You're so captivated by a story on All Things Considered, Weekend Edition, Morning Edition, News & Notes, or another NPR program that you stay in the car to hear it through--even if you've arrived at your own driveway. This eclectic collection gathers all-time favorites, including some suggested by listeners themselves.These literate, intelligent, profoundly touching stories are worth hearing over and over again, and now you don't have to stay in your car.

    . . draw the reader more tightly into the web of the world. They forge links in unexpected ways. They connect us to nature and to each other, and those connections nourish the intellect and uplift the spirit.”—Jerome Groopman, M.D., editorThis year’s Best American Science and Nature Writing offers another rich assortment of “fascinating science and impressive journalism” (New Scientist) culled from an array of periodicals, such as The New Yorker, Scientific American, and National Geographic. The twenty-four provocative and often visionary stories chosen by guest editor Jerome Groopman form an outstanding sampling of the very best in a field of writing that stays ahead of the curve, bringing important topics to the forefront of American discussion. In “The Universe’s Invisible Hand,” Christopher Conselice takes us into the recent spectacular discovery of the crucial role of dark energy, which is making our universe expand faster and faster. Florence Williams tells the story of a more down-to-earth form of energy in “A Mighty Wind,” which describes how a small Danish island community is making great leaps in energy conservation by using innovative wind farms. John Cohen explores the marvelous world of ligers, zorses, wholphins, and other hybridized creatures in “Zonkeys Are Pretty Much My Favorite Animal.” And Robin Marantz Henig delves into the possibly hazardous ramifications of the rapidly expanding science of nanotechnology. The Best American Science and Nature Writing 2008 packs a wallop of intriguing, informative, and wondrous stories, each one bringing with it, as Jerome Groopman writes, “a sense of excitement [to be] shared with others.”

    He was an authority on rock & roll, blues, jazz, punk, avant-garde, and world music -- often discovering new artists and trends years (even decades) before they hit the mainstream. Now, noted music writer Anthony DeCurtis has compiled the best pieces from Palmer's oeuvre and presents them here, in one compelling volume.A member of the elite group of the defining rock critics who emerged in the 1960s and 1970s, Palmer possessed a vision so complete that, as DeCurtis writes, "it's almost as if, if you read Bob, you didn't need to read anyone else." Blues & Chaos features some of his most memorable pieces, including gripping stories about John Lennon, Led Zeppelin, Moroccan trance music, Miles Davis, Jerry Lee Lewis, Philip Glass, and Muddy Waters.Wonderfully entertaining, infused with passion, and deeply inspiring, Blues & Chaos is a must for music fans everywhere.Flirtations with chaos / by Anthony DeCurtis --The big picture : "The opinions expressed are dangerously subjective." --The blues : "A post-Heisenberg-uncertainty-principle mojo hand" --Jazz : "A kinetic kaleidoscope" --The originators : "Where the hell did this man come from?" --Soul and R&B : "It had to come from somewhere, and the church is where it all came from" --Classic rock : "Musically, we weren't afraid to go in any direction whatsoever" --John Lennon and Yoko Ono : "Now the music's coming through me again" --Punk rock and beyond : "Fear and nothing" --World music : "The world is changing and so is our music" --Morocco : "We fell through each other, weightless, into the sky" --On the edge : "Listen, as if a new world had suddenly opened up" --Sonic guitar maelstrom : "All hail the overdriven amp."

    And that s what makes being dumped by a woman friend so excruciating: you expect romantic relationships to break up eventually but you don t expect it from your friendships. And when it happens, you feel as though there should be an Adele song for you but there isn t. Dumped: Women Unfriending Women fills that void, exploring the universal experience of being discarded by those from whom you expected more. The essays in Dumped aren t stories of friendship dying a mutually agreed upon death, or of falling out of touch and reconnecting years later to find you haven t missed a beat. These are stories by established and emerging authors who, like you, may have found themselves erased, without context. These, like your own, are stories that stay with you, maybe for a lifetime."

    They're so ridiculous you may think they're fiction. Like the time I went to a drive-in X-rated movie without realizing my parents were in the next car. Or the time I let my kid throw a rock through our living room window. There's the time I bought a camouflage thong in a bait shop and the time I ruined a kid's birthday party. And the other time I ruined a kid's birthday party. I can't guarantee that these stories will make you laugh, but I can guarantee that I didn't make them up.

