Napoleon is exiled on Elba. Europe is in shambles. Britain is at war on four fronts. And Stranje House, a School for Unusual Girls, has become one of Regency England’s dark little secrets. The daughters of the beau monde who don’t fit high society’s constrictive mold are banished to Stranje House to be reformed into marriageable young ladies. Or so their parents think. In truth, Headmistress Emma Stranje, the original unusual girl, has plans for the young ladies—plans that entangle them in the dangerous world of spies, diplomacy, and war.After accidentally setting her father’s stables on fire while performing a scientific experiment, Miss Georgiana Fitzwilliam is sent to Stranje House. But Georgie has no intention of being turned into a simpering, pudding-headed, marriageable miss. She plans to escape as soon as possible—until she meets Lord Sebastian Wyatt. Thrust together in a desperate mission to invent a new invisible ink for the English war effort, Georgie and Sebastian must find a way to work together without losing their heads—or their hearts…

    But to marry a lady, Thorn must acquire a gleaming, civilized façade, the specialty of Lady Xenobia India.Exquisite, head-strong, and independent, India vows to make Thorn marriageable in just three weeks.But neither Thorn nor India anticipate the forbidden passion that explodes between them.Thorn will stop at nothing to make India his. Failure is not an option. But there is only one thing that will make India his—the one thing Thorn can't afford to lose...His fierce and lawless heart.

    It is Emma who is amazed. She has naturally concluded that the man reading in the conservatory must be the country cousin (who else in London would actually read?) and is quite vexed to discover that he is the Duke of Trent himself—imagine, stealing the duke’s prize Rhyncholaelia digbyana under his very nose! But her vexation doesn’t last long. For Emma is a practical young lady with a mission: to end her dear sister Lavinia’s engagement to the villainous (and dreadfully dull!) Sir Waldo Windbourne, and she thinks that the famous libertine is just the man for the job. If he would only seduce her sister away from Sir Waldo…. Well, not seduce exactly, but flirt mercilessly and engage her interest. Perhaps then Lavinia would jilt the baron. The Duke of Trent is resistant, of course. Despite his reputation, he does not toy with the affections of innocents. And besides, it’s not her sister he longs to seduce.

    Drusilla Clare is full of opinions about why a woman shouldn't marry. But that doesn't stop the rush of desire she feels each time her best friend's brother, notorious rake Gabriel Marlington, crosses her path. So imagine her dismay when she finds herself in the clutches of a scoundrel, only to be rescued by Gabriel himself. And when Gabriel's heartless—and heart-pounding—proposal comes, it's enough to make Dru's formidable resolve crumble... ...is a smitten husband. She's sharp-tongued, exasperating—and due to one careless moment—about to become his wife. Still, something about Drusilla has Gabriel intrigued. First there's the delicious flush of her skin every time she delivers a barb—and then the surprisingly sensual feel of her in his arms. Gabriel even finds himself challenged by her unusual philosophies. And when he discovers a clandestine rival for Dru's affection, his temperature flares even hotter. But the real threat to their happiness is one neither of the newlyweds sees coming. If they're to save their future—and their very lives—they'll need to trust in each other and their growing love.

    But when it comes to selling secrets, India's price cannot be paid by any man...In the winter of 1876, the beautiful, young madam, India Black, is occupied with her usual tasks—keeping her tarts in line, avoiding the police, and tolerating the clergyman bent on converting her girls. But when Sir Archibald Latham of the War Office dies from a heart attack while visiting her brothel, India is unexpectedly thrust into a deadly game between Russian and British agents who are seeking the military secrets Latham carried.French, the handsome, British spy, discovers India disposing of Latham's body and blackmails her into recovering the missing documents. Their quest takes them from the Russian embassy to Claridge's Hotel, from London to the English coast, all the while dodging Russians intent to do them harm.But it is their own tempestuous relationship they will have to weather as India and French attempt to resist the mutual attraction between them—an attraction that can prove as deadly as the conspiracy entangling them.

    Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals. But as she's drawn deeper into the overgrown grounds, half-buried memories of her mother begin to surface and Lorna soon finds herself ensnared within the manor's labyrinthine history, overcome with an insatiable need for answers about her own past and that of the once-happy family whose memory still haunts the estate. Stunning and atmospheric, this debut novel is a thrilling spiral into the hearts of two women separated by decades but inescapably linked by the dark and tangled secrets of Black Rabbit Hall.

    That is, until she is left a vast fortune payable only upon her marriage to the very respectable Mr. Barkworth—a match that offers little chance of discovering exactly what her aunt means by "untoward attentions."But the same can't be said when the Duke of Preston happens along Tabitha's path. He spies a rebellious streak in her that matches his own and he makes it his mission to save her from such a passionless match, interfering in her life at every turn. All too soon, Preston—whose very name spells ruin—has Tabitha caught between the good fortune that guarantees her security, and his kiss, which promises an entirely different kind of happily-ever-after.

    Harry Fitzroy, Earl of Hargreave, is the first to meet his match and lose his heart . . . to a lady he least expected.  As the eldest son of the Duke of Breconridge, Harry Fitzroy is duty-bound to marry—and marry well. Giving up his rakish ways for the pleasures of a bride’s bed becomes a delightful prospect when Harry chooses beautiful Lady Julia Barclay, the catch of the season. But a fall from his horse puts a serious crimp in his plans. Abandoned by Julia before he can propose, the unlucky bachelor finds himself trapped in the country in the care of Julia’s younger sister.   Harry has never met a woman like Lady Augusta. Utterly without artifice, Gus is clever and capable, and seems to care not a fig for society. After a taboo kiss awakens passion that takes them both by surprise, Harry realizes he’d almost given his heart to the wrong sister. While London tongues wag, he’ll use his most seductive powers of persuasion to convince the reluctant Gus that she belongs with him—as his equal, his love, his wife.

