But Commonwealth operative Simon Kovalic knows nothing ever goes to plan. So, when a duplicitous bounty hunter lives up to his reputation, Kovalic’s ready—just maybe not ready enough.Now he and his team must get offworld, before their enemies catch up with them…

    Linked, equal but opposite, these blades are destined to be wielded by two of the greatest heroes of the Age of Darkness. And as the spears themselves, Appolonian and Dionysian, are equal and opposite, so too are those to whom they were gifted. This is their story too. The warrior-scholar, a savant and a servant. The warrior-king, a savage and a soldier. Their fates entwined in ways they do not understand, they carry the blades as both gift and curse, fulfilment of destiny unseen by any save the Master of Mankind. Read It Because This is truly a Horus Heresy story unlike any other. Chris Wraight crafts an elegiac look at two heroes of the Heresy, through the blades that bond them and forge a destiny that may well extend far beyond the stories that have yet been told…

    Lansdale returns with a pack of stories for your consumption and enjoyment. There's even killer machines, a big ole grizzly bear, and entertaining story notes. Joe R. Lansdale has been writing novels and stories, as well as screenplays and comics, for over forty-five years, and this is his latest concoction, encompassing stories informed by a variety of genres, but not quite comfortably fitting into any of them. The reason is simple. Joe R. Lansdale is his own genre.

    We had beaten the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, a man-made virus taking over bodies and minds, filling them with one, unstoppable command...FEED.Countdown"Everglades"San Diego 2014: The Last Stand of the California BrowncoatsHow Green This Land, How Blue This SeaThe Day the Dead Came to Show and TellPlease Do Not Taunt the OctopusAll the Pretty Little HorsesComing to You Live

    Taking place between the events of Coyote Rising and Coyote Frontier, it follows three individuals -- Marie Montero and Lars Thompson, veterans of the recent revolution against Earth, and Manuel Castro, a posthuman Savant who was once the colony world's lieutenant governor -- as they set on a journey to explore Coyote's uncharted regions."Steele's intimate stand-alone novella of the fronrtier planet of Coyote chronicles the redemptive journey of two colony exiles, adding a brilliant brushstroke to the already vast6 and vivid canvas of the Coyote saga ,,, With a sophistication reminiscent of some of the genre's greatest visionaries, Steele has created a must-read for anyone who enjoys thought-provoking SF..." -- Publisher's Weekly

    A group called the Free Merioneth Forces have claimed responsibility but there had to be an individual at the end of that missile launcher and Paula is determined to find out who it was.This short story is taken from Manhattan in Reverse, the first short story collection in thirteen years from the master of space opera. Peter F. Hamilton takes us on a journey from a murder mystery in an alternative Oxford in the 1800s to a brand new story featuring Paula Mayo, Deputy Director of the Intersolar Commonwealth's Serious Crimes Directorate. Dealing with intricate themes and topical subjects this top ten bestselling author is at the top of his game.The cover image for The Demon Trap was designed by Andrew Parkes as part of a competition run by Pan Macmillan in association with SFX magazine.

    Coney

    Whether fictionalizing his dramatic exploits as a Royal Air Force pilot during World War II or concocting the ingeniously plotted fables that were dramatized on television as Tales of the Unexpected, Dahl was brilliant at provoking in his readers the overwhelming desire to know what happens next—and at satisfying that desire in ways that feel both surprising and inevitable.In this collection:-A Fine Son-Death of an Old Man-Parson’s Pleasure-Poison-The Hitch-Hiker-The Wish-Mrs. Bixby and the Colonel’s Coat-Dip in the Pool-The Landlady-Skin-Lamb to the Slaughter-Man from the South-The Way Up to Heavan-The Umbrella Man-Taste-The Swan-William and MaryFilled with devilish plot twists, his tales display a tantalizing blend of macabre humor and the absurdly grotesque. Dahl’s creations amuse and shock us in equal measure, gleefully reminding us of what might lurk beneath the surface of the ordinary.

