Sighs Dinah, "I think that we are quite likely to be bad, however hard we try not to be," and her sister Dorinda adds helpfully, "Very often, when we think we are behaving well, some grown-up person says we are really quite bad. It's difficult to tell which is which." Sure enough, the mischievous sisters soon convince a judge that minds must be changed as often as socks, stage an escape from the local zoo (thanks to a witch's potion which turns them into kangaroos), and—in the company of a golden puma and silver falcon—set off to rescue their father from the tyrant of Bombardy. A tale of hilarity and great adventure, The Wind on the Moon is also a work of high seriousness; after all, "life without freedom," as the valiant puma makes clear, "is a poor, poor thing."

    She is determined to keep her word—and her pride. No matter what.At first she is sure she can manage. Romey, Ima Dean, and Devola help gather herbs to sell in town; the riches of the mountains will surely keep the family clothed and fed. But when winter comes, fast and furious, Mary Call learns that the land where the lilies bloom can be a cruel and unforgiving place, and it will take more than a promise to keep her family together.This classic coming of age story explores issues of poverty, character, and perseverance. A strong option for classroom, homeschool, or independent reading.

    While vacationing with relatives in Auckland, twins Theo and Rachel discover that they are endowed with special powers to oppose mysterious giant creatures that are determined to destroy the world.

    13 nightmares. 1 destiny.I click my fingers and everybody dies.Sam wakes from his nightmare to discover the terrifying reality. It will come true.Kidnapped from school and finding out his parents aren't who he thinks they are, Sam is suddenly running from danger at every turn. Nothing will ever be the same again.With his life and identity shattered, Sam's salvation is tied to an ancient prophecy. He is in the final battle to save the world, up against an enemy plotting to destroy us all.He alone can find the last thirteen.

    Empty, as if her flesh and blood, her energy, that kept her breathing and running, thinking and talking, was gone. Nothing was in its place. She was hungry. Hungry for water, for her father, for her grandmother, her aunts and uncles, for the trees in the back yard, the cabinet on the wall, the silver and glass objects so lovingly collected, for her mountains, the jagged peaks that cut the sky. Her father was dead. She felt sure of it. She was just a speck of dirt on the floor, drifting through the gap between the boards, falling to the ground.   Mahtab and her family are forced to leave their home in Herat and journey secretly through the rocky mountains to Pakistan and from there to faraway Australia. Months go by, months of waiting, months of dread, with only memories and hopes to sustain them. Will they ever be reunited with their father, will they ever find a home? The plight of refugees from war-torn countries and what it really means to leave everything behind and to start a new life are vividly explored in this unforgettable story.

    Why the warning? The members of this wild 16th-century Scottish clan are left-handed, and while they smile and offer the right hand, the left wields a dagger. When a 21st-century mega-corporation opens a Time Tube to the 16th century, the stiff-backed CEO finds his plans for exploiting the mineral and tourism possibilities of the ancient English-Scottish border frustrated by the Sterkarms--raiding parties of men he regards as primitive animals. On the other side of the Time Tube, anthropologist Andrea Mitchell has been sent to live with the Sterkarms to be the corporation's informant and translator. There she is surprised to find herself admired for her generous curves and accepted warmly by the volatile and affectionate--but intermittently murderous--clansmen. When her lover, Per, is grievously wounded on a raid, she persuades Old Toorkild, the chief, to allow his handsome and adored son to be transported to the 21st century for healing. But when Per awakes in a world four centuries ahead of his own, his terror and suspicions of treachery bring down a wild collision between heartless technology and a ferocious people skilled in passionate defense of their life and lands. Winner of the Guardian Fiction Prize in England, Susan Price's The Sterkarm Handshake--a richly textured love story, a vivid and sometimes humorous portrayal of confrontation between cultures, and a thumping good page-turner--should find enthusiastic fans among teen-fantasy and time-travel buffs. (Ages 12 and older) --Patty Campbell

    It remains as fresh and exciting as it was when it was first written and is dedicated by Fitzpatrick to '...those keenest and kindest of critics, best of friends and most delightful of comrades the likkle people!'Jock's owner was a young transport rider in the rugged and colourful days of the Transvaal gold rush. Those were the days when big game roamed the land and each sunrise brought a new adventure.The story of the bull terrier who shared his master's life on the veld has been illustrated with lively sketches by Edmund Caldwell.

