The End of Faith. The God Delusion. God Is Not Great. Letter to a Christian Nation. Bestseller lists are filled with doubters. But what happens when you actually doubt your doubts?Although a vocal minority continues to attack the Christian faith, for most Americans, faith is a large part of their lives: 86 percent of Americans refer to themselves as religious, and 75 percent of all Americans consider themselves Christians. So how should they respond to these passionate, learned, and persuasive books that promote science and secularism over religion and faith? For years, Tim Keller has compiled a list of the most frequently voiced “doubts” skeptics bring to his Manhattan church. And in The Reason for God, he single-handedly dismantles each of them. Written with atheists, agnostics, and skeptics in mind, Keller also provides an intelligent platform on which true believers can stand their ground when bombarded by the backlash. The Reason for God challenges such ideology at its core and points to the true path and purpose of Christianity.Why is there suffering in the world? How could a loving God send people to Hell? Why isn’t Christianity more inclusive? Shouldn’t the Christian God be a god of love? How can one religion be “right” and the rest “wrong”? Why have so many wars been fought in the name of God? These are just a few of the questions even ardent believers wrestle with today. In this book, Tim Keller uses literature, philosophy, real-life conversations and reasoning, and even pop culture to explain how faith in a Christian God is a soundly rational belief, held by thoughtful people of intellectual integrity with a deep compassion for those who truly want to know the truth.

    I used to not like God because God didn't resolve. But that was before any of this happened." ―Donald MillerIn Donald Miller's early years, he was vaguely familiar with a distant God. But when he came to know Jesus Christ, he pursued the Christian life with great zeal. Within a few years he had a successful ministry that ultimately left him feeling empty, burned out, and, once again, far away from God. In this intimate, soul-searching account, Miller describes his remarkable journey back to a culturally relevant, infinitely loving God.For anyone wondering if the Christian faith is still relevant in a postmodern culture.For anyone thirsting for a genuine encounter with a God who is real.For anyone yearning for a renewed sense of passion in  life.Blue Like Jazz is a fresh and original perspective on life, love, and redemption.

    Raised in a secular home by staunchly liberal parents, he fit right in with Brown's sweatshop-protesting, fair-trade coffee-drinking, God-ambivalent student body. So when he had a chance encounter with a group of students from Liberty University, a conservative Baptist university in Lynchburg, Virginia, he found himself staring across a massive culture gap. But rather than brush the Liberty students off, Roose decided to do something much bolder: he became one of them.Liberty University is the late Rev. Jerry Falwell's proudest accomplishment - a 10,000-student conservative Christian training ground. At Liberty, students (who call themselves "Champions for Christ") take classes like Introduction to Youth Ministry and Evangelism 101. They hear from guest speakers like Mike Huckabee and Karl Rove, they pray before every class, and they follow a 46-page code of conduct called "The Liberty Way" that prohibits drinking, smoking, R-rated movies, contact with the opposite sex, and witchcraft. Armed with an open mind and a reporter's notebook, Roose dives into life at Bible Boot Camp with the goal of connecting with his evangelical peers by experiencing their world first-hand.Roose's semester at Liberty takes him to church, class, and choir practice at Rev. Falwell's Thomas Road Baptist Church. He visits a support group for recovering masturbation addicts, goes to an evangelical hip-hop concert, and participates in a spring break mission trip to Daytona Beach, where he learns how to convert bar-hopping co-eds to Christianity. Roose struggles with his own faith throughout, and in a twist that could only have been engineered by a higher power, he conducts what would turn out to be the last in-depth interview of Rev. Falwell's life. Hilarious and heartwarming, respectful and thought-provoking, Roose's embedded report from the front lines of the culture war will inspire and entertain believers and non-believers alike.

    An international bestseller, millions of readers have found it to be an invaluable guide to living the artist’s life. Still as vital today—or perhaps even more so—than it was when it was first published one decade ago, it is a powerfully provocative and inspiring work. In a new introduction to the book, Julia Cameron reflects upon the impact of The Artist’s Way and describes the work she has done during the last decade and the new insights into the creative process that she has gained. Updated and expanded, this anniversary edition reframes The Artist’s Way for a new century.

    Based in Milan, Italy, Giussani heads the Communion and Liberation movement and is a council for the Congregation for the Clergy and the Pontifical Council for the Laity. He discusses education in terms of fundamental truths, in particular, the element of faith. It presents the argument that without the fundamental factors of tradition, the young person is merely a fragile leaf separated from its branch.

