The art of fiction is considered under a wide range of headings, such as the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, Magic Realism and Symbolism, and each topic is illustrated by a passage or two taken from classic or modern fiction. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, David Lodge makes accesible to the general reader the richness and variety of British and American fiction. Technical terms, such as Interior Monologue, Metafiction, Intertextuality and the Unreliable Narrator, are lucidly explained and their applications demonstrated.Bringing to criticism the verve and humour of his own novels, David Lodge has provided essential reading for students of literature, aspiring writers, and anyone who wishes to understand how literature works.Beginning (Jane Austen, Ford Madox Ford) --The intrusive author (George Eliot, E.M. Forster) --Suspense (Thomas Hardy) --Teenage Skaz (J.D. Salinger) --The epistolary novel (Michael Frayn) --Point of view (Henry James) --Mystery (Rudyard Kipling) --Names (David Lodge, Paul Auster) --The stream of consciousness (Virginia Woolf) --Interior monologue (James Joyce) --Defamiliarization (Charlotte Bronte) --The sense of place (Martin Amis) --Lists (F. Scott Fitzgerald) --Introducing a character (Christopher Isherwood) --Surprise (William Makepeace Thackeray) --Time-shift (Muriel Spark) --The reader in the text (Laurence Sterne) --Weather (Jane Austen, Charles Dickens) --Repetition (Ernest Hemingway) --Fancy prose (Vladimir Nabokov) --Intertextuality (Joseph Conrad) --The experimental novel (Henry Green) --The comic novel (Kingsley Amis) --Magic realism (Milan Kundera) --Staying on the surface (Malcolm Bradbury) --Showing and telling (Henry Fielding) --Telling in different voices (Fay Weldon) --A sense of the past (John Fowles). Imagining the future (George Orwell) --Symbolism (D.H. Lawrence) --Allegory (Samuel Butler) --Epiphany (John Updike) --Coincidence (Henry James) --The unreliable narrator (Kazuo Ishiguro) --The exotic (Graham Greene) --Chapters etc. (Tobias Smollett, Laurence Sterne, Sil Walter Scott, George Eliot, James Joyce) --The telephone (Evelyn Waugh) --Surrealism (Leonora Carringotn) --Irony (Arnold Bennett) --Motivation (George Eliot) --Duration (Donald Barthelme) --Implication (William Cooper) --The title (George Gissing) --Ideas (Anthony Burgess) --The non-fiction novel (Thomas Carlyle) --Metafiction (John Barth) --The uncanny (Edgar Allen Poe) --Narrative structure (Leonard Michaels) --Aporia (Samuel Beckett) --Ending (Jane Austen, William Golding)

    Now The Road to Dune is a companion work comparable to The Silmarillion, shedding light on and following the remarkable development of the bestselling science fiction novel of all time.In this fascinating volume, the world's millions of Dune fans can read--at long last--the unpublished chapters and scenes from Dune and Dune Messiah. The Road to Dune also includes some of the original correspondence between Frank Herbert and famed editor John W. Campbell, Jr., along with other correspondence during Herbert's years-long struggle to get his innovative work published, and the article "They Stopped the Moving Sands," Herbert's original inspiration for Dune.The Road to Dune also features newly discovered papers and manuscripts of Frank Herbert, and Spice Planet, an original novel by Brian Herbert and Kevin J. Anderson, based on a detailed outline left by Frank Herbert.The Road to Dune is a treasure trove of essays, articles, and fiction that every reader of Dune will want to add to their shelf.

    But he soon learns that rats in suits are even worse. What do you do when rats invade your barn? Kill them or negotiate? Mason finds out the hard way that force does not always work! An allegory of war and violence? A statement on the arms race? Neal Asher’s work takes Orwell’s Animal Farm into a grimly humorous future where evolution is outrunning humanity. You may never trust a rat again! “I’ve never read anything like MASON’S RATS before … it’s sharp, funny and highly inventive. There’s more fun in this one slim volume than in many a full-length novel!” – Stephen Gallagher

