Now, in this new series of Enid Blyton for Grown-Ups, George, Dick, Anne, Julian and Timmy are keen to hone their physiques ready for the summer holidays. All it will take is a bit of effort and willpower . . . and pulling together as a team. What could possibly stand in their way?True to form, the path to the body beautiful is less straightforward than they hope!

    He prided himself on furthering relations between communities, speaking several tribal languages fluently and developing a reputation as a man to be trusted and sought after for help and advice. With a thriving young family, a devoted wife and a quick succession of promotions, George is proud of everything he has achieved so far, in particular the understanding he is fostering between whites and blacks. Then, in the wake of the 1948 elections, George feels a shift in the Native Affairs Department's agenda. As he is shunted from one outpost to another, his role becoming ever more hopeless, his place in South Africa's future increasingly hazy, he feels the weight of his powerlessness and finds himself fighting off a crippling depression. "The Native Commissioner" is a heart-wrenching portrayal of a kind and conscientious man who felt himself cast adrift under the weight of South African apartheid.

    The murder of a beautiful woman shatters the rural village peace of Alfredville, and her husband, the police station commander, is jailed as chief suspect. Her cousin Peter, a freelance writer in London, returns to South Africa for the first time in decades – unsettled, curious, but also in search of a career-defining story. On checking into the Queen’s Hotel he finds that things are not as straightforward as he imagined, and South Africa is not as he left it. His carefully ordered world is thrown into turmoil as his trip dredges up a long-abandoned past, forcing him to question the assumptions so easily held from the comfort of his London flat. He meets a mixture of locals, visitors, vagrants and migrants, but most momentously, Peter discovers that his bosom friend from school, Bennie Nienaber, is still in Alfredville – and is in fact now, acting station commander at the local police station. Peter re-establishes an awkward friendship with his erstwhile friend and the two warily circle each other, sharing reminiscences that hint at a bond much deeper than nostalgia. As Peter abandons the neatly patterned story he had planned and is forced to participate in a community that he once despised, he begins to reconsider his place in the world. In search of Desirée’s story, he now starts to rewrite his own – till events take an even more shocking turn….Lost Ground explores questions of xenophobia and prejudice, of national, sexual and personal identity, and what it means to be a foreigner wherever you go.Michiel Heyns is the author of four previous novels: The Children’s Day, The Reluctant Passenger, The Typewriter’s Tale and Bodies Politic. He is a translator and was professor of English at the University of Stellenbosch.

    When he became leader of the Liberal Party in 1967 at the age of just thirty-seven, he seemed destined for truly great things. But as his star steadily rose so his nemesis drew ever nearer: a time-bomb in the form of Norman Scott, a homosexual wastrel and sometime male model with whom Jeremy had formed an ill-advised relationship in the early 1960s. Scott's incessant boasts about their 'affair' became increasingly embarrassing, and eventually led to a bizarre murder plot to shut him up for good. Jeremy was acquitted of involvement but his career was in ruins.Michael Bloch's magisterial biography is not just a brilliant retelling of this amazing story; ten years in the making, it is also the definitive character study of one of the most fascinating figures in post-war British politics.

    The British are slowly marking their departure from the country. And while Partition looms large over India, Chhotu, a student-cum-paranthe-cook in the dusty gullies of Chandni Chowk, has other things on his mind-like feeling the first flushes of love of his crush, Heer, the new girl at school.When he finally decides to make a move, Chhotu soon finds the town's aloo has suddenly gone missing, reluctantly embroiling himself into the world of corruption, crime and dons. As he struggles to understand what freedom truly means, Chhotu realizes one thing is for certain-that his world, and the world of those around him, is about to change forever.Set against the backdrop of Partition and the horrors that followed, Chhotu is a coming-of-age story of an unlikely hero and a parable of a past that doesn't feel too removed from the present."Wild, imaginative and tender..."-Vazira Zamindar, author of 'The Long Partition'"Sharp irony and crackling humour..." -Gyan Prakash, professor of history, Princeton University, author of Emergency Chronicle"Chhotu looks at this tragedy through fresh eyes... bringing to the fore nostalgia, romance and a light touch."-Lady Kishwar Desai, chair of The Partition Museum"Chhotu, Heer, Bapu, Chandni Chowk, love, friendship, longing and belonging breathe life into a turbulent time few have dared to picture." -Ritu Khanduri, author of Caricaturing Culture in India

    He trucks north with his eight-year-old-daughter Em into Queensland. There he blows up the dam at Croesus Station, releasing a flood through outback New South Wales into South Australia.As the authorities search for them, Merv and Em ride the flood south in their stolen boat, rescuing a Queensland Minister from the water, and then a young blackfella who fancies he sang the river to life all by himself. Meanwhile, in Canberra, the political flotsam carried by Merv's renegade ocean brings the Federal Government to its knees.The Last Pulse is the story of the last flood that will ever flow down the inland artery that was the Darling River. The stream is broken now and the agriculture and lives of South Australians have been appropriated with the water by a people a thousand kilometres to the north.Throughout their misadventures on his flood, Merv promises his daughter they will be heroes in South Australia, and that they are sailing towards victory parades and happiness. The other crewmembers, however, know he is heading towards a violent reckoning with Australia itself. Blackly humorous, poignant, timely, The Last Pulse is Anson Cameron's finest work to date.

