-loss center and meets potential love interest Kayla, as well as a host of other colorful characters. In a heartwarming tale that is alternately hilarious, wise, and ultimately self-affirming, Whitfield has created a thoroughly delicious and engaging novel sure to be enjoyed by those who have waged the battle of the bulge, or know someone who has.

    He decided right then, at the age of nine, what he wanted to be when he grew up...an undertaker. The day he turned twenty-one, Casey joined the ranks of Morton-Albright, a family owned and operated mortuary, in the small Florida town of Angel Shoals. Immediately, he felt right at home. He seems to have a gift for embalming. The Morton and Albright families welcome him like the family he never had. The quirky and mischievous Natalie Albright is the girl he's always dreamed of. And within the walls of Morton-Albright, Casey feels a reassuring presence that calms him, like nothing ever has before. But his happiness will be short-lived if the mortuary falls victim to a rapacious funeral-home giant. With family secrets being uncovered, contested wills, and rumors of illegal funeral practices circling, the lives entwined in this funeral home become filled with intrigue, deception, and, of course, death. Bringing abundant experience and a fresh wit to the page, Miles Keaton Andrew offers a clever, spirited, darkly humorous first novel, rich with dialogue and full of nuanced characters.

    In the title story, the young widow Higbee teaches the pastor of the First Baptist Church of Faceville a hilarious lesson about tithing. Young Mamie Kate learns about "Fulfillment" when she sits on Miss Addie's front porch and pretends not to listen to the adult conversation. In "Porphyria's Lover," a scheming bisexual's double life brings catastrophe and death. And the "Big Star Woman" plans to sue her friend Dr. Glass after the operation she requested to improve her sex life has an unexpectedly tragic effect on her marriage.Through these tales of everyday life and death in the South, Ferrol Sams, one of America's most beloved storytellers, illuminates the human mind and the human spirit.

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

    Gene Shalit, The Today Show God has appeared on earth to set the record straight in this uproarious comic novel, adapted into the movie comedy starring George Burns. God is here to confront nonbelievers, taking his messenger and the reader on a wildly funny roller coaster ride. As God Himself says, The last miracle I did was the 1969 Mets and before that the 1914 Boston Braves and before that I think you have to go back to the Red Sea." "Looking back, I made a few mistakes. Giraffes. It was a good thought, but it didn t really work out. Avocados on that I made the pit too big.

    Hazel Hunnicutt's Used World Emporium is a sprawling antique store that is "the station at the end of the line for objects that sometimes appeared tricked into visiting there." Hazel, the proprietor, is in her sixties, and it's a toss-up as to whether she's more attached to her mother or her cats. She's also increasingly attached to her two employees: Claudia Modjeski -- freakishly tall, forty-odd years old -- who might finally be undone by the extreme loneliness that's dogged her all of her life; and Rebekah Shook, pushing thirty, still living in her fervently religious father's home, and carrying the child of the man who recently broke her heart. The three women struggle -- separately and together, through relationships, religion, and work -- to find their place in this world. And it turns out that they are bound to each other not only by the past but also by the future, as not one but two babies enter their lives, turning their formerly used world brand-new again. Astonishing for what it reveals about the human capacity for both grace and mischief, The Used World forms a loose trilogy with Kimmel's two previous novels, The Solace of Leaving Early and Something Rising (Light and Swift). This is a book about all of America by way of a single midwestern town called Jonah, and the actual breathing histories going on as Indiana's stark landscape is transformed by dying small-town centers and proliferating big-box stores and SUVs. It's about generations of deception, anguish, and love, and the idiosyncratic ways spirituality plays out in individual lives. By turns wise and hilarious, tender and fierce, heartrending and inspiring, The Used World charts the many meanings of the place we call home.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    But Pomeroy plays by his own set of rules. He may be on the dole, but he’ll tip his breakfast waitress $20 just for being nice to him, even if it means he has to sit an extra hour on the street corner to make ends meet. He’s a skirmish-loving, dumpster-diving, ego-starved crazy who thinks that he can sing and that all women are in love with him—or should be. His parole officer, an Hispanic woman who tells Pomeroy he’s off-base and he 1) won’t become a rock star, 2) needs to find a decent job, and 3) would be better off if he stayed out of trouble, is totally exasperated by him. But Pomeroy is his own man, takes no advice, and has more wisdom that we’d like to admit. You may find yourself laughing when you shouldn’t. (“A good strong piss is better than sex. Lasts longer too.”) May find his egocentric opinions politically incorrect. ("There ain't a dyke alive ol' Pomeroy can't turn straight.") But don’t blame yourself if you start rooting for this anti-hero, you’ll have a lot of company. (Note: Adult language and situations.)

    This satirical novel tells the story of the surgical transformation of a dog into a man, and is an obvious criticism of Soviet society, especially the new rich that arose after the Bolshevik revolution.

    Virgil survives but his language and memory are altered and he emerges into a world no longer familiar to him. Awakening in this new life, Virgil begins to piece together his personal history and the lore of his broken town, with the help of a cast of affable and curious locals--from Rune, a twinkling, pipe-smoking, kite-flying stranger investigating the mystery of his disappeared son; to Nadine, the reserved, enchanting wife of the vanished man; to Tom, a journalist and Virgil's oldest friend; and various members of the Pea family who must confront tragedies of their own. Into this community returns a shimmering prodigal son who may hold the key to reviving their town.With intelligent humor and captivating whimsy, Leif Enger conjures a remarkable portrait of a region and its residents, who, for reasons of choice or circumstance, never made it out of their defunct industrial district. Carried aloft by quotidian pleasures including movies, fishing, necking in parked cars, playing baseball and falling in love, Virgil Wander is a swift, full journey into the heart and heartache of an often overlooked American Upper Midwest by a "formidably gifted" (Chicago Tribune) master storyteller.

    With her world spinning wildly out of her control, Lucy decides to make a new start and moves upstate to live with her sister and nephew.But then things take an even more dramatic turn: A fatal encounter with public transportation lands Lucy not in the hereafter but in the nearly hereafter. She’s back in school, learning the parameters of spooking and how to become a successful spirit in order to complete a ghostly assignment. If Lucy succeeds, she’s guaranteed a spot in the next level of the afterlife—but until then, she’s stuck as a ghost in the last place she would ever want to be.Trying to avoid being trapped on earth for all eternity, Lucy crosses the line between life and death and back again when she returns home. Navigating the perilous channels of the paranormal, she’s determined to find out why her life crumbled and why, despite her ghastly death, no one seems to have noticed she’s gone. But urgency on the spectral plane—in the departed person of her feisty grandmother, who is risking both their eternal lives—requires attention, and Lucy realizes that you get only one chance to be spectacular in death.

    In a delightful mix of charm, cheek, and satire, Sykes returns to the glittering world of her New York Times bestselling debut Bergdorf Blondes to introduce the Debutante Divorces--high society's newly unwed heiresses.

    Carefully (and also illegally), he tapped into the main irrigation channel. And so began-though few knew it at the time-the Milagro beanfield war. But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands. And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes. The tale of Milagro's rising is wildly comic and lovingly ter, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.