Part of a series of books which examines real-life stories that have made newspaper headlines around the world, this features mysterious stories.

    144 pp. Ages 14 and up. Pub: 3/98.

    It also includes a six-page introduction by Simak, and a three-page bibliography of his science fiction books. The book is edited by Angus Wells.Contents:1. A Death in the House2. Day of Truce 3. Final Gentleman4. Madness from Mars5. Shotgun Cure6. Small Deer7. Sunspot Purge8. The Autumn Land9. The Sitters10. The Thing in the Stone

    It provides practical information on health, visas, transport and places to stay and eat.

    Raised mostly by his mother with an occasional cameo from his gangster father, Warren had an affinity and talent for music at an early age. Taking to the piano and guitar almost instantly, he began imitating and soon creating songs at every opportunity. After an impromptu performance in the right place at the right time, a record deal landed on the lap of a teenager who was eager to set out on his own and make a name for himself. But of course, where fame is concerned, things are never quite so simple.Drawing on original interviews with those closest to Zevon, including Crystal Zevon, Jackson Browne, Mitch Albom, Danny Goldberg, Barney Hoskyns, and Merle Ginsberg, Nothing's Bad Luck tells the story of one of rock's greatest talents. Journalist C.M. Kushins not only examines Zevon's troubled personal life and sophisticated, ever-changing musical style, but emphasizes the moments in which the two are inseparable, and ultimately paints Zevon as a hot-headed, literary, compelling, musical genius worthy of the same tier as that of Bob Dylan and Neil Young.In Nothing's Bad Luck, Kushins at last gives Warren Zevon the serious, in-depth biographical treatment he deserves, making the life of this complex subject accessible to fans old and new for the very first time.

    The result: "The most creative, generous, and democratic of any of the annual volumes" (Rick Moody).Among its numerous awards, the Pushcart Prize has been chosen for the Poets Writers / Barnes Noble "Writers for Writers" Award and the National Book Critics Circle Lifetime Achievement recognition.

    These are miraculous stories of survival, perhaps even forgiveness. To some of us Georgia's life would be unthinkable. Sellers makes us believe it is well worth living. "Heather Sellers writes delicious, dangerous prose. She starts you twenty-three floors up in condo squalor, nips across for dysfunction in Disney country, threatens incest in Hotlanta, and comes to grief on the Gulf. The dead-credible life of Georgia Jackson-ineffably sweet, thoroughly in love with her own luscious body, half in love with her lush of a father-skids at the edge of the surreal. Her story had me laughing through the lump in my throat. An original. A knockout debut."-Janet Burroway

    A major collection of writings from one of the most important twentieth century French authors, "The Blanchot Reader" includes six works of fiction ("Death Sentence, The Madness of the Day, When the Time Comes, Vicious Circles, Thomas the Obscure", and "The One Who Was Standing Apart from Me") and extended selections of critical and philosophical essays from his major book, "The Gaze of Orpheus".

    This second volume of Wole Soyinka's plays traces the ironic development and consequences of 'progress'.

    Source: Wikipedia. Pages: 20. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Cyberiad (Polish: ) is a series of short stories by Stanisaw Lem. The Polish version was first published in 1967, with an English translation appearing in 1974. The main protagonists of the series are Trurl and Klapaucius, the "constructors." The vast majority of characters are either robots, or intelligent machines. The stories focus on problems of the individual and society, as well as on the vain search for human happiness through technological means. Two of these stories were included in the book The Mind's I. Trurl and Klapaucius are brilliant (robotic) engineers, called "constructors" (because they can construct practically anything at will), capable of almost God-like exploits. For instance, on one occasion Trurl creates an entity capable of extracting accurate information from the random motion of gas particles, which he calls a "Demon of the Second Kind." He describes the "Demon of the First Kind" as a Maxwell's demon. On another, the two constructors re-arrange stars near their home planet in order to advertise. The duo are best friends and rivals. When they are not busy constructing revolutionary mechanisms at home, they travel the universe, aiding those in need. Although the characters are firmly established as good and righteous, they take no shame in accepting handsome rewards for their services. If rewards were promised and not delivered, the constructors may even severely punish those who deceived them. The universe of The Cyberiad is pseudo-Medieval. There are kingdoms, knights, princesses, and even dragons in abundance. Robots are usually anthropomorphic, to the point of being divided into sexes. Love and marriage are possibl...More: http: //booksllc.net/?id=59380

    John Gould has updated and westernized the form of the palm-of-the-hand story, invented eighty years ago by Yasunari Kawabata, who wanted a way to write a fiction writer’s poetry. In spare, elegant prose, Gould crafts quirky gems, compact fusions of humor and pathos. At the center of this multifaceted collection is a vision of human beings as paradoxical creatures, finite and haunted by infinite longings. In story after story, Gould locates the fulcrum on which a life tilts from kilter to off-kilter and back again. “There are big ideas in these small packages. . . . Kilter, at once quiet and terribly ambitious, funny and moving, is a keeper.”—The Globe and Mail

    Introduced to the West by Paul Brunton, Ramana Maharshi's spirituality, simplicity, kindness and shrewdness had a great impact on many Westerners.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    In this sly critique of contemporary relationships, Reza skillfully picks apart the friendship of three men via a bowl of olives and a white-on-white painting. Now translated into more than 30 languages, Art continues to be performed worldwide, even as Reza's other plays have garnered similar acclaim. Life x 3, Reza's most recent offering, again highlights her satirical wit as two couples face off in three different versions of the dinner from hell. Praised as "compact, cool and clever" by Christopher Isherwood of Variety, Reza uses the acidic exchanges of her characters to illuminate their inner desire for love and acceptance. Also included in this edition are two earlier plays, The Unexpected Man and Conversations After a Burial. Each elucidates the startling difference between public and private life, be it in the confines of a train compartment or a country estate in the aftermath of a loved one's passing.

    He cowrote The Tender Trap, which became a big-screen vehicle for Frank Sinatra, and his hilarious, Elvis-intensive satire Rally 'Round the Flag, Boys! also made it to Hollywood, pairing the young Paul Newman with the equally young Joanne Woodward. Shulman's best-known creation, however, is probably Dobie Gillis--that smooth-talking schlemiel of a college student, always on the make for female companionship. And in this case, the synergistic success of the book--which generated both a limp movie musical and a much-beloved television series--does Shulman a real disservice. Why? The Many Loves of Dobie Gillis is much funnier than either of its live-action spin-offs, for one thing. With Dobie himself narrating, the plots shake off at least a grain of their sitcom stiffness. More to the point, though, is Shulman's mastery of wise-guy prose: the goofy, comical elevation of Dobie's voice suggests a kind of broad-brush S. J. Perelman, and if Shulman is a tad less clever than that comedic monster, he's also superior at inducing the world-class belly laugh. Certainly The Many Loves of Dobie Gillis does the trick nicely, and the period illustrations are an irresistible bonus, suitable for framing.