A man who loves to bowl rolls a perfect game--and then another and then another and then many more in a row until he winds up ESPN's newest celebrity, and he must decide if the combination of perfection and celebrity has ruined the thing he loves. An eccentric billionaire and his faithful executive assistant venture into America looking for acquisitions and discover a down and out motel, romance, and a bit of real life. These are just some of the tales Tom Hanks tells in this first collection of his short stories. They are surprising, intelligent, heartwarming, and, for the millions and millions of Tom Hanks fans, an absolute must-have!

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    I was starting to lose hope. Until a knock at my door came and God answered my prayers. Except…uh…wrong prayer, God. I’d definitely requested the big guy find me a drop-dead gorgeous man on more than one occasion...just not as my roommate. Declan Tate talked me into interviewing him anyway. While he was amusing and charismatic, I wouldn’t have been comfortable living with a man, so I regretfully declined. Then cupcakes showed up at my door—freshly baked by Declan and just as sinfully delicious as he was. You could say he was persistent. I eventually folded. It wasn’t like I had another viable candidate anyway. Plus, I was interested in someone else. And Declan was into another woman. So it wasn’t like anything would happen romantically. After he moved in, the two of us became the best of friends. We even started to give each other advice on getting our crushes to notice us. Eventually, Declan concocted an idea: we should pretend to be a couple to make our love interests jealous. I was hesitant, but went along with it anyway. To my utter shock, his crazy plan worked. Now I was dating the supposed man of my dreams, and my best friend had the woman of his. But there was one problem. I couldn’t stop thinking about Declan. Those feelings we were trying to fake? Yeah…I wasn’t pretending anymore.

    Upon the earl's death she and her sisters stand to lose the luxury of their grand home - and their place on the pedestal of society - to their stepbrother and his social-climbing fiancée. Forced to act quickly, Honor makes a devil's bargain with the only rogue in London who can seduce her stepbrother's fiancée out of the Cabots' lives for good.An illegitimate son of a duke, George Easton was born of scandal and grows his fortune through dangerous risks. But now he and Honor are dabbling in a perilous dance of seduction that puts her reputation and his jaded heart on the line. And as unexpected desire threatens to change the rules of their secret game, the stakes may become too high even for a notorious gambler and a determined, free-spirited debutante to handle.

    With the publication of his first book of poems, The Weary Blues, in 1926, Langston Hughes electrified readers and launched a renaissance in black writing in America.  The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who "rushed the boots of Washington"; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in "the raffle of night."  They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture.  They spanned the range from the lyric to the polemic, ringing out "wonder and pain and terror-- and the marrow of the bone of life."The poems in this collection were chosen by Hughes himself shortly before his death in 1967 and represent work from his entire career, including "The Negro Speaks of Rivers," "The Weary Blues," "Still Here," "Song for a Dark Girl," "Montage of a Dream Deferred," and "Refugee in America."  It gives us a poet of extraordinary range, directness, and stylistic virtuosity.

    Based on the wildly popular eponymous Tumblr, Deep Dark Fears explores our odd, creepy, and hilariously singular fears. Animator, illustrator, and cartoonist Fran Krause brings these fears to life in vividly illustrated comics based on real fears submitted by readers (plus a few of his own). These "deep dark fears" run the gamut from unlikely but plausible to completely ridiculous, highlighting both our deeply human similarities and our peculiar uniquenesses.

    The chief figure among the Beats, Ginsberg changed the course of American poetry, liberating it from closed academic forms with the creation of open, vocal, spontaneous, and energetic postmodern verse in the tradition of Walt Whitman, Guillaume Apollinaire, Hart Crane, Ezra Pound, and William Carlos Williams. Ginsberg's classics Howl, Reality Sandwiches, Kaddish, Planet News, and The Fall of America led American (and international) poetry toward uncensored vernacular, explicit candor, the ecstatic, the rhapsodic, and the sincere—all leavened by an attractive and pervasive streak of common sense. Ginsberg's raw tones and attitudes of spiritual liberation also helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry and popular song and speech, but also our view of the world.The uninterrupted energy of Ginsberg's remarkable career is clearly revealed in this collection. Seen in order of composition, the poems reflect on one another; they are not only works but also a work. Included here are all the poems from the earlier volume Collected Poems 1947-1980, and from Ginsberg's subsequent and final three books of new poetry: White Shroud, Cosmopolitan Greetings, and Death & Fame. Enriching this book are illustrations by Ginsberg's artist friends; unusual and illuminating notes to the poems, inimitably prepared by the poet himself; extensive indexes; as well as prefaces and various other materials that accompanied the original publications.

