It's the summer of 1913 and Cora Kensington's life on the family farm has taken a dark turn. After burying the only father she's ever known, she lost her beau in a tragic accident. Then a stranger comes to call. In one fateful afternoon, Cora discovers that her birth father is a copper king---a man who invites her to tour Europe with her new family. As she travels from England to France, Cora faces the hardships as well as the privileges of assuming the family name. And though now she knows more of her true identity, she soon discovers the journey is only beginning.

    He's all too familiar with her kind--shallow women more devoted to fashion than true beauty. Yet, except for her well-tailored clothing, this seamstress is not at all what he expected. Hannah Richards is confounded by the man who runs the livery. The unsmiling fellow riles her with his arrogant assumptions and gruff manner while at the same time stirring her heart with unexpected acts of kindness. Which side of Jericho Tucker reflects the real man? When Hannah decides to help Jericho's sister catch a beau--leading to uproarious consequences for the whole town--will Jericho and Hannah find a way to bridge the gap between them?

    There’s no use talking to police; they have failed her abysmally before. She has to flee before she’s arrested . . . or worse. The truth doesn’t matter anymore.But what is the truth? That’s the question haunting Dylan Roberts, the war-weary veteran hired to find Casey. PTSD has marked him damaged goods, but bringing Casey back can redeem him. Though the crime scene seems to tell the whole story, details of the murder aren’t adding up. Casey Cox doesn’t fit the profile of a killer. But are Dylan’s skewed perceptions keeping him from being objective? If she isn’t guilty, why did she run?Unraveling her past and the evidence that condemns her will take more time than he has, but as Dylan’s damaged soul intersects with hers, he is faced with two choices. The girl who occupies his every thought is a psychopathic killer . . . or a selfless hero. And the truth could be the most deadly weapon yet.

    When a weekend party at Farthering Place is ruined by murder and the police seem flummoxed, Drew decides to look into the crime himself. With the help of his best friend, Nick Dennison, an avid mystery reader, and Madeline Parker, a beautiful and whip-smart American debutante staying as a guest, the three try to solve the mystery as a lark, using the methods from their favorite novels.Soon, financial irregularities at Drew’s stepfather’s company come to light and it’s clear that all who remain at Farthering Place could be in danger. Trying hard to remain one step ahead of the killer–and trying harder to impress Madeline–Drew must decide how far to take this game

    Rebecca Ravenshaw, daughter of missionaries, spent most of her life in India. Following the death of her family in the Indian Mutiny, Rebecca returns to claim her family estate in Hampshire, England. Upon her return, people are surprised to see her… and highly suspicious. Less than a year earlier, an imposter had arrived with an Indian servant and assumed not only Rebecca’s name, but her home and incomes.That pretender died within months of her arrival; the servant fled to London as the young woman was hastily buried at midnight. The locals believe that perhaps she, Rebecca, is the real imposter. Her home and her father’s investments reverted to a distant relative, the darkly charming Captain Luke Whitfield, who quickly took over. Against her best intentions, Rebecca begins to fall in love with Luke, but she is forced to question his motives–does he love her or does he just want Headbourne House? If Luke is simply after the property, as everyone suspects, would she suffer a similar fate as the first “Rebecca”?A captivating Gothic love story set against a backdrop of intrigue and danger, Mist of Midnight will leave you breathless.

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    But that’s Kit Turner’s domain, a swindler who runs a crew that acquires money the old-fashioned way—conning the rich to give to the poor. When a local cab driver goes missing, Jackson is tasked with finding the man, and the only way to do that is by enlisting Kit’s help. If Jackson doesn’t find the cabby, he’ll be fired. If Kit doesn’t help Jackson, he’ll arrest her for thievery. Yet neither of them realize those are the least of their problems.

    Always ready to help those in need, Elizabeth ignores John's protests of her aid. She's even willing to risk her lone marriage prospect to help the little family.Yet Elizabeth's new role as nanny takes a dangerous turn when John's boldness from the pulpit makes him a target of political and religious leaders. As the preacher's enemies become desperate to silence him, they draw Elizabeth into a deadly web of deception. Finding herself in more danger than she ever bargained for, she's more determined than ever to save the child—and man—she's come to love.

    Orphaned and unmarried in a time when women are legal property of their fathers, husbands, and guardians, she finds herself at the mercy of an anonymous guardian who plans to establish her as a servant in far-off Scotland.With two months to devise a better plan, Julia’s first choice to marry her childhood sweetheart is denied. But when a titled dowager offers to introduce Julia into society, a realm of possibilities opens. However, treachery and deception are as much a part of Victorian society as titles and decorum, and Julia quickly discovers her present is deeply entangled with her mother’s mysterious past. Before she knows what’s happening, Julia finds herself a pawn in a deadly game between two of the country’s most powerful men. With no laws to protect her, she must unravel the secrets on her own. But sometimes truth is elusive and knowledge is deadly.

    And she's determined to inform and educate the ladies of London on the nefarious-and deadly-criminals who are preying on the fairer sex. When her reporting leads to the arrest of a notorious killer, however, Katherine flees to a country house party to escape her newfound notoriety-only to witness a murder on her very first night. And when the lead detective accuses Katherine of inflaming-rather than informing-the public with her column, she vows to prove him wrong.Detective Inspector Andrew Eversham's refusal to compromise his investigations nearly cost him his own career, and he blames Katherine. To avoid bad publicity, his superiors are pressuring him to solve cases quickly rather than correctly. When he discovers she's the key witness in a new crime, he's determined to prevent the beautiful widow from once again wreaking havoc on his case. Yet as Katherine proves surprisingly insightful and Andrew impresses Katherine with his lethal competency, both are forced to admit the fire between them is more flirtatious than furious. But to explore the passion between them, they'll need to catch a killer.

    Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down as accusations and rumors swirl. When Kiera and Gage's search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim...

    But someone wants to claim them . . . or silence her before she can reveal them on her own.Boston, 1926. Jenny “Wren” Lockhart is a bold eccentric—even for a female vaudevillian. As notorious for her inherited wealth and gentleman’s dress as she is for her unsavory upbringing in the back halls of a vaudeville theater, Wren lives in a world that challenges all manner of conventions.In the months following Houdini’s death, Wren is drawn into a web of mystery surrounding a spiritualist by the name of Horace Stapleton, a man defamed by Houdini’s ardent debunking of fraudulent mystics in the years leading up to his death. But in a public illusion that goes terribly wrong, one man is dead and another stands charged with his murder. Though he’s known as one of her teacher’s greatest critics, Wren must decide to become the one thing she never wanted to be: Stapleton’s defender.Forced to team up with the newly formed FBI, Wren races against time and an unknown enemy, all to prove the innocence of a hated man. In a world of illusion, of the vaudeville halls that showcase the flamboyant and the strange, Wren’s carefully constructed world threatens to collapse around her. Layered with mystery, illusion, and the artistry of the Jazz Age’s bygone vaudeville era, The Illusionist’s Apprentice is a journey through love and loss and the underpinnings of faith on each life’s stage.

    So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly. His journals reveal him to have been a gentleman scholar and antiquities collector who, to her surprise, was deeply in love with his wife. Emily becomes fascinated with this new image of her dead husband and she immerses herself in all things ancient and begins to study Greek.Emily's intellectual pursuits and her desire to learn more about Philip take her to the quiet corridors of the British Museum, one of her husband's favorite places. There, amid priceless ancient statues, she uncovers a dark, dangerous secret involving stolen artifacts from the Greco-Roman galleries. And to complicate matters, she's juggling two very prominent and wealthy suitors, one of whose intentions may go beyond the marrying kind. As she sets out to solve the crime, her search leads to more surprises about Philip and causes her to question the role in Victorian society to which she, as a woman, is relegated.

    Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?

    They go their separate ways—she returns to her family’s Caribbean plantation, and he returns to the Royal Navy. Now, twelve years later, Julia is about to receive a substantial inheritance, including her beloved plantation. When unscrupulous relatives try to gain the inheritance by forcing her into a marriage, she turns to the only eligible man to whom her father, Admiral Sir Edward Witherington, will not object—his most trusted captain and the man who broke Julia’s heart, William Ransome. Julia offers William her thirty-thousand-pound dowry to feign marriage for one year, but then something she never imagined happens: She starts to fall in love with him again. Can two people overcome their hurt, reconcile their conflicting desires, and find a way to be happy together? Duty and honor, faith and love are intertwined in this intriguing tale from the Regency era.