Masterfully drawing on a variety of voices and characters, James Tate joyfully offers his first book since winning the Pulitzer Prize in 1992 for his "Selected Poems."

    Set in an apocalyptic and post-apocalyptic world that is disturbing because it is uncannily familiar, National Anthem chronicles the aftermath of the failure of imperial vision. Allowing Rome and America to bleed into one another, Prufer masterfully weaves the threads of history into an anthem that is as intimate as it is far-reaching.

    In the words of Carolyn Forché, "he is a living treasure."

    Eliot’s work, all with an active Table of Contents for easy navigation! The collection is formatted for optimal viewing on the Nook! The collection includes:PRUFROCK AND OTHER OBSERVATIONS, which contains:• The Love Song of J. Alfred Prufrock• Portrait of a Lady• Preludes• Rhapsody on a Windy Night• Morning at the Window• The Boston Evening Transcript• Aunt Helen• Cousin Nancy• Mr. Apollinax• Hysteria• Conversation Galante• La Figlia Che PiangePOEMS, containing:• Gerontion• Burbank with a Baedeker: Bleistein with a Cigar• Sweeney Erect• A Cooking Egg• Le Directeur• Mélange adultère de tout• Lune de Miel• The Hippopotamus• Dans le Restaurant• Whispers of Immortality• Mr. Eliot's Sunday Morning Service• Sweeney Among the NightingalesTHE WASTE LANDEELDROP AND APPLEPEX (short story)THE SACRED WOOD: ESSAYS ON POETRY AND CRICTICISM, containing:• The Perfect Critic• Imperfect Critics• Tradition and the Individual Talent• The Possibility of a Poetic Drama• Euripides and Professor Murray• "Rhetoric" and Poetic Drama• Notes on the Blank Verse of Christopher Marlowe• Hamlet and His Problems• Ben Jonson• Philip Massinger• Swinburne As Poet• Blake• DanteEZRA POUND: HIS METRIC AND POETRY

    And from the beginning, her practice placed her at the vanguard of American writing. Guest's poetry, saturated in the visual arts, extended the formal experiments of modernism, and played the abstract qualities of language against its sensuousness and materiality. Now, for the first time, all of her published poems have been brought together in one volume, offering readers and scholars unprecedented access to Guest's remarkable visionary work. This Collected Poems moves from her early New York School years through her more abstract later work, including some final poems never before published. Switching effortlessly from the real to the dreamlike, the observed to the imagined, this is poetry both gentle and piercing seemingly simple, but truly and beautifully dislocating.

    Vaclav Havel gives us the comically absurd and seemingly autobiographical account of Professor Leopold Nettes, a revered but reluctant revolutionary whose most recent book has irked the totalitarian government in power. The authorities demand a retraction; his friends and fans clamor for heroic defiance. Besieged by onslaught of internal demons, whining lovers, suffocating followers, and ineffectual government thugs, the professor sinks nearer and nearer to crisis, unable to confront the conflicting demands that rule his life and leave him tormented by neurotic inertia. One of Havel's best-known plays, Largo Desolato vividly dramatizes the multiple contradictions of the intellectual trapped in a totalitarian nightmare.

    Likewise Swensen’s lyrics, which, with elliptical phrasing and play between visual and aural, change the act of seeing—and reading—offering glimpses of the spirit (or ghost) that enters a poem where the rational process breaks down.From “The Invention of Streetlights”Certain cells, it’s said, can generate light on their own.There are organisms that could fit on the head of a pin.and light entire rooms. .Throughout the Middle Ages, you could hire a man.on any corner with a torch to light you home. were lamps made of horn.and from above a loom of moving flares, we watched.Notre Dame seem small. .Now the streets stand still. .By 1890, it took a pound of powdered magnesium.to photograph a midnight ball.“Goest, sonorous with a hovering ‘ghost’ which shimmers at the root of all things, is a stunning meditation—even initiation—on the act of seeing, proprioception, and the alchemical properties of light as it exists naturally and inside the human realm of history, lore, invention and the ‘whites’ of painting. Light becomes the true mistress and possibly the underlying language of all invention. Swensen’s poetry documents a penetrating ‘intellectus’—light of the mind—by turns fragile, incandescent, transcendent.”—Anne Waldman

    His verse is renowned and loved for its powerful insight and emotion, and its exquisite music. Yet, unlike many of his peers, Ungaretti has never been adequately presented to English readers. This large bilingual selection, translated with great sensitivity and fidelity by Andrew Frisardi, captures Ungaretti in all of his phases: from his early poems, written in the trenches of northern Italy during World War I, to the finely crafted erotic and religious poetry of his second period, to the visceral, elegiac poetry of the years following the death of his son and the occupation of Rome during World War II, to the love poems of the poet's old age. Frisardi's in-depth introduction details the world in which Ungaretti's work took shape and exerted its influence. In addition to the poet's own annotations, an autobiographical afterword, "Ungaretti on Ungaretti," further illuminates the poet's life and art. Here is a compelling, rewarding, and comprehensive version of the work of one of the greatest modern European poets.