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    The Incrementalists are an ancient conspiracy to make the world better -- just a little bit at a time. "Fireworks in the Rain" tells a story not found in the novel, and serves as an equally beguiling introduction to the Incrementalists and how they work...At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    In it Atwood maps the world of Consilience, an Orwellian society in which it's the lawful who are locked up, while, beyond the gates, criminals wander the wasted streets of America.Stan understands the Faustian deal he and his wife, Charmaine, have made. In exchange for a house, food, and what the online brochure hails as "A Meaningful Life," they've chosen to become guinea pigs in this new social order. The couple know that to break the rules is dangerous; but, driven by unrelenting boredom and lust, they do it anyway and betray each other and the system.In "Choke Collar," the second and steamiest episode of the series, they get their comeuppance: Stan finds himself the sexual plaything of a subversive member of the Consilience security team and in no time is made a pawn in a shadowy scheme to bring Consilience crashing down.Meanwhile, Charmaine is being held indefinitely at Consilience's prison, Positron, for her own sins of the flesh: a torrid affair carried on with another resident. How far she'll go to regain her good name and position is anyone's guess, especially Stan's. In "Erase Me," installment number three, the couple learn the hard way that marriage can be murder.The sexually charged and morally complex stories of Positron are like a trip to a deviant funhouse. Stay tuned for the final episode of Atwood's dystopian dark comedy, and discover whether anyone can overcome the greatest treachery of all: human nature.

    From Cixin Liu, the New York Times bestselling author of The Three-Body Problem, To Hold Up the Sky is a breathtaking collection of imaginative science fiction.Stories included are:The Village TeacherThe Time Migration2018-04-01Fire In The EarthContractionMirrorOde To JoyFull Spectrum Barrage JammingSea of DreamsCloud of PoemsThe Thinker

    AldissAn invasion of invisible monsters strikes terror on an English farm.HE WHO SHAPES, by Roger ZelaznyThe science of tomorrow makes possible a new kind of psychiatrist--one who can enter another human mind and reshape it...if he dares!THE DOORS OF HIS FACE, THE LAMPS OF HIS MOUTH, by Roger ZelaznyA man measures his courage against a Venusian sea monster the size of a thirty-story building."REPENT, HARLEQUIN!" SAID THE TICKTOCKMAN, by Harlan EllisonA John Birch world of the future where tardiness takes time off your life, and a joker who's never on time throws jelly-beans into the clockworks.Four Distinguised Runners-up:THE DROWNED GIANT, by J.G. BallardCOMPUTERS DON'T ARGUE, by Gordon R. DicksonBECALMED IN HELL, by Larry NivenBALANCED ECOLOGY, by James H. Schmitz"The stories in this book...show the quality of modern science fiction, its range, and, I think, its growing depth and maturity. Science fiction has come a long way." --DAMON KNIGHTContents ix • Introduction (Nebula Award Stories) • (1966) • essay by Damon Knight 1 • The Doors of His Face, the Lamps of His Mouth • (1965) • novelette by Roger Zelazny 34 • Balanced Ecology • (1965) • shortstory by James H. Schmitz 53 • "Repent, Harlequin!" Said the Ticktockman • (1965) • shortstory by Harlan Ellison 65 • He Who Shapes • (1965) • novella by Roger Zelazny 151 • Computers Don't Argue • (1965) • shortstory by Gordon R. Dickson 165 • Becalmed in Hell • [Known Space] • (1965) • shortstory by Larry Niven 178 • The Saliva Tree • (1965) • novella by Brian W. Aldiss 234 • The Drowned Giant • (1964) • shortstory by J. G. Ballard

    A space vessel called Schrodinger's Box discovers the creature, brings it back to life, and analyzes its intellectual and physical capabilities. It's not long before the scientists realize the creature is able to manipulate the make-up of objects, including organic matter, at a molecular level. The eyes of the scientific world are on Schrodinger's Box, but not everyone is pleased with the discovery. A group of terrorists attempts to intercept the ship and destroy it.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus