Stories he’d heard as a child had led Hertmans to suspect that their contents might be disturbing, and for years he didn’t dare to open them.When he finally did, he discovered unexpected secrets. His grandfather’s life was marked by years of childhood poverty in late-nineteenth-century Belgium, by horrific experiences on the frontlines during the First World War and by the loss of the young love of his life. He sublimated his grief in the silence of painting.Drawing on these diary entries, his childhood memories and the stories told within Urbain’s paintings, Hertmans has produced a poetic novelisation of his grandfather’s story, brought to life with great imaginative power and vivid detail.War and Turpentine is an enthralling search for a life that coincided with the tragedy of a century—and a posthumous, almost mythical attempt to give that life a voice at last.

    In The Tale of Genji Mr. Amano brings his considerable talent to retelling one of the most famous of Japanese myths: written by Murasaki Shikibu shortly after 1000 AD and considered by most scholars to be the first novel ever written, The Tale of Genji is the story of the romantic adventures of Genji, the amazingly handsome prince and his many romantic conquests. Told through stunning paintings, Mr. Amano brings this classic story to life for a new generation.As one of the most respected stories of all time, The Tale of Genji holds a worldwide place of honor among lovers of myth and legend.Will appeal to the legions of Vampire Hunter D fans worldwide, as well as fans of his work on Sandman (written by New York Times-bestselling author Neil Gaiman) and Wolverine (with award-winning author Greg Rucka).

    Its twelve, stand-alone fragments follow the first year of her separation from her husband. The novel is full of light, sometimes comforting and sometimes dangerous: sunlight streaming through windows, dappled light in the park, distant fireworks, dazzling floodwater, desaturated streetlamps and earth-shaking explosions. The seemingly artless prose is beautifully patterned: the cumulative effect is disarmingly powerful and images remain seared into your retina for a long time afterwards.

    It was a period of upheaval and change as the rulers carved out their territories and clan politics were full of intrigue, rivalry and betrayals. The samurai were still valued for their swordsmanship, and were a cut above the peasants, artisans, and merchants in the social hierarchy. Without battles to fight, however, they struggled to retain their sense of pride and meaning in life as they devoted themselves to mundane jobs, marriage and family. The occasional flash of the sword and samurai discipline were tempered by the unexpected intrusion of human interaction. Sympathies, conspiracies, kindnesses, enmities-all kinds of odd relationships were formed and conflicts resolved in surprising ways. These tales are colorful, atmospheric, exciting, tender, violent and gently ironic.The Bamboo Sword and Other Samurai Tales is published as part of the Japanese Literature Publishing Project (JLPP), which is run by the Japanese Literature Publishing and Promotion Center (J-Lit Center) on behalf of the Agency for Cultural Affairs of Japan.

    But like those same customers and staff, they hold many secrets. If examined carefully, they show the signs of innumerable extravagancies, of immeasurable pleasure and pain, and of the deep mysteries of the human heart.Hitomi, the inexperienced young woman who works the register at Mr. Nakano's thrift shop, has fallen for her coworker, the oddly reserved Takeo. Unsure of how to attract his attention, she seeks advice from her employer's sister, Masayo, whose sentimental entanglements make her a somewhat unconventional guide. But thanks in part to Masayo, Hitomi will come to realize that love, desire, and intimacy require acceptance not only of idiosyncrasies but also of the delicate waltz between open and hidden secrets.Animating each delicately rendered chapter in Kawakami's playful novel is Mr. Nakano himself, an original, entertaining, and enigmatic creation whose compulsive mannerisms, secretive love life, and impulsive behavior defy all expectations.

    Deceptively simple, Ryokan's poems transcend artifice, presenting spontaneous expressions of pure Zen spirit. Like his contemporary Thoreau, Ryokan celebrates nature and the natural life, but his poems touch the whole range of human experience: joy and sadness, pleasure and pain, enlightenment and illusion, love and loneliness. This collection of translations reflects the full spectrum of Ryokan's spiritual and poetic vision, including Japanese haiku, longer folk songs, and Chinese-style verse. Fifteen ink paintings by Koshi no Sengai (1895-1958) complement these translations and beautifully depict the spirit of this famous poet.