    John Sager is 13 when his family leave Mississippi for the Far West. When tragedy strikes and John's parents die, he is left to look after his six younger siblings.

    They come to grief on an island in the Hebrides.

    Not that she really even knew HOW to be an Indian in the first place. Too bad the white world doesn't accept her either. So began her quirky habits to gain acceptance. Apple's name, chosen by her Indian mother on her deathbed, has a double meaning: treasured apple of my eye, but also the negative connotation: a person who is red, or Indian, on the outside, but white on the inside. After her wealthy [white] father gives her the boot one summer, Apple reluctantly agrees to visit her Native American relatives on the Turtle Mountain Indian Reservation in northern North Dakota for the first time, which should be easy, but it's not. Apple shatters Indian stereotypes and learns what it means to find her place in a world divided by color.

    He really was shrinking.Hilarious complications result as he becomes more minuscule by the moment. Treehorn is a bit downhearted when his teacher says, "we don't shrink in this class," and sends him to the principal. Poor Treehorn spends an unhappy day and night until he discovers a magical game that restores him to his natural size. This is a great relief to Treehorn before he notices that he is turning faintly green. . . .An ALA Notable Book

    Following an Australian government edict in 1931, black aboriginal children and children of mixed marriages were gathered up by whites and taken to settlements to be assimilated. In Rabbit-Proof Fence, award-winning author Doris Pilkington traces the captivating story of her mother, Molly, one of three young girls uprooted from her community in Southwestern Australia and taken to the Moore River Native Settlement. At the settlement, Milly and her relatives Gracie and Daisy were forbidden to speak their native language, forced to abandon their aboriginal heritage, and taught to be culturally white. After regular stays in solitary confinement, the three girls scared and homesick planned and executed a daring escape from the grim camp, with its harsh life of padlocks, barred windows, and hard cold beds.The girls headed for the nearby rabbit-proof fence that stretched over 1,000 miles through the desert toward their home. Their journey lasted over a month, and they survived on everything from emus to feral cats, while narrowly avoiding the police, professional trackers, and hostile white settlers. Their story is a truly moving tale of defiance and resilience.About the author: Doris Pilkington is also the author of Caprice: A Stockman's Daughter. Rabbit-Proof Fence, her second book, is now a major motion picture from Miramax Films, directed by Phillip Noyce and starring Kenneth Branagh.

    J. Palacio's Wonder!"This glimpse into the world of a young autistic girl is astonishingly insightful and honest. Tally's struggles to 'fit in' are heart-wrenching, and her victories are glorious." -- Ann M. Martin, Newbery Honor and New York Times bestselling author of Rain ReignThings Tally is dreading about sixth grade:-- Being in classes without her best friends-- New (scratchy) uniforms-- Hiding her autismTally isn't ashamed of being autistic -- even if it complicates life sometimes, it's part of who she is. But this is her first year at Kingswood Academy, and her best friend, Layla, is the only one who knows. And while a lot of other people are uncomfortable around Tally, Layla has never been one of them . . . until now.Something is different about sixth grade, and Tally now feels like she has to act "normal." But as Tally hides her true self, she starts to wonder what "normal" means after all and whether fitting in is really what matters most.Inspired by young coauthor Libby Scott's own experiences with autism, this is an honest and moving middle-school story of friends, family, and finding one's place.

    He's also the only one who has been able to see and hear her since the accident. But now she's got a mystery to solve, a mystery that will hopefully remind her detective father that he is still alive, that there is a life after Beth that is still worth living.Who is Isobel Catching, and why is she able to see Beth, too? What is her connection to the crime Beth's father has been sent to investigate--a gruesome fire at a home for troubled youth that left an unidentifiable body behind? What happened to the people who haven't been seen since the fire?As Beth and her father unravel the mystery, they find a shocking and heartbreaking story lurking beneath the surface of a small town, and a friendship that lasts beyond one life and into another...

    What will be the outcome of the conflict between smugglers and revenue men? How can the hero, John Trenchard, discover the secret of Colonel John Mohune's treasure? As the book progresses these two interwoven themes resolve themselves into a third and richer one, with the friendship and suffering of both John Trenchard and the craggy, taciturn Elzevir Block. Falkner's feeling for history and for the landscape of his Dorset setting combine with his gift for storytelling to turn Moonfleet into a historical romance of moving intensity.