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    As the plain looking older sister, she's practically invisible at social events. Never mind that she has no experience as a spy or that the codebook rests in the possession of one of the most powerful men in England. Freddie has no choice-she's desperate to save her young sister from the lecherous intentions of their guardian and recovering the book is her only option. Tristan Graylocke has never been able to measure up to his brother, the Duke of Tenwick.  But being second best has its advantages. No one pressures him to get married and produce an heir, leaving him to carouse at will-an activity that lends itself perfectly to the brothers’ secret lives as spies. When an alluring enemy spy shows up at the house party planned specifically for the purposes of passing along a code book, Tristan finds himself drawn under her spell. Freddie seems innocent and inexperienced.  Is her innocence is a clever guise, or is she being coerced by someone? Tristan and Freddie soon find themselves engaged in a seductive game of cat and mouse where each will do what they must for their country, especially if it involves kissing the enemy.

    All she needs is good conversation with her old friend and an opportunity to find a governess position, and she can leave the fear and guilt behind. But the family who agrees to her yearlong visit turns out to be a far cry from the one she thought she knew, particularly when her friend disappears and the one man she made certain would not be at the house is forced to return. How can she possibly heal and claim her independence when day in, day out she must face the only gentleman who ever held a piece of her heart?Piers Cavanagh was branded a coward when he failed to show up for a duel he arranged. He had his reasons, of course, but disclosing them would hurt far more than continuing life as an outcast. And worse, with the mysterious departure of his sister, the strange nightly occurrences in the ruins of an old abbey, and the uncomfortable whispers of a secret organization, Piers must overcome his aversion to society and work with the last person he ever thought he would get the chance to speak to again—the girl whose heart he had no choice but to break.

    Following a humiliating fourth Season in London, Lady Elizabeth Fraser is on her way back to her ancestral country estate when her train careens off the rails and bursts into flames. Though she is injured, she manages to drag herself and her unconscious mother out of the wreckage, and amid the chaos that ensues, a brilliant young railway surgeon saves her mother’s life. Elizabeth feels an immediate connection with Paul Wilcox—though society would never deem a medical man eligible for the daughter of an earl. After Paul reveals that the train wreck was no accident, and the inspector who tried to prevent it dies under mysterious circumstances, Elizabeth undertakes a dangerous investigation of her own that leads back to her family’s buried secrets. The more she learns, the more she must risk. Not only are her dowry and her reputation at stake; Paul’s very life hangs in the balance when he is arrested for manslaughter. As the trial draws near, and Parliament prepares for a vote that will change the course of the nation, Elizabeth uncovers a conspiracy that has been years in the making. But time is running out for her to see justice done.

    Thought to be dead, Mia lives a life of virtual seclusion—until one night, while walking home, she happens upon a horrendous crime. Alex Foster, Eighth Duke of Carrington, lives according to society’s expectations for him. He’s never met the woman who lives in the cottage at the edge of his property. But when she arrives at his door in the pouring rain terrified and claiming she has witnessed a murder, she seizes his attention. Mia is determined to help the authorities track down the culprit, even though the only person willing to accept her aid is the handsome, arrogant duke. Working closely together proves difficult as Mia’s beauty and independence tempts Alex to ignore convention and follow his desire. But what neither of them know is that this murderer has struck before in Whitechapel, taunting the British press only to vanish—a ruthless killer who knows that Mia is the only living witness to his crime…

    She saves her deepest desires for the novel she dares to pen, wherein a handsome lord with dark powers seduces her. But then her courtship with an appropriate suitor is threatened by the sudden attentions of the reclusive Earl of Black, whose pale blue eyes and brooding sensuality are exactly as she described in her book.Isabella tries to resist the mysterious Earl of Black.Yet as he pursues her, with inexplicable knowledge of her past and kisses that consume her, Isabella fears she will succumb.If only the earl could tell Isabella the truth. With very real, and treacherous, thieves endangering her life, Black will need to protect Isabella from the very people she trusts the most.

    But by night, she writes very different kinds of stories—the Penny Dreadfuls that are all the rage among the working-class men. Under the pseudonym Mr. King, Elizabeth has written about dashing heroes fighting supernatural threats and dangerous outlaws romancing helpless women. They contain all the adventure and mystery that her real life lacks.   Fletcher Walker began life as a street urchin, but is now the most successful author in the Penny Dreadful market, that is until Mr. King started taking all of his readers--and his profits. No one knows who King is, including Fletcher’s fellow members of the Dread Penny Society, a fraternity of authors dedicated to secretly fighting for the rights of the less-fortunate.   Determined to find the elusive Mr. King, Fletcher approaches Miss Black. As a fellow-author, she is well-known among the high-class writers; perhaps she could be persuaded to make some inquiries as to Mr. King’s whereabouts? Elizabeth agrees to help Fletcher, if only to insure her secret identity is never discovered.    For the first time, Elizabeth experiences the thrill of a cat-and-mouse adventure reminiscent of one of her own novels as she tries to throw Fletcher off her scent. But the more time they spend together, the more she loses her heart. Its upper-class against working-class, author against author where readers, reputations, and romance are all on the line.