    Crafting Short Screenplays That Connect is the first screenwriting guide to introduce connection as an essential, although essentially overlooked, aspect of creating stories for the screen and of the screenwriting process itself. Written with clarity and humor, this book teaches the craft of writing short screenplays by guiding the student through carefully focused writing exercises of increasing length and complexity. Eight award-winning student screenplays are included for illustration and inspiration.The text is divided into three parts. Part one focuses on preparing to write by means of exercises designed to help students think more deeply about the screenwriter's purposes; their own unique vision, material and process; and finally about what screenplays are at their simplest and most profound level—a pattern of human change, created from specific moments of change—discoveries and decisions. Part two teaches students how to craft an effective pattern of human change. It guides them through the writing and re-writing of "Five (Not So Easy) Pieces"—five short screenplays of increasing length and complexity—focusing on a specific principle of dramatic technique: The Discovery, The Decision, The Boxing Match, The Improbable Connection, and The Long Short Screenplay. Part Three presents the five screenplays used throughout the book to illustrate the dramatic principles that have beendiscussed, and includes interviews with the screenwriters, a look at where they are now and what they are doing, and brief discussion of how each film evolved. * Groundbreaking book that stresses human connection as the basis of a good screenplay&151;not conflict* The only screenwriting book that includes a DVD that contains performances of the short films and screenplays that are featured in the book* Ample exercises for practice and inspiration

    An explosion rips the Notre Dame cathedral in Paris apart during celebratory mass, killing hundreds and revealing a hidden crypt with a most gruesome find: the crucified body of a naked young woman; twelve tombstones inscribed with a single phrase -- in domina nostra salus. CIA agent John Russell, an expert in religious crime, is summoned to investigate a wave of atrocities that surges through Europe: Bodies on cathedral towers covered in baffling tattoos; the massacre of a Cistercian monastery; the relentless execution of senior Cardinal Bishops. Sorting through the bizarre crimes, Russell and his team are plunged into a web of age-old conspiracies involving the Vatican, the Ceile De, spouses of the gods, warrior priestesses and their quest to settle a primeval score. In a race against time, Russell drags his team through Europe in a desperate struggle to prevent total cataclysm. In just four days...

    She invites us behind the scenes of novel-writing, sharing her own habits and spilling the secrets of her craft. And she offers priceless advice to aspiring authors. As she works her way through one hundred novels–from classics such as the thousand-year-old Tale of Genji to recent fiction by Zadie Smith and Alice Munro–she infects us anew with the passion for reading that is the governing spirit of this gift to book lovers everywhere.

    His mother has his life planned out, with a seat by her side, running the conglomerate. Tyler has other ideas. With the help of a great-grandfather who was a United States Marine when there used to be a United States, Tyler changes his face and his identity, becoming Randall Munroe and enlisting in the Fleet Marine Corps, qualifying for the point of the sword, Force Recon. Plunged into an interstellar war against the relentless Tahni Empire, Munroe is stranded alone on an occupied colony and forced to organize a civilian resistance to the enemy. The year of constant violence and death wears him down, yet sharpens him at the same time. After the war, Munroe once again takes up arms, this time against his will, when his uncle, Andre Damiani, the head of the Corporate Council, blackmails him into leading a special squad of trouble-shooters, eliminating threats to Council business among the criminal cabals in the Pirate Worlds. But the real enemy is still the Council, and Munroe vows to take the fight to them, no matter what the cost.

    All girls. Why?In a dark and divided dystopian America, an ambitious reporter must risk her life and reputation to find out why only females are being born.Twenty-eight-year-old Charley Tennyson has battled PTSD ever since surviving a violent attack that killed her father. Four months later, she returns to her job as a reporter, only to be thrust into a high-profile investigation that forces her to choose between her own safety and the nation’s future.For the last two days, only females have been born in America. If the trend continues, males could become extinct within the next century. Charley's investigation leads to a deep conspiracy that raises unexpected questions about gender roles, violence, government power, and her father’s death.The story of one woman’s journey to find courage in a world full of fear, End of Men is a reminder of what binds us together when everything is falling apart."End of Men is a smart, evocative page-turner set in an unnervingly plausible future. Strobel's plot unfolds at a furious pace, seamlessly weaving in scientific, technological and social details that will convince you her dystopian vision is right around the corner." —Doug Kurtz, The Story Coach, dougkurtz.com"Suzanne Strobel has woven a narrative that holds up to the best of the top-tier dystopian writers. The heroine, Charley Tennyson, embarks on a journey where she uncovers the truth to a scientific mystery, has to build trust with others and ultimately finds hope. I couldn’t put this book down. You’re not going to want to pass up this gem, in fact you’re going to want to bring it to your book club." —Tamara Palmer, Author of Finding Lancelot and Missing Tyler

    Scrounging and cutting corners to work cheap, Collier isn’t a stranger to lean times and make-do repairs; in fact his onboard computer hasn’t had outside maintenance in years and its beginning to show its personal quirks.When Collier finds an asteroid that shows promise, he thinks he’s bought himself some time. But his claim is stolen out from under him by his vindictive ex-lover and her shiny new corporate ship. Powerless against the omnipotent mining corporations, Collier has always been too stubborn to give-up without a fight. Broke and desperate, Collier has one last chance to land a strike. If he doesn’t come back with ore, he’ll end up destitute and trading his own biologicals for his next meal.What he discovers in the farthest reaches of the belt has the power to change his life and the fate of the entire system forever. That is, if Collier and his onboard computer can keep his discovery out of corporate hands. About the Author: Sean O’Brien is an educator and writer from Southern California. He is married and has two children along with an ever-growing number of animals. He was named Educator of the Year by the California League of High Schools and has been a head varsity football coach, television broadcaster, and Gilbert and Sullivan singer (though not a good one). He’s the author of A Muse of Fire, Wondrous Strange, and Vale of Stars.

    Tolkien's creativity and the sources of his inspiration. Shippey shows in detail how Tolkien's professional background led him to write "The Hobbit" and how he created a timeless charm for millions of readers.

    This volume contains writing from 1995 to 1998 on a variety of subjects, including the eating of sheep faces, Sin City, the ugliness of comics, the parallel world where comics legend Stan Lee dies in a horrific plumbing accident, how to write for comics, and why Michael Moorcock scares the hell out of him!

    This new and expanded third edition continues to offer students and readers the best one-volume introduction to the field.The bewildering variety of approaches, theorists and technical language is lucidly and expertly unraveled. Unlike many books which assume certain positions about the critics and the theories they represent, Peter Barry allows readers to develop their own ideas once first principles and concepts have been grasped.

     This is Writers On Writing – An Author’s Guide, where your favorite authors share their secrets in the ultimate guide to becoming – and being – an author. In this first volume you’ll find in-depth essays from authors such as Jack Ketchum, Brian Hodge, Mercedes M. Yardley, Tim Waggoner, Jasper Bark, Kevin Lucia, Monique Snyman, Todd Keisling, and Dave-Brendon de Burgh. Edited by Joe Mynhardt. “The Infrastructure of the Gods: 11 Signposts for Going all the Way” by Brian Hodge “The Writer’s Purgatory: Between Finishing the First Draft and Submitting the Manuscript” by Monique Snyman “Why Rejection is Still Important” by Kevin Lucia “Real Writers Steal Time” by Mercedes M. Yardley “What Right Do I Have to Write” by Jasper Bark “Go Pace Yourself” by Jack Ketchum “A Little Infusion of Magic” by Dave-Brendon de Burgh “Never Look Away: Confronting Your Fears in Fiction” by Todd Keisling “Once More With Feeling” by Tim Waggoner Writers On Writing is an ongoing series of 15,000 to 20,000 word eBooks, with original ‘On Writing’ essays by writing professionals. A new edition will be launched every few months. Future volumes will include essays by the likes of Kealan Patrick Burke, Richard Thomas, Mark Scioneaux, Rena Mason, J.G. Faherty, William Meikle, Lucy A. Snyder, Kate Jonez, Chantal Noordeloos, Taylor Grant, Gary McMahon, Lori Michelle, Robert W. Walker, Brian Kirk, Lisa Morton, Lynda E. Rucker, Maria Alexander, and many more. Writers On Writing give young authors the guidance they need, but has advice for all authors, from the interested newbie to the seasoned veteran (sounds delicious, right?). This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer’s block Marketing Branding Publishing Self-publishing Healthy habits Bad habits The Writer’s Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don’t Tell Self-editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career Keeping track of your royalties Staying motivated Writing movies Writing comics Writing games Building a fan-base Online presence Newsletters Podcasting Author interviews Media appearances Websites Blogging And so much more&hel

    Improve your knowledge and find things you've never heard before, or learn the facts behind the facts you already knew.So sit back, grab a spoon, and help yourself to a heaping bowl of Knowledge Stew.

    Lost worlds where T-Rex and Velociraptors still roam and man is now on the menu. Laboratories at the forefront of cloning technology experiment with dinosaurs they do not understand or are able to contain. The deepest parts of the ocean where Megalodon, the largest and most ferocious predator to have ever existed is stalking new prey. Plus many more thrillers filled with extinct prehistoric monsters written by some of the best creature feature authors this side of the Jurassic period.