Motherless, she lives with her father, Jules, who takes better care of his heroin habit than he does of his daughter. Baby's gift is a genius for spinning stories and for cherishing the small crumbs of happiness that fall into her lap. But her blossoming beauty has captured the attention of a charismatic and dangerous local pimp who runs an army of sad, slavishly devoted girls—a volatile situation even the normally oblivious Jules cannot ignore. And when an escape disguised as betrayal threatens to crush Baby's spirit, she will ultimately realize that the power of salvation rests in her hands alone.

    She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women, mothers, daughters, caregivers, friends, view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't. (jacket flap)Librarian's note: An alternate cover edition can be found here

    Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore—a far cry from the brilliant academic career Tom had begun when Nathan saw him last. Tom's boss is the colorful and charismatic Harry Brightman—a.k.a. Harry Dunkel—once the owner of a Chicago art gallery, whom fate has also brought to the "ancient kingdom of Brooklyn, New York." Through Tom and Harry, Nathan's world gradually broadens to include a new circle of acquaintances. He soon finds himself drawn into a scam involving a forged page of The Scarlet Letter, and begins to undertake his own literary venture, The Book of Human Folly, an account of "every blunder, every pratfall, every embarrassment, every idiocy, every foible, and every inane act I have committed during my long and checkered career as a man." The Brooklyn Follies is Paul Auster's warmest, most exuberant novel, a moving, unforgettable hymn to the glories and mysteries of ordinary human life.

    She is mesmerized by the sea beyond the house and by some charged mystery between the two men.‎Years later, her father has disappeared and the country is at war. Anna works at the Brooklyn Naval Yard, where women are allowed to hold jobs that once belonged to men, now soldiers abroad. She becomes the first female diver, the most dangerous and exclusive of occupations, repairing the ships that will help America win the war. One evening at a nightclub, she meets Dexter Styles again, and begins to understand the complexity of her father’s life, the reasons he might have vanished.With the atmosphere of a noir thriller, Egan’s first historical novel follows Anna and Styles into a world populated by gangsters, sailors, divers, bankers, and union men. Manhattan Beach is a deft, dazzling, propulsive exploration of a transformative moment in the lives and identities of women and men, of America and the world.

    This narrative primarily follows George Darrow and Anna Leath, a young gentleman and a widowed lady who plan to marry. Both of them experience doubts about their union, with surprising outcomes. Darrow has a brief liaison with the delicate, generous Sophy Viner, a kind woman of the working class. She later meets Anna's stepson Owen Leath, who wishes to upset social conventions and marry her. When Anna's discovers the intimate history of Darrow and Sophy, she worries about her stepson's affections and feels concerned about the alliance she herself is about to create. Wharton's talent for balancing emotional turmoil and all the social manners of her time is blended into this philosophical work that explores the metaphorical reefs in the hearts of women.

    It is. For behind the town's idyllic facade lies a terrible secret—a secret so shattering that no one who encounters it will ever be the same.At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

    When his father is killed in the September 11th attacks on the World Trade Centre, Oskar sets out to solve the mystery of a key he discovers in his father's closet. It is a search which leads him into the lives of strangers, through the five boroughs of New York, into history, to the bombings of Dresden and Hiroshima, and on an inward journey which brings him ever closer to some kind of peace.

    A much-anticipated letter from Korea fails to satisfy them but sparks memories in the eldest. So begins the heartbreaking and inspiring tale of their birth mother's life as their adoptive mother imagines it. Abandoned as a baby and then again and again, Mi Sook is raised in a Korean coffee shop by its string of owner-mothers. She grows to adulthood fiercely independent and eventually comes to manage the shop. But her marriage to Kun Soo, with whom she has three children, begins a series of events that ultimately wrench her babies from her arms. Deceived by Kun Soo and his well-intentioned mother, and unsupported by a rigidly Confucian culture, Mi Sook emerges as a tragic and heroic figure who embodies the rich complexities of a nation -- and of the heart.