    Composed of 316 unanswerable questions, these poems integrate the wonder of a child with the experiences of an adult. By turns Orphic, comic, surreal, and poignant, Neruda's questions lead the reader beyond reason into the realms of intuition and pure imagination.This complete translation of Pablo Neruda's El libro de las preguntas (The Book of Questions) features Neruda's original Spanish-language poems alongside William O'Daly's English translations. In his introduction O'Daly, who has translated eight volumes of Pablo Neruda's poetry, writes, "These poems, more so than any of Neruda's other work, remind us that living in a state of visionary surrender to the elemental questions, free of the quiet desperation of clinging too tightly to answers, may be our greatest act of faith."When Neruda died in 1973, The Book of Questions was one of eight unpublished poetry manuscripts that lay on his desk. In it, Neruda achieves a deeper vulnerability and vision than in his earlier work-and this unique book is a testament to everything that made Neruda an artist."Neruda's questions evoke pictures that make sense on a visual level before the reader can grasp them on a literal one. The effect is mildly dazzling [and] O'Daly's translations achieve a tone that is both meditative and spontaneous." --Publishers WeeklyPablo Neruda, born in southern Chile, led a life charged with poetic and political activity. He was the recipient of the Nobel Prize in Literature, the International Peace Prize, and served as Chile's ambassador to several countries, including Burma, France, and Argentina. He died in 1973.II.Tell me, is the rose naked or is that her only dress?Why do trees conceal the splendor of their roots?Who hears the regrets of the thieving automobile?Is there anything in the world sadder than a train standing in the rain?XIV.And what did the rubies say standing before the juice of pomegranates?Why doesn't Thursday talk itself into coming after Friday?Who shouted with gleewhen the color blue was born?Why does the earth grievewhen the violets appear?

    This is a curiously elegant and scandalous tale of sexual deception and revenge. Ibuki loves widow Yasuko who is young, charming and sparkling with intelligence as well as beauty. His friend, Mikame, desires her too but that is not the difficulty. What troubles Ibuki is the curious bond that has grown between Yasuko and her mother-in-law, Mieko, a handsome, cultivated yet jealous woman in her fifties, who is manipulating the relationship between Yasuko and the two men who love her.

    In this Penguin Classics edition, the letters are selected and edited by Ronald de Leeuw, and translated by Arnold Pomerans in Penguin Classics.Few artists' letters are as self-revelatory as Vincent van Gogh's, and this selection, spanning his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his attacks of mental illness and his relation with his brother Theo, the letters contradict the popular myth of van Gogh as an anti-social madman and a martyr to art, showing instead a man of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation.The letters are linked by explanatory biographical passages, revealing van Gogh's inner journey as well as the outer facts of his life. This edition also includes the drawings that originally illustrated the letters.Vincent Willem van Gogh (1853-1890) was born in Holland. In 1885 he painted his first masterpiece, The Potato Eaters, a haunting scene of domestic poverty. A year later he began studying in Paris, where he met Gauguin, Toulouse-Lautrec and Seurat, who became very important influences on his work. In 1888 he left Paris for the Provencal landscape at Arles, the subject of many of his best works, including Sunflowers.If you enjoyed The Letters of Vincent van Gogh, you might also like 100 Artists Manifestos, available in Penguin Modern Classics.'If there was ever any doubt that Van Gogh's letters belong beside those great classics of artistic self-revelation, Cellini's autobiography and Delacroix's journal, this excellent new edition dispels it'The Times

    Ordinary people plunge into insurmountable personal debt and fall prey to dangerous webs of underground creditors-so dangerous, in fact, that murder may be the only way out. A beautiful young woman vanishes, and the detective quickly finds she was not whom she had claimed to be. Is she a victim, a killer, or both? In a country that tracks its citizens at every turn, how can two women claim the same identity and then disappear without a trace?

    They bring alive her family and friends, her surroundings and contemporary events with a freshness unparalleled in modern biographies. Above all we recognize the unmistakable voice of the author of such novels as Pride and Prejudice and Sense and Sensibility. We see the shift in her writing from witty and amusing descriptions of the social life of town and country, to a thoughtful and constructive tone while writing about the business of literary composition. R.W. Chapman's ground-breaking edition of the collected Letters first appeared in 1932, and a second edition followed twenty years later. Now in this third edition of Jane Austen's Letters, Deirdre Le Faye has added new material that has come to light since 1952, and re-ordered the letters into their correct chronological sequence. She has provided discreet and full annotation to each letter, including its provenance, and information on the watermarks, postmarks, and other physical details of the manuscripts, together with new biographical, topographical, and general indexes. Teachers, students, and fans of Jane Austen, at all levels, will find remarkable insight into one of the most popular novelists ever.

    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

    It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination. Yet at roughly seven thousand pages, or two million words, it remains Thoreau’s least-known work. This reader’s edition, the largest one-volume edition of Thoreau’s Journal ever published, is the first to capture the scope, rhythms, and variety of the work as a whole. Ranging freely over the world at large, the Journal is no less devoted to the life within. As Thoreau says, “It is in vain to write on the seasons unless you have the seasons in you.”

    As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships. From childhood Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of a feudal lord. He eventually married and had children but never obtained official preferment and was forced to supplement a meager stipend by dealing in swords, selling protection to shopkeepers, and generally using his muscle and wits. Katsu's descriptions of loyalty and kindness, greed and deception, vanity and superstition offer an intimate view of daily life in nineteenth-century Japan unavailable in standard history books. Musui's Story will delight not only students of Japan's past but also general readers who will be entranced by Katsu's candor and boundless zest for life.

    Written with artless simplicity and quiet humor, The Tosa Diary is the story of a fifty-five day journey by ship from Tosa to Kyoto in AD 935.