    The 26 stories of "Guleesh," "The Horned Women," "King O'Toole and His Goose," "The Sea-Maiden," "The Shee An Gannon and the Gruagach Gaire," "The Lad with the Goat-Skin," the legendary "Dierdre," "Beth Gellert," and the other wonderful characters, the curses and hexes, the broken promises and granted wishes are accompanied by eight full-page plates, 37 drawings, and decorated capitals and endpieces that help make this book the charming one that generations of youngsters have proclaimed it to be.

    Six cities. A thousand stories.Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world.

    This early novel deals with the pain and dislocation of the clash of the old and new ways - the educated young man determined to go overseas, and the elders of the family believing his duty is to stay and head the family.

    Simple, isn’t it? But what if you neither have the guts to leave the job nor know what you love to do? Complicated, isn’t it?Meet Raghav, who like millions of other software professionals, is stuck in a similar situation. But don’t worry, his destiny has better plans for him. What plans you may ask? Well, getting him fired.This novella takes you on a light-hearted tour of the contemporary software industry where you can ask the haunting question loudly- is getting sacked a blessing in disguise? About the author Sandeep is a software professional and lives in Pune. He is an IIT Bombay alumnus but doesn't brag about it unless a situation emerge. He spends more time observing people than on his monitor. He loves tea but hates many things like writing about himself as a third person. Thank God I'm Fired is his second book.

    "Black Sunlight" gives a similar cockroach-eye view of London.“I really tried to put terrorism into a historical perspective, neither applauding their acts nor condemning them. The photographer does not take sides; he just takes the press photographs.” In an unspecified setting the stream-of-consciousness narrative of this cult novel traces the fortunes of a group of anarchists in revolt against a military-fascist-capitalist opposition. The protagonist is photojournalist Chris, whose camera lens becomes the device through which the plot is cleverly unraveled. In Dambudzo Marechera’s second experimental novel, he parodies African nationalist and racial identifications as part of an argument that notions of an ‘essential African identity’ were often invoked to authorize a number of totalitarian regimes across Africa. Such irreverent, avant-garde literature was criticized upon publication in Zimbabwe in 1980, and Black Sunlight was banned on charges of ‘Euromodernism’ and as a challenge to the concept of nation-building in the newly independent country.

    She retraces the history of the Atlantic slave trade from the fifteenth to the twentieth century and reckons with the blank slate of her own genealogy.There were no survivors of Hartman's lineage, nor far-flung relatives in Ghana of whom she had come in search. She traveled to Ghana in search of strangers. The most universal definition of the slave is a stranger--torn from kin and country. To lose your mother is to suffer the loss of kin, to forget your past, and to inhabit the world as a stranger. As both the offspring of slaves and an American in Africa, Hartman, too, was a stranger. Her reflections on history and memory unfold as an intimate encounter with places--a holding cell, a slave market, a walled town built to repel slave raiders--and with people: an Akan prince who granted the Portuguese permission to build the first permanent trading fort in West Africa; an adolescent boy who was kidnapped while playing; a fourteen-year-old girl who was murdered aboard a slave ship.Eloquent, thoughtful, and deeply affecting, Lose Your Mother is a powerful meditation on history, memory, and the Atlantic slave trade.

    Quick and stimulating to read, but slowly burning in the memory, they offer a different, more transcendent way of looking at our extreme, gritty world.

    . . whoo . . . whooo, cried the wind as it swept down from the Himalayan snows.'The wild wind pushes open windows, chokes chimneys and blows away clothes as it huffs and puffs over the village by Haunted Hill, where Usha, Suresh and Binya live. It's even more mighty the day Usha is on her way back from the bazaar. A deep rumble echoes down the slope and a sudden flash of lightning lights up the valley as fat drops come raining down.In search of shelter, Usha rushes into the ruins on Haunted Hill, grim and creepy against the dark sky. Inside, the tin roof groans, strange shadows are thrown against the walls and little Usha shivers with fear. For she isn't alone.A gritty, hair-raising story about friendship, courage and survival, this stunning edition will introduce another lot of young readers to the magic of Ruskin Bond's craft.

    Anna Blandford's easy humor points out cat behaviour at its best, and worst, and why humans still find cats irresistible. Because let's be honest, we're obsessed: if a cat lover is presented with a choice of products and one of them has a cat on it, hands down that will be the one selected. And as Anna asks, 'If it doesn't have a cat on it, is it even worth owning?'Cat lovers worldwide will relate to Anna's whimsical drawings and hilarious insights.