As he entered the middle period of his career, with volumes such as The Continuous Life (1990), Strand was already well-known for his ability to capture the subtle music of consciousness, and for creating painterly physical landscapes that could answer to the inner self: “And here the dark infinitive to feel, / Which would endure and have the earth be still / And the star-strewn night pour down the mountains / Into the hissing fields and silent towns.” In his later work, from Blizzard of One (1998) which won the Pulitzer Prize, through the sly, provocative riddles of his recent Almost Invisible (2012), Strand has delighted in reminding us that there is no poet quite like him for a dose of dark wit that turns out to be deep wisdom and self-deprecation. He has given voice to our collective imagination with a grandeur and comic honesty worthy of his great Knopf forebear Wallace Stevens. With this volume, we celebrate his canonical work.

    On the left side of the book are "thinker" poems that light up the analytical, more literal, left side of the brain, and on the right side are companion "feeler" poems that speak to the creative, more emotional right side of the brain. Combined, the poems electrify the mind, body and soul through a completely unique poetry experience that inspires each of us to embrace all parts of ourselves. This empowering poetry book will not only engage you to think and feel, but will make you feel seen, show you how to love yourself, and encourage you to seek out the hope and beauty in the world … and in yourself. It’s the perfect gift for yourself or someone you love, especially after a most difficult year.

    While focusing on the words from the project, new photography launches each section which speaks to the reader's journey through the world: Love Found, Being In Love, Love Lost, Hope, Despair, Living and Dying.

    All the stories are true and links are provided to the original news source. Yes, people can be very irrational, but it's entertaining. Enjoy.

    Dramatic, energetic, beautiful, and true, this slim selection will delight any reader—The Red Wheelbarrow Other Poems is a book to be treasured.

    In the Edgar-Award finalist Lover Man, Artie becomes a reluctant detective when his ex-girlfriend is killed. "The writing is flip and sophisticated," New York Times In Lush Life, Artie falls for a sexy pool player whose sleazy ex-husband has disappeared with $14 million of his company's assets. Now Artie finds himself in the middle of wild caper involving the mob and the CIA. "A bouncy, quirky, funny mystery...more twists and turns than a New York cab driver running up the meter," Washington Post In Don't Explain, Jellyroll has become the target of death threats from crazed stalkers, so Artie takes him to a remote island, only to discover their hideaway is overrun with an assortment of colorful killers. "An outstanding series," Publishers Weekly

    I read his work with awe and admiration.”—Ben Marcus “Joe Wenderoth's brave new poetic talent is like nothing so much as a live wire writing its own epitaph in sparks. [His poems] throb brilliantly with a sense of the 'too much.' . . . But in Wenderoth's case the too much is the too little or the too ordinary—a very remarkable discovery to have made so late in the history of poetry. Philip Larkin and a few American poets have approached it, but Wenderoth's instrument is sharper than theirs; he makes quick cuts in the meat of the ordinary, which is the meat of the impossible.”—Cal Bedient This clear-eyed new work from a favorite young poet is searching and solemn, dissatisfied with artificial condolences and pat maxims. Joe Wenderoth’s determination in the face of harsh realities is what rescues us, and him, from hopelessness. “Luck” So a screaming woke you just in time An animal’s scream, or animals’. What kind of animal it was doesn’t matter, and cannot, in any case, be determined. The point is you are saved. Your mouth has been opened. Joe Wenderoth grew up near Baltimore and is the author of five books of prose and poetry. He teaches at the University of California, Davis.

    In Sentenced to Life, he was clear-sighted as he faced the end, honest about his regrets. In Injury Time, he wrote about living well in the time remaining, focusing our attention on the joys of family and art, and celebrating the immediate beauty of the world.When The River in the Sky opens, we find James in ill health but high spirits. Although his body traps him at home, his mind is free to roam, and this long poem is animated by his recollection of what life was and never will be again; as it resolves into a flowing stream of vivid images, his memories are emotionally supercharged ‘by the force of their own fading’. In this form, the poet can transmit the felt experience of his exceptional life to the reader.As ever with James, his enthusiasm is contagious; he shares his wide interests with enormous generosity, making brilliant and original connections, sparking passion in the reader so that you can explore the world’s treasures yourself. Because this is not just a reminiscence, it’s a wise and moving preparation for and acceptance of death. As James realizes that he is only one bright spot in a galaxy of stars, he passes the torch to the poets of the future, to his young granddaughter, and to you, his reader.A book that could not have been written by anyone else, this is Clive James at the height of his considerable powers: funny, wise, deeply felt, and always expressed with an unmatched power for clarity of expression and phrase-making that has been his been his hallmark.

    The book reproduces A Part Song, a profoundly moving document of grieving and loss, and one of the most widely admired long poems of recent years. Elsewhere these poems become a space for contemplation of the natural world and of physical law, and for the deep consideration of what it is to invoke those who are absent. But finally, they extend our sense of what the act of human speech can mean - and especially what is drawn forth from us when we address our dead. Lyric, intimate, acidly witty, unflinchingly brave, Say Something Back is a deeply moving book by one of our finest poets, and one destined to introduce Riley's name to a wide new readership.

