A comprehensive study of Celtic mythology, legend, and poetry provides background information on the Celts, Ancient Britons, and Druids, and includes the tales of such noted figures as Cuchulain, Blodeuweek, Branwen, and Fenn.

    She then promises to stop making terrible food analogies about everything.From terrifying hen nights, malevolent dolphins and angry bakers, to runaway cats, a stalker who won't commit and the curse of over-politeness, Maeve writes with warmth and wit about what it's like to be a regular human girl. And, crucially, she finally reveals the truth about her relationship with Michael Fassbender.We Have a Good Time...Don't We? introduces a strikingly original voice that celebrates the truth of what we really feel about ourselves through these hilarious and perceptive snapshots of a life considered.

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

    It tells the story of a great cattle-raid, the invasion of Ulster by the armies of Medb and Ailill, queen and king of Connacht, and their allies, seeking to carry off the great Brown Bull of Cúailnge. The hero of the tale is Cúchulainn, the Hound of Ulster, who resists the invaders single-handed, while Ulster's warriors lie sick.Thomas Kinsella's presents a complete and living version of the story. His translation is based on the partial texts in two medieval manuscripts, with elements from other version, and adds a group of related stories which prepare for the action of the Táin. Illustrated with brush drawings by Louis le Brocquy, this edition provides a combination of medieval epic and modern art.

    Her irresponsible Da is dead. She is grief-stricken and alone – but for the first time in her life free to please herself. After her mother deserted the family, Ivy became the sole provider for her Da and three brothers. Pushing a pram around the well-to-do areas of Dublin every day, she begged for the discards of the wealthy which she then turned into items she could sell around Dublin’s markets. As she visits the morgue to pay her respects to her Da, a chance meeting introduces Ivy to a new world of money and privilege, her mother's world. Ivy is suddenly a woman on a mission to improve herself and her lot in life. Jem Ryan is the owner of a livery near Ivy’s tenement. When an accident occurs in one of his carriages, leaving a young girl homeless, it is Ivy he turns to. With Jem and the people she meets in her travels around Dublin, Ivy begins to break out of the property-ridden world that is all she has ever known. Through Streets Broad and Narrow is a story of strength and determination in the unrelenting world that was Dublin tenement life.

    Considered by some to be a traitor to Ireland, and after some seven years of confinement in the County Home, Dunne is a broken man, both mentally and physically. Alone in a barren room, barely clothed and in little control of his faculties, Dunne, at 75, reenacts scenes from his past, taking refuge in the memory of his three daughters and a son who died in World War I. The parallels between Dunne's family life and the political life of Ireland are all too apparent. Chaos and murder resulted from the revolution, and Dunne could only stand watching as his way of understanding the world dissolved. Similarly, he was an aloof father who couldn't tell his son how much he loved him until it was too late. Near the end of the play, the arrival of Dunne's daughter, Annie, puts the last nail in the play's thematic coffin as her anger and resentment over her father's neglect compete with her pity for this elderly man who now needs her the way a baby needs its mother. Bereft of any solution to his life, Dunne recounts a childhood memory about his own father, in which he seems to be asking us for forgiveness and understanding.

    Cole Moreton tells the story of the Blaskets through the eyes of the Kearney family, who lived there for generations until 1947 when they paid a terrible price for their isolation-a young man's life. Moreton discovers a few survivors still alive within sight of the Great Blasket, but most had left Ireland for America, settling in Massachusetts. Hungry for Home is a beautifully written and gripping account of a quest for a vanished people, and the Kearneys' incredible journey into the twentieth century is "a moving, atmospheric testament to the mythic lure of home". Entertainment Weekly.

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    Honoured for their gifts and feared for their wrath, the fairies remind us to respect both the world we live in and forces we cannot see.In Meeting the Other Crowd, Eddie Lenihan presents a book about a hidden Ireland, a land of mysterious taboos, dangers, other worldly abductions, enchantments and much more. It is a world which most Irish people acknowledge exists, but which few of them, except the very oldest or professional folklorists, know much more about.Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a great storyteller. In doing so he provides one of the finest collections of Irish folklore in modern times.

    Originating with fierce naked warriors who collected enemy heads as war trophies, the Celts eventually made their influence felt from the Middle East to the Atlantic, bringing with them a unique culture and mythology, and a style of art considered the greatest achievement north of the Alps after the Ice Age. The Romans called them "furor celticus" and at the height of their empire Ankara, Cologne, Belgrade and Milan all spoke Celtish. THE CELTS is the remarkable story of our North European cultural ancestors, whose language is still spoken by more than two million people in Brittany, Scotland, Ireland and Wales.

    Crofton Croker. From 1812 to 1816, he roamed southern Ireland, listening to his countrymen's stories of pixies, leprechauns, and other supernatural creatures. The result is one of the first collections of Irish fairy tales on record — and it's often considered the finest. Told in plain but colorful language with charming illustrations that capture the wonder of these tales, it became an overnight bestseller. An engaging mix of darkness and humor, the thirty-eight stories are filled to the brim with Irish wit and magic. In "The Haunted Cellar," you'll meet one of Ireland's oldest families, with blood as thick as buttermilk and a reputation for hospitality. But what is the secret in Justin Mac Carthy’s wine cellar that forces every butler to quit? In "The Changeling," a new mother finds a just solution when her infant is replaced by a mischievous fairy. "The Legend of Knockfierna" teaches fearless Carroll O'Daly a hard lesson about interfering with the "little people." And that's just a taste of the delights inside. A rich reflection of Celtic culture, Irish Fairy Legends will entertain you and your family for generations.

    I close my eyes and wonder how many girls will come to my funeral.’Vincent Patrick Duffy has already checked out. Trapped between Skintown’s narrow horizons, he chops ribs and chickens in a takeaway, dreaming of escape, joint after freshly rolled joint. A mindless act of kindness leads to the unlikeliest of business opportunities. Where the government has failed, might the second summer of love and a little pill with a dove on it be the broom to sweep away the hatred and replace it with love, so much love? Skintown is Vinny’s drink- and drug-fuelled odyssey through fighting, fishing, rioting, romance, reconciliation and acid house. Bristling with a restless energy and drunk on black humour, this superb debut is a wild ride.

    Includes practical exercises drawn from the Celtic tradition.

    Gregory retells the myths and legends of the ancient Celts and reveals the roots of Ireland's literary tradition. Contains an index of characters and a pronunciation key to Gaelic names and locations.