    This book rocked the academic world and catapulted its young author, William F. Buckley Jr., into the public spotlight.

    Many of these movies propagate a distorted sense of morality and ethics. Under the surface of immoral behavior and unlawfulness, however, there can be deeper problems in Hollywood's messages. What are these stories telling the viewer about life, relationships, and God? What worldviews and ideas do they espouse? If Christians are to tread carefully at the theater complex, they need resources to help them.This book is just such a resource. By exploring the relationship between Christianity and art, the theology of biblical discernment, and a brief history of filmmaking, as well as through analysis of popular films, Meaning at the Movies equips readers for careful discernment in the cinema. The book does not simply list criteria for judging film art; instead it encourages Christians to develop biblical and critical discernment in regard to not only film, but all aspects of culture.

    It is Luther's response to Desiderius Erasmus's "Diatribe on Free Will, " written in his direct and unique style, combining deep spirituality with humor. Luther writes powerfully about man's depravity and God's sovereignty. The crucial issue for Luther concerned what ability free will has, and to what degree it is subject to God's sovereignty. For Luther, this key issue of free will is directly connected to God's plan of salvation. Is man able to save himself, or is his salvation entirely a work of divine grace? This work is vital to understanding the primary doctrines of the Reformation and will long remain among the great theological classics of Christian history.

    Precisely the opposite, Weigel suggests, is true: the people of the “cathedral” can give a compelling account of their commitment to everyone’s freedom; the people of the “cube” cannot.Can there be any true “politics”—any true deliberation about the common good, and any robust defense of freedom—without God? George Weigel makes a powerful case that the answer is “No,” because, in the final analysis, societies are only as great as their spiritual aspirations.

    There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred — with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's brave and unprecedented year-long quest to find his inner Céline Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate.

    Secular, radical, liberal, and evangelical interpreters variously shape and mold the martyr’s legacy to suit their own pet agendas.Stephen Haynes offers an incisive and clarifying perspective. A recognized Bonhoeffer expert, Haynes examines “populist” readings of Bonhoeffer, including the acclaimed biography by Eric Metaxas, Bonhoeffer: Pastor, Martyr, Prophet, Spy. In his analysis Haynes treats, among other things, the November 2016 election of Donald Trump and the “Bonhoeffer moment” announced by evangelicals in response to the US Supreme Court’s 2015 decision to legalize same-sex marriage.The Battle for Bonhoeffer includes an open letter from Haynes pointedly addressing Christians who still support Trump. Bonhoeffer’s legacy matters. Haynes redeems the life and the man.

    An exhaustive index references key words and concepts, allowing readers to easily find quotes on any subject of interest. Also included are many photographs of Lewis and his close circle of friends.Quick summary: More than 1,500 quotes from Lewis's writings. Sixteen pages of photographs. Extensive index and numbering system.

    A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote "Mimesis," publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written.

    Best known for his hard-boiled, white-knuckle thrillers and for the movies made from them—among them True Crime (directed by Clint Eastwood) and Don’t Say a Word (starring Michael Douglas)—Klavan was born in a suburban Jewish enclave outside New York City. He left the faith of his childhood behind to live most of his life as an agnostic in the secular, sophisticated atmosphere of New York, London, and Los Angeles. But his lifelong quest for truth—in his life and in his work—was leading him to a place he never expected.In The Great Good Thing, Klavan tells how his troubled childhood caused him to live inside the stories in his head and grow up to become an alienated young writer whose disconnection and rage devolved into depression and suicidal breakdown. But he also stumbled into a genuine romance, a passionate and committed marriage whose uncommon and enduring devotion convinced him of the reality of love.In those years, Klavan fought to ignore the insistent call of God, a call glimpsed in a childhood Christmas at the home of a beloved babysitter, in a transcendent moment at his daughter’s birth, and in a snippet of a baseball game broadcast that moved him from the brink of suicide. But more than anything, the call of God existed in stories—the stories Klavan loved to read and the stories he loved to write.The Great Good Thing is the dramatic, soul-searching story of a man born into an age of disbelief who had to abandon everything he thought he knew in order to find his way to the truth.

    John Mark Reynolds's book When Athens Met Jerusalem provides students a well-informed introduction to the intellectual underpinnings (Greek, Roman and Christian) of Western civilization and highlights how certain current intellectual trends are now eroding those very foundations. This work makes a powerful contribution to the ongoing faith versus reason debate, showing that these two dimensions of human knowing are not diametrically opposed, but work together under the direction of revelation.