    As the critic Dennis Donoghue wrote in The New York Times Book Review: "In 1938, not a moment too soon, W.B. Yeats admonished his colleagues: 'Irish poets, learn your trade.' Seamus Heaney, born the following year, has learned his trade so well that it is now a second nature wonderfully responsive to his first. And the proof is in Field Work, a superb book . . . [This is] a perennial poetry offered at a time when many of us have despaired of seeing such a thing."Seamus Heaney received the Nobel Prize in Literature in 1995. His recent translations include Beowulf and Diary of One Who Vanished; his recent poetry collections include Opened Ground and "Electric Light."Heaney is keyed and pitched unlike any significant poet now at work in the language, anywhere." - Harold Bloom, The Times Literary Supplement."For all the qualities I list, the most important is song [and] the tune Heaney sings [is] poetry's tune, resolutions of cherished language." - Donald Hall, The Nation".

    Now all the documents are in hand to reconstruct Beaumont's life story -- his crime, his trial, his ultimate sin and punishment -- and the historian-narrator of World Enough and Time sets about doing just that. Based on the famous murder case known as the Kentucky Tragedy, World Enough and Time is, like its precursor All the King's Men, a fictional wonder that personifies history, philosophy, politics, and passion.

    This crucial collection combines The New Tenant with Amédée and Victims of Duty—the plays Richard Gilman has called, along with The Killer, Ionesco’s “greatest plays, works of the same solidity, fulness, and permanence as [those of] his predecessors in the dramatic revolution that began with Ibsen and is still going on.”In Amédée, the title character and his wife have a problem—not so much the corpse in their bedroom as the fact that it’s been there for fifteen years and is now growing, slowly but surely crowding them out of their apartment.In The New Tenant a similar crowding is caused by an excess of furniture—as Harold Hobson said in the London Times, “there is not dramatist . . . who can make furniture speak as eloquently as Ionesco, and here he makes it the perfect, the terrifying symbol of the deranged mind.”In Victims of Duty, Ionesco parodies the conformity of modern life by plunging his characters into an obscure search for “Mallot with a t.” In these as in all his plays, Ionesco poses and solves his tragicomic dilemmas with the brilliant blend of gravity and hilarity that is the hallmark of the absurdist theater.

    Employing her trademark ferocity, these new dramatic monologues continue to mine this award-winning poet's "often brilliant" (Chicago Tribune) vision.

    Treacherously lush or alluringly bleak, these poems reframe their subjects as landscape, as legacy―a bereavement, an intimacy, a racial identity, a pubescence, a culpability, a diagnosis. With a surveyor’s keenest tools, Youn marks the boundaries of the given, what we have been allotted: acreage that has been ruthlessly fenced, previously tenanted, ploughed and harvested, enriched and depleted. In the title sequence, the poet gleans a second crop from the field of Milton’s great sonnet on his blindness: a lyric meditation on her barrenness, on her own desire―her own struggle―to conceive a child. What happens when the transformative imagination comes up against the limits of unalterable fact?

    The revision covers all the poems published in Princeton's earlier bilingual edition, "George Seferis: Collected Poems" (expanded edition, 1981). Winner of the Nobel Prize for Literature in 1963, George Seferis (1900-71) has long been recognized as a major international figure, and Keeley and Sherrard are his ideal translators. They create, in the words of Archibald MacLeish, a "translation worthy of Seferis, which is to praise it as highly as it could be praised."Although Seferis was preoccupied with his tradition as few other poets of the same generation were with theirs, and although he was actively engaged in the immediate political aspirations of his nation, his value for readers lies in what he made of this preoccupation and this engagement in fashioning a broad poetic vision. He is also known for his stylistic purity, which allows no embellishment beyond that necessary for precise yet rich poetic statement.

    The language is, throughout, simple, sensuous, and direct. We can be grateful for this book and this poet." --Jay Parini"I have known the poetry of Edward Hirsch for some time, and have greatly admired it. But I even more greatly admire his Wild Gratitude as a general collection, and I am convinced that the best poems here are unsurpassed in our time." --Robert Penn Warren