    Pre-med, stellar grades, and happy parents…sounds ideal—but Shane's made zero friends, goes home every weekend, and romance…what’s that? Her life has been dorm, dining hall, class, repeat. Time's a ticking, and she needs a change—there's nothing like moving to a new country to really mix things up. Shane signs up for a semester abroad in London. She's going to right all her college mistakes: make friends, pursue boys, and find adventure! Easier said than done. She is soon faced with the complicated realities of living outside her bubble, and when self-doubt sneaks in, her new life starts to fall apart. Shane comes to find that, with the right amount of courage and determination one can conquer anything. Throw in some fate and a touch of magic—the possibilities are endless.

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    This volume consists of new translations edited by Deepak Chopra to evoke the rich mood and music of Rumi's love poems. Exalted yearning, ravishing ecstasy, and consuming desire emerge from these poems as powerfully today as they did on their creation more than 700 years ago.'These poems reflect the deepest longings of the human heart as it searches for the divine. They celebrate love. Each poetic whisper is urgent, expressing the desire that penetrates human relationships and inspires intimacy with the self, silently nurturing an affinity for the Beloved. Both Fereydoun Kia, the translator, and I hope that you will share the experience of ravishing ecstasy that the poems of Rumi evoked in us. In this volume we have sought to capture in English the dreams, wishes, hopes, desires, and feelings of a Persian poet who continues to amaze, bewilder, confound, and teach, one thousand years after he walked on this earth' - Deepak Chopra

    Kara Sullivan’s life is full of love—albeit fictional. As a bestselling romance novelist and influential bookstagrammer, she’s fine with getting her happily-ever-after fix between the covers of a book. But right now? Not only is Kara’s best friend getting married next week—which means big wedding stress—but the deadline for her next novel is looming, and she hasn’t written a single word. The last thing she needs is for her infuriating first love, Ryan Thompson, to suddenly appear in the wedding party. But Ryan’s unexpected arrival sparks a creative awakening in Kara that inspires the steamy historical romance she desperately needs to deliver. With her wedding duties intensifying, her deadline getting closer by the second and her bills not paying themselves, Kara knows there’s only one way for her to finish her book and to give her characters the ever-after they deserve. But can she embrace the unlikely, ruggedly handsome muse—who pushes every one of her buttons—to save the wedding, her career and, just maybe, write her own happy ending?"A fun and sexy romp, with chemistry that gave me all the feels!" —Jennifer Probst, New York Times bestselling author of Our Italian Summer"Add this book to your TBR list immediately!" —Sarah Smith, author of Faker

    After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    A boy. His mother. And the lie she'll wish she'd never told.The Girlfriend by Michelle Frances is a gripping and chilling debut psychological thriller, based on the fall-out following an unforgiveable lie. It looks at the potentially charged relationship between girlfriend, boyfriend and his mother, which most women can identify with, and locates it in an extreme but believable setting.Laura has it all. A successful career, a long marriage to a rich husband, and a twenty-three year-old son, Daniel, who is kind, handsome, and talented. Then Daniel meets Cherry. Cherry is young, beautiful and smart but she hasn't had the same opportunities as Daniel. And she wants Laura's life.Cherry comes to the family wide-eyed and wants to be welcomed with open arms, but Laura suspects she's not all that she seems. When tragedy strikes, an unforgiveable lie is told. It is an act of desperation, but the fall-out will change their lives forever.

    Or for him. Or anything that had to do with Cal Donovan from Boston. Meeting him had been a complete and utter surprise, taking me one hundred percent off guard. I met new people every single day in my line of work and none of them affected me. Wasn’t that the way of things though? You could meet a thousand people and they’d all mean nothing to you. But then you’d meet that one and they suddenly meant everything.

    Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. "What am I supposed to say: I'm free?" the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.