We at Zoo are eminently pleased to have such a fine book of verse for our inaugural Kenyon Review Prize volume. Fennelly's poems are well poised in their witty and sometime sassy ruminations, often "maximalist" in their scope (see "From L' HUtel Terminus Notebooks") and the pleasure one takes within them is of the rarest breed: it is the pleasure of unexpected revelation. Open House comes introduced by series judge and Kenyon Review poetry editor, David Baker.

    Pulitzer Prize winner Yusef Komunyakaa delivers a powerful meditation on American, and particularly African American, life in the wake of Vietnam.Centering on the disorienting experiences of the returning soldier and drawing on multiple traditions, Yusef Komunyakaa's poetry is potent, live, and, like the strains of jazz running through it, an erudite and soulful music.

    for hurting. for healing. for souls becoming. for anyone who loves too deeply and loves too much. for anyone who doesn't love themselves enough. this is for you.

    I lived throughyou not knowing, not knowing I was living.I learned that you called for me. I came to whereyou were living, up a stair. There was no one there.No one to appreciate me. The legality of itupset a chair. Many times to celebratewe were called together and wherewe had been there was nothing there,nothing that is anywhere. We passed obliquely,leaving no stare. When the sun was done muttering,in an optimistic way, it was time to leave that there. --from “The New Higher”

    This book contains the poem “Grace”, which the Poetry Society of America chose for their Poetry in Motion series to entertain public transit passengers in major metropolitan areas.

    

    Paul Muldoon, the distinguished poet and international literary eminence, has selected -- from a pool of several thousand published candidates -- the top seventy-five poems of the year. With insightful comments from the poets illuminating their work, and series editor David Lehman's perspicacious foreword, The Best American Poetry 2005 is indispensable for every poetry enthusiast.

    She's feisty yet sweet.Innocent but f#ckin' sexy.She can be so intoxicating.Her touch is sweet like honey.Each time I see those eyes, those lips, that body...I just want to make her mine. (again and again and again)Leaving her was a mistake. Now I'm back to win her over.And I won't take no for answer.Rekindled is a stand-alone surprise baby, second chance, billionaire romance with a guaranteed HEA. Also includes an exclusive never before published dirty fairy tale romance: Sinderella.

    But what happens when the one you want the most doesn’t want you? Zylen is well-known in the streets and someone Heaven has been trying to get into her bed for the longest. One thing wrong, Zylen has never liked a wild female or the type of woman that Heaven portrays to be. Heaven decides there’s more to life than partying and does a complete 360. Going away to college for two years Heaven returns and ready to start a new life. Loving the woman she’d become Zylen just had to have her. Not knowing their relationship would gain enemies after enemies. But the drama that comes alone with being Zylen’s girl might be a little too much for Heaven to bare.

    A reissuing of The Dollmaker’s Ghost, poetry by Larry Levis.

    Moved on to Caius Became the baius knaius. 'Oxford Blues' is one of the many new poems in this expanded and revised edition of The State of Poetry, Roger McGough's book of short humorous verse which was published in 2005 as part of Penguin's 70s series celebrating its 70th anniversary. From a poem commissioned to commemorate Dylan Thomas in just 140 characters, which unfortunately comes to an end mid-word, to a pre-emptive erratum notice, these poems show McGough at his inventive, hilarious best - and there are also new line drawings by the author offered at no extra cost.

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    Highly recommended."—Library Journal"Intimate and hypnotic."—Ploughshares"Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."—Rain Taxi"Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."—Boston Review"Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgments of the Old Testament."They took you in an ambulance even though you were dead,they took youand my sister saidWhy are you saving her if she is dead?     shey shey—Curve of sky a crescent blade.Vultures wheeling     on thermal parapets, shunyata,     void that flays—Yak butter,     barley flour and tea: you watch him     make the paste.Dana Levin's debut volume In the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.

    Haunted by their childhoods of material and emotional poverty, Jimmy and Rita float through days in urban San Francisco.

    40 Haiku in English inspired by the practice of Zen Buddhism and Zazen (seated meditation) in particular.I hope you enjoy!