Survey of the novels of Edgar Rice Burroughs, including books that may have influenced Burroughs and the writers influenced by Burroughs.

    To highlight the importance of the role played by Ambedkar in improving the conditions of untouchables, and the constructive and leading role he played in building modern India, this timeline of events is of great help. The book talks about the crowning achievements of the man in drafting the constitution of India, and the uplifting work he remained loyal to, all his life. The author has added a genealogical table of the Ambedkar family, Ambedkar’s educational career, a list of his basic writings and a bibliography. This chronology will serve as one of the best reference works to those who are interested in Dr. Ambedkar’s influence on the advancement of the downtrodden.

    Ever refusing to be marginalized or categorized by genre, Maso is an incisive, compassionate writer who deems herself daughter of William Carlos Williams, a pioneer in combining poetry and fiction with criticism, journalism, and the visual arts. She is daughter, too, of Allen Ginsberg, who also came from Paterson, New Jersey. Known for her audacity, whether exploring language and memory or the development of the artistic soul, Maso here gives us a form-challenging collection, intelligent, and persuasive.

    But it is Anthony as a husband and lover that intrigues her most. She looks at the nature of his love for his wife, Rose and at his love for Kate Field. The author does say that some of it is imagined and she cannot prove what she says happened or is said, but she is "sure of it" herself.

    From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary.

    He found in the fabric of familiar episodes new shades of meaning, new configurations of character and intent. He brought a poetic imagination to the task of reconstructing a live tradition for Americans, and the result is a genuinely consistent and integrated expression of the American inheritance. Williams did not invent the native conscience, but he rediscovered it, often in the more remote gestures of history, and has here given it enduring stature in prose."In the American Grain is a fundamental book, essential if one proposes to come to terms with American literature." -- Times Literary Supplement

    Tozer What does it mean to have the Holy Spirit in our lives? Many look to extraordinary experiences and manifestations as evidence of the Spirit. But what happens when the event is over? How can we experience the Holy Spirit in the ordinary, everyday world? How can we be filled with the Spirit? In this material taken from Tozer's sermons, he answers these questions and explores life in the Spirit from a balanced perspective. The church needs the gifts of the Spirit--all of them--or it will never be what God intends it to be. But this has to happen in wisdom and humility. Many people talk about being filled with the Holy Spirit, but very few accept the conditions for being filled. Tozer lays down the requirements for the Holy Spirit to come into our lives and transform us into Spirit-filled people. Though every Christian has the Holy Spirit, not every Christian is filled with the Holy Spirit. He explains the difference and how it could change the evangelical church of today.

    Dickens' Fur Coat and Charlotte's Unanswered Letters plunks the reader down in the middle of the London book world to expose the madcap shenanigans, rows, rivalries, and general mayhem perpetrated by the supposedly prudish Victorians. We see Dickens on his first American book tour having bits of his fur coat snipped off by manic fans, romantic rumors swirling around Thackeray and Charlotte Bronte, Anthony Trollope scheming with Thomas Hardy in an attempt to get more money for his novels, and Bulwer Lytton (of "It was a dark and stormy night" fame) apparently plotting to poison his wife An eye-opening cultural history and a marvelously entertaining read, this is sure to be a gift book all fans of Victoriana fans.

    Rowan Williams explores the beauty and intricacies of speech, fiction, metaphor, and iconography in the works of Dostoevsky, one of literature's most complex, and most misunderstood, authors.

    Included are riveting interview with four noted experts, provocative questions for reflection, sidebar information, Bible reference, and relevant quotes.

    In A Fine Brush on Ivory, Richard Jenkyns takes us on an amiable tour of Austen's fictional world, opening a window on some of the great works of world literature. Focusing largely on Pride and Prejudice, Mansfield Park, and Emma, but with many diverting side trips to Austen's other novels, Jenkyns shines a loving light on the exquisite craftsmanship and profound moral imagination that informs her writing. Readers will find, for instance, a wonderful discussion of characterization in Austen. Jenkyns's insight into figures such as Mr. Bennett or Mrs. Norris is brilliant--particularly his portrait of the amusing, clever, always ironic Mr. Bennett, whose humor (Jenkyns shows) arises out of a deeply unhappy and disappointing marriage. The author pays due homage to Austen's unmatched skill with complex plotting--the beauty with which the primary plot and the various subplots are woven together--highlighting the infinite care she took to make each plot detail as natural and as plausible as possible. Perhaps most important, Jenkyns illuminates the heart of Austen's moral imagination: she is constantly aware, throughout her works, of the nearness of evil to the comfortable social surface. She knows that the socially acceptable sins may be truly cruel and vicious, knows that society can be red in tooth and claw, and yet she allows the pleasures of comedy and celebration to subordinate them. Insightful and highly entertaining, A Fine Brush on Ivory captures the spirit and originality of Jane Austen's work. It will be a cherished keepsake or gift for her many fans.

    Arnold seeks to find out what culture really is, what good it can do, and if it is really necessary. He contrasts culture, which he calls the study of perfection, with anarchy, the mood of unrest and uncertainty that pervaded mid-Victorian England. This edition reproduces the original book version, revealing the immediate historical context and controversy of the piece. The introduction and notes broaden out the interpretative approach to Arnold's text, elaborating on the complexities of the religious context. The book also reinforces the continued importance of Arnold's ideas its influences in the face of the challenges of multi-culturalism and post-modernism.

    After all, Jesus "partied" with sinners; not in a boisterous unruly manner, but in the spirit of the Old Testament Jubilee in which people acquired a new lease on life. What was important then, and remains so now, is the celebratory attitude that should set Christians apart from the rest of the world. The Kingdom of God Is a Party is an attitude-changing, spirit-renewing examination of the feeling behind our faith. It shows why Christians should be the people who create celebrations wherever they are placed. Whether by words, deeds, or mere presence, Christians can turn life into a festive occasion that will attract the needy, lonely, sick, and oppressed into the arms of a loving Heavenly Father. Whether at church, work, school, or home, it's time for Christians to get into the party spirit!

    'For the specialist in the study of narrative structure, this is a solid and very perceptive exploration of the issues salient to the telling of a story-whatever the medium. Chatman, whose approach here is at once dualist and structuralist, divides his subject into the 'what' of the narrative (Story) and the 'way'(Discourse)... Chatman's command of his material is impressive.'

    Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in poetic climate cover the past few decades. "A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff's book we see an O'Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse."—David Lenson, Chronicle of Higher Education"Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O'Hara's relationship to painters and paintings, and she does give first-rate readings of four major poems."—Jonathan Cott, New York Times Book Review