    Down-and-out millionaire Gary Heidnik wallpapered his hallway with $5 bills, anointed himself bishop of his own religion and began collecting 'wives', women he abducted from the street and kept chained up in a pit. Bondage freak Izabela Lewicka willingly signed a 115-item contract giving John Edward Robinson complete control over her life, but she never imagined it was a license to kill. Forcible Confinement is a study of the warped thinking that went into some of the world's most macabre crimes, as well as a clinical examination of the purpose-built rooms, hidden spaces and soundproofed dungeons prepared for victims. From the massive 'Murder Castle' once used by Dr H. H. Holmes to prey upon those attending the 1893 Chicago World's Fair to the hell house where self-professed sex-addict Ariel Castro kept three women in chains for more than ten years, the book examines famous cases of the past along with many from the modern age. John Marlowe takes the reader on a disturbing journey through a world of murder and mayhem, providing insight into evil and the motivations of monsters.

    Well, perfect except for one thing…the neighbor.

    In this collection, she evokes what it means to be young, to be a woman, to have both feet firmly planted both in this world & the virtual. She asks fascinating questions like, 'Is anyone moved by the plainness of raw skin anymore?' She makes you trust she's the necessary answers with intelligence & confidence. In this book, she builds an identity for herself, tears it down & builds herself anew. It's breathtaking to behold."--Roxane Gay, author of An Untamed State & Bad Feminist“The poems & prose pieces in this smart & complex collection illuminate the shape of a new, 21st century webcam feminism—one that questions its own ambitions, knows the shape of pornstar mouths & doubts the sanctity of individuality when pitted against the existential. Gabby writes with radical uncertainty about illusions of control, the limits of identity & what it means to still want to kiss another human amidst the screenshots. This is a book that invents its own female gaze & then, like a bad bitch, breaks the lens.”--Melissa Broder, author of Meat Heart“Gabby Bess’s Alone with Other People orchestrates an impressive catalog of young human want with a uncompromising style. In the span between its 1st phrase The sex can be rough & its last sentence, Panic, the reader forward thru a virtual rolodex of self-inquisition shaped by boredom, horror, aspiration, fear for future, wonder, lust. There’s a lot of intense light coming off this book full of screens & suns & large black dots.”--Blake Butler, author of Sky Saw“Don’t take me for crazy when I say that the verse “Hahaha, am I alone here?” is the one that best sums up Gabby’s incredible debut book, because it’s true. Thru each & every page that makes up Alone with Other People, the author manages to head out into the world with a sane, witty & protesting laugh. A laugh about the strength of woman, of youth, of poetry. When Gabby says hahaha, it also starts to unravel before our very eyes a series of texts that first & foremost find beauty in the mundane, followed by the universality of intimacy, & lastly (& most importantly): the sensation that with this book, we will never, ever feel lonely again.”--Luna Miguel, author of Bluebird & Other Tattoos“Of-the-moment, brilliant & triumphantly sad, Illuminati Girl Gang leader Gabby Bess’s debut Alone with Other People is a post-feminist, hyper selfconscious teen swansong of the Internet age. The line between girl body & Macbook is collapsed in these vignettes that riff from blog posts, text messages & tumblr memes, & what emerges is a “modern tragic figure who would sacrifice herself for whatever.”--Kate Durbin, author of E! Entertainment“Alone with Other People deftly deals with relationships in a highly mediated age–one that twists our perceptions of self & others. Gabby shows us how we can be simultaneously complicit in this culture but still have the desire to fight against it.”--Ann Hirsch, performance artist

    At the heart of this book of compassionate and energetic sonnets are ‘The Kids’, her students, the teenagers she nurtured. But the poems go further, meeting her own child self as she comes of age in the riotous 80s and 90s, later bearing witness to her small son learning to negotiate contemporary London. Across these deeply felt poems, Lowe interrogates the acts of teaching and learning with empathy and humour. Social class, gender and race – and their fundamental intersection with education – are investigated with an ever critical and introspective eye. The sonnet is re-energised, becoming a classroom, a memory box and even a mind itself as ‘The Kids’ learn and negotiate their own unknown futures. These boisterous and musical poems explore and explode the universal experience of what it is to be taught, and to teach, ultimately reaching out and speaking to the child in all of us.

    Since the devastating failure of her short-lived marriage, Cathy has buried herself in her work and kept men at an arm’s length. But after Pam and Jamie arrive at Cathy’s door for a short stay, Cathy’s stone walls begin to crumble when she meets Jamie. Jamie, whose compassion and warmth slowly break down her defenses. Jamie, whose devotion to his four-year-old daughter melts Cathy's heart and makes her desperate for a family of her own. Jamie… who is married to Cathy's high school friend.A profound love that transcends time and place is impossible to resist. But is love more important than friendship? Are loyalty and fidelity the foundation or the anchor? In the end, it’s all about choices – tough ones that can break hearts. And now Cathy must make the most difficult choice of her life.

    His sophisticated insights into psychological complexities, his ability to capture the essence of nature's sounds and spoken dialects in written words, and above all his inimitable-and often surprising-imagery have entertained his legions of fans over successive generations. It represents Gulzar's most memorable compositions of all time, and feature anecdotes about the composition of the lyrics as well as sketches by Gulzar.