Set during the siege of Troy, and complete with duels, battles, larger-than-life characters like Achilles, and the famed Greek gods, The Iliad is truly the ultimate adventure story.

    And this time, Aramis is embarking on the most perilous mission of all: to depose King Louis XIV and put his twin brother Philip on the throne instead. Since childhood, Philip has been hidden away so no one would know of his existence--but Aramis believes that he would be the superior ruler. Is Aramis right...or is he making a deadly mistake?

    Illustrations.

    From Cinderella and Rumpelstiltskin to Snow White and The Brave Little Tailor, this charming anthology offers young readers a wonderful introduction to 12 of the Grimms' most popular stories."

    Beautiful illustrations by Linda Edwards bring the myths to life for children of all ages. Specially written for reading aloud Different colourful page design for each story Pronunciation guide at the back to help with Greek names Available in standard or mini format edition

    In a relaxed and humorous tone, these splendid artists bring to life the myths that have inspired great European literature and art through the ages, creating a book readers of all ages will cherish."For any child fortunate enough to have this generous book...the kings and heroes of ancient legend will remain forever matter-of-fact; the pictures interpret the text literally and are full of detail and witty observation."--The Horn  Book"The drawings, particularly the full-page ones in this oversized volume, are excellent  and excitingly evocative."--The New  York Times"Parents, uncles, and aunts who have been searching for a big picture book that has good reading-aloud value for the younger ones and fine read-it-yourself value on up, have it in this volume...a children's classic."--Christian Science Monitor

    But there are also tales told for pleasure about magic, treasure and adventure - even the first ever Cinderella story.

    The lyrical storytelling of award-winning author Donna Jo Napoli dramatizes the timeless tales of ancient Egypt in the year when Angelina Jolie will make Cleopatra a multimedia star. And just like the popular National Geographic Treasury of Greek Mythology, the stories in this book will be beautifully illustrated to bring ancient characters vividly to life. The stories are embellished with sidebars that provide historical, cultural, and geographic context and a mapping feature that adds to the fun and fascination. Resource notes and ample back matter direct readers to discover more about ancient Egypt. With its attractive design and beautiful narrative, this accessible treasury stands out from all other mythology titles in the marketplace.

    Wells’ chilling tale of alien invasion that every child can enjoy. It begins as the sky lights up with bright cylinders from Mars that look like falling stars—and continues as the Martians emerge from their vessels with machines of fire and deadly smoke. Wells’s depiction of a city in panic—written in 1898—still remains shockingly contemporary.

    Homer's epic poem, The Iliad is brought to life by Rosemary Sutcliff with the skill of a good storyteller, and with the dramatic and haunting illustrations of Alan Lee (Art Direction, The Lord of the Rings).The book was the winner of the Kate Greenaway Medal in 1993.

      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

    There, in worlds unlike any other ever created, conventional logic is turned upside down and wrong-way round to enchanting effect. Children will love reading Carroll’s many humorous nonsense verses and meeting such unforgettable characters as the Mad Hatter, the Knave of Hearts who steals some tarts, and the grinning Cheshire Cat (in Alice in Wonderland) and Tweedledee, Tweedledum, Humpty Dumpty, and the Jabberwock (in Through the Looking Glass).

    . . thanks to some help from their cranky teacher, a little bit of logic, and a lot of amusing misadventure.Yes, Rufus wrote CAIUS IS A DUMBBELL on his tablet at school, but no, he did not break into the schoolroom, did not tie up his teacher, and certainly did not paint his slur about Caius on the Temple of Minerva (even if it is in Rufus's own handwriting). Rufus is doomed unless his six classmates can find out who is really responsible. Every hour seems to bring a new, confusing clue . . . until the boys finally stumble upon someone who is not what he appears to be.

    . . .It's New Year's Eve in Camelot, where King Arthur, Queen Guinevere, and all their good Knights wait breathlessly for an extravagant feast to begin. Suddenly, a strange and frightening Knight bursts into the hall — a giant of a man, green from head to toe, who mockingly challenges the Court to a shocking game. Only the chivalrous Sir Gawain dares to take on the hideous Green Knight. But over the unexpected course of his test,will Gawain prove as brave and honest as he'd like to believe? Welcome to a medieval world full of sword fights and shape-shifting, monsters and magic, and timeless characters both gallant and wonderfully human. Written anonymously in the fourteenth century, Sir Gawain and the Green Knight is retold in its entirety by Michael Morpurgo in a lively and accessible narration that captures all the tale's drama and humor. Vivid illustrations by the celebrated Michael Foreman infuse this classic tale with the sights and colors of dragons, swords, and medieval pageantry.

    The so-called divinities of Olympus have not a single worshipper among living men. They belong now not to the department of theology, but to those of literature and taste. There they still hold their place, and will continue to hold it, for they are too closely connected with the finest productions of poetry and art, both ancient and modern, to pass into oblivion.