    Now, with a more introspective focus, this new collection emphasizes the personal as "a way of seeing the world, of expressing an interior life. It is intimate without being maudlin, it is private without being secret." From Harriet Doerr's recollection of a halcyon time to Josephine Jacobsen's reverie on memory, In Brief offers vivid glimpses into the ways experience can be shaped in language that is fresh and inventive. The seventy-two authors here include the known — John McPhee, Cythia Ozick, James Salter — as well as remarkable new writers. Essays (all under 2000 words) range from Frank McCourt's search for his father in the pubs of Limerick to William Maxwell's thoughts about growing old; from Charles Baxter's early experience of reading to Brady Udall's confession as a liar. Patricia Hampl recalls meals at her grandmother's house, while Jane Brox contemplates the meaning of bread. In each piece, imagination becomes a way to explore reality. The real world we are fortunate enough to live in is revealed as endlessly rich and deep.

    From the leopard who develops an unlikely bond with a human, to a young boy who discovers a shelf of books in an old forest bungalow, from Timothy, the tiger cub that Grandfather brings home to tame, to the man-eater that terrorizes an entire village-here is a world where man and wild beast come together in surprising fascinating ways.Interesting FactsTold in simple, lyrical prose that characterizes Bonds writing, The Jungle Omnibus brings together in one delightful volume, a selection of stories and poems from the jungle spanning across the sixty years of Ruskin Bonds writing career.This volume effectively captures a world where man and beast come together in order to survive, thus raising relevant questions about the environment and the need to protect the forest and its many inhabitants.In turns thrilling, thoughtful, funny and heart-warming, this is a collection that will delight both children and adults alike.

    From back-alley gyms and smoke-filled arenas to star-studded casinos and exotic locales, they have chronicled unforgettable stories about determination and dissipation, great champions and punch-drunk has-beens, colorful entourages and outrageous promoters, and, inevitably along the way, have written incisively about race, class, and spectacle in America. Like baseball, boxing has a vivid culture and language all its own, one that has proven irresistible to career sportswriters and literary essayists alike.This gritty and glittering anthology gathers a century of the very best writing about the fights. Here are Jack London on the immortal Jack Johnson; H. L. Mencken and Irvin S. Cobb on Jack Dempsey vs. Georges Carpentier, the first “Fight of the Century” that captivated the world in the 1920s; Richard Wright on Joe Louis’s historic first-round knockout of Max Schmeling; A. J. Liebling’s brilliantly comic portrait of a manager who really identifies with his fighter; Jimmy Cannon on Archie Moore, the greatest fighter of the 1950s; James Baldwin and Gay Talese on Floyd Patterson’s epic tilt with Sonny Liston; George Plimpton on Muhammad Ali and Malcolm X; Norman Mailer on the Rumble in the Jungle; Mark Kram on the Thrilla in Manila; Pete Hamill on legendary trainer and manager Cus D’Amato; Mark Kriegel on Oscar De la Hoya; and David Remnick and Joyce Carol Oates on Mike Tyson. National Book Award–winning novelist Colum McCann (Let the Great World Spin) offers a foreword.

    As the storytellers in this book start careers, build homes, and raise families, we witness the life-affirming joy of partnership, the comfort of shared sorrows, and profound gratitude in the face of loss.These stories are also testament to the heart’s remarkable endurance. In ALL THERE IS we encounter love that survives discrimination, illness, poverty, distance—even death. In the courage of people’s passion we are reminded of the strength and resilience of the human spirit. This powerful collection bares witness to real love, in its many varied forms, enriching our understanding of that most magical feeling.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    Provocative and engaging, the Best American Science Writing 2009 as edited by Angier covers the full spectrum of scientific inquiry—from biochemistry, physics, and astronomy to genetics, evolutionary theory, and cognition.Introduction / by Natalie Angier --The itch / Atul Gawande --Twitchy / Sallie Tisdale --The first ache / Annie Murphy Paul --A journey inside the brain / Oliver Sacks --The truth about autism / David Wolman --Blocking the transmission of violence / Alex Kotlowitz --Reading the wounds / Jina Moore --A cloud of smoke / Jennifer Kahn --War! What is it good for? Absolutely nothing / John Horgan --Face-offs of the female kind / Marina Cords --Tough lessons from golden rice / Martin Enserink --Back to the future / J. Madeleine Nash --A tall, cool drink of ... sewage? / Elizabeth Royte --Contagious cancer / David Quammen --Looking up / Jennifer Margulis --Birdbrain / Margaret Talbot --Want to remember everything you'll ever learn? Surrender to this algorithm / Gary Wolf --Hello, HAL / John Seabrook --The anonymity experiment / Catherine Price --The sky is falling / Gregg Easterbrook --Big brain theory: have cosmologists lost theirs? / Dennis Overbye --The final frontier / Karen Olsson --Perhaps death is proud; more reason to savor life / Theresa Brown --Evolutionists flock to Darwin-shaped wall stain / The Onion