    Unable to dress or feed himself, or cope with his emotions, he has spent the last seven years in a group home. There he spends his days watching old sci-fi movies until he awakens one night with a clear mind and memories of his girlfriend. Realizing what his life has been he decides it would be better to die than to go on living this way. A failed suicide attempt leaves Leroy hospitalized where he retreats further into his mind in order to make sense of his existence.Freddie McCall is a middle aged father working two jobs. He's lost his wife and kids, and is close to losing his house. He's buried in debt, unable to pay the medical bills from his daughter's childhood illness. As Freddie's situation becomes more desperate he undertakes a risky endeavor he hopes will solve his problems but could possibly end in disaster. Just as Freddie is about to lose it all, he is faced with the possibility of getting his kids back.Pauline Hawkins takes care of everyone else around her. She cares for her mentally ill father out of a deep sense of obligation. As a nurse at the local hospital, she treats her patients and their families with a familiar warmth and tenderness. When Pauline becomes attached to a young runaway, she learns the difficult lesson that you can't help someone who doesn't help themselves.The lives of these three characters intersect as they look for meaning in desperate times. Willy Vlautin covers themes ranging from health care to the economic downturn and housing crisis, to the toll war takes on veterans and their families. The Free is an extraordinary portrait of contemporary America and a testament to the resiliency of the human heart.

    When Lucia starts hearing voices, it is Miranda who must find a way to reach her sister. Lucia impetuously plows ahead, but the bitter constant is that she is, in fact, mentally ill. Lucia lives life on a grand scale, until, inevitably, she crashes to earth. Miranda leaves her own self-contained life in Switzerland to rescue her sister again—but only Lucia can decide whether she wants to be saved. The bonds of sisterly devotion stretch across oceans—but what does it take to break them? Everything Here Is Beautiful is, at its heart, an immigrant story, and a young woman’s quest to find fulfillment and a life unconstrained by her illness. But it’s also an unforgettable, gut-wrenching story of the sacrifices we make to truly love someone—and when loyalty to one’s self must prevail over all.

    With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists.

    They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

    "Even as a girl, I knew the only chance I had was to change my face... even before a fortune-teller told me so." Kyuri is a beautiful woman with a hard-won job at a "room salon," an exclusive bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake with a client may come to threaten her livelihood.Her roomate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the super-wealthy heir to one of Korea's biggest companies.Down the hall in their apartment building lives Ara, a hair stylist for whom two preoccupations sustain her: obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that is commonplace.And Wonna, one floor below, is a newlywed trying to get pregnant with a child that she and her husband have no idea how they can afford to raise and educate in the cutthroat economy.Together, their stories tell a tale that's seemingly unfamiliar, yet unmistakably universal in the way that their tentative friendships may have to be their saving grace.

    A fox makes its way across Waterloo Bridge. The distraction causes two pedestrians to collide--Jean, an American studying the habits of urban foxes, and Attila, a Ghanaian psychiatrist there to deliver a keynote speech. From this chance encounter, Aminatta Forna's unerring powers of observation show how in the midst of the rush of a great city lie numerous moments of connection.Attila has arrived in London with two tasks: to deliver a keynote speech on trauma, as he has done many times before; and to contact the daughter of friends, his "niece" who hasn't called home in a while. Ama has been swept up in an immigration crackdown, and now her young son Tano is missing.When, by chance, Attila runs into Jean again, she mobilizes the network of rubbish men she uses as volunteer fox spotters. Security guards, hotel doormen, traffic wardens--mainly West African immigrants who work the myriad streets of London--come together to help. As the search for Tano continues, a deepening friendship between Attila and Jean unfolds.Meanwhile a consulting case causes Attila to question the impact of his own ideas on trauma, the values of the society he finds himself in, and a grief of his own. In this delicate tale of love and loss, of cruelty and kindness, Forna asks us to consider the interconnectedness of lives, our co-existence with one another and all living creatures, and the true nature of happiness.

    He shoots his first film, surreptitiously capturing his neighbors having sex on their back porch and discovering that through representations of sexual activity he can comment on what he finds both painful and confusing. In the films that follow, the narrator imagines in positions of dominance those who are disadvantaged in their everyday lives, now sexually belittling those who have once held them down. Nettie, an idealistic poet and the one person with whom the narrator genuinely connects, sees in pornography the opportunity to do something artistic, liberating, and socially relevant. She pushes him to make even more subversive films but, ultimately, despite his radical intentions, the narrator falls into a world of greed, delusion, and hypocrisy, the same world he once rebelled against. Investigating the ways in which lives are remembered and reconstructed, Turner works backwards and forwards in time with unerring attention to subtle shifts in voice and experience. But this is not a wistful recounting, for the retelling of the protagonist’s story is at the behest of an authoritative, unforgiving tribunal of interrogators.