     Let me test my presumption with a preview of four these ‘old’ stories. If I told you there was once a west coast sex cult with dozens of young girls, single ladies, and married women, who all fornicated with one well-endowed “prophet,” and he occasionally found it necessary to carry-out bondage S&M sessions here and there, you may not be surprised at all. But what if that sex cult began in 1903 and ended in 1906 with a couple of murders and suicides, does that sound like anything you have read about before? Or, how about a cheater who murders his inconvenient wife, disassembles her over a fifteen hour period, then puts her bones in the same stove he cooks breakfast for his sons before sending them off to school? If that doesn’t surprise you, perhaps the ending will–but you’ll have to find out for yourself. In ‘The Dandy and the Squire,’ a smooth-talking peacock from Kentucky visits his northern ‘cousins,’ and charms three of the women into his bed. He’s a big time operator who talks fancy, dresses fancy, and tells great stories of his days as an adventurer, riverboat gambler, and sharp-minded deal maker. He’s so smooth, he’s able to murder the patriarch’s son, make him look like the bad guy, and marry the boy’s tender-hearted sister before the Yankees get wise to his lies. Good thing, too, because he had also talked the father into giving him the family farm. Chapter Five is the stranger-than-fiction story of ‘Shoebox Annie.’ During the early 20th Century, this trollish-looking woman introduced her freakish-looking son to a life of crime. Their decade’s long spree of lyin’, cheatin’, and stealin’ led them to become America’s first mother and son team of serial killers. They were so good at disposing of bodies, none of their four victims have ever been found. If ‘old’ stories sound boring to readers of contemporary true crime, I hope this book will change minds, and fully reveal just how wicked and decadent our ancestors were. And deadly. Volume II in the Vintage True Crime Stories series is a wrecking ball that smashes to pieces that phrase, “The Good Old Days.” Maybe you will believe me when you get to the last page.

    Featuring new fiction by Mary Robinette Kowal, E. Lily Yu, Shveta Thakrar, Charlie Jane Anders, Delilah S. Dawson, and Sarah Monette, classic fiction by Scott Lynch, essays by Natalie Luhrs, Sofia Samatar, Michael R. Underwood, and Caitlín Rosberg, poetry by C. S. E. Cooney, Bryan Thao Worra, and Sonya Taaffe, interviews with E. Lily Yu and Delilah S. Dawson by Deborah Stanish, a cover by Antonio Caparo, and an editoral by Lynne M. Thomas and Michael Damian Thomas.

    Elsewhere might be revealed in the tract-house adventures of a home-décor reality show, at a discount funeral home in a strip mall, or in the story of an armed man named Honey Bear in the hunt for his beloved but now missing sleeper sofa which he left in a store unit. Off Ramp shows us America through the humorous gaze of Hank Stuever, who finds beauty in the midst of the most unlikely and invisible lives and places.

    Readers will relate to Crewe’s ache at missing her mom, her nostalgia for her childhood, her frustrations at raising teenagers, and her impatience for terrible parking lot etiquette in equal measure. The book spans sixteen years’ worth of columns for The Cape Bretoner Magazine, Cahoots Magazine, and The Chronicle Herald.Are You Kidding Me?! is a side-splitting, heartwarming, Cape Breton–flavoured celebration of the little things.