Here for the first time an adult cast member writes about the experience of making the show-the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships. Charlotte, with Andy Demsky, reveal a no-holds-barred, heart-breaking, and ultimately joyful account of fifty years in film and television offers a backstage pass to Hollywood's cocaine-fueled glory years in the 1970s, and includes Charlotte's celebrated work as Mary X in David Lynch's cult classic film, Eraserhead, as well as her later work as Betty Briggs in the highly-rated television series, Twin Peaks. Charlotte recalls working with leading men, from Jimmy Stewart, Elvis Presley, Kevin Bacon, and Kyle MacLachlan. She also details off-stage friendships with Neil Young and Joni Mitchell, as well as with relationships and flings with some of TV, film, and music's biggest names, including Jon Voight, Richard Dreyfuss, Victor French, Tim Considine, Bill Murray, and Jim Morrison. Ultimately, Charlotte's story is that of a survivor. Six years after her career-making role on Little House on the Prairie, she lost everything and was living on vodka and hotdogs. Yet through the darkest periods of her life-divorce, drug-use, cancer, financial ruin, the death of a spouse, and alcoholism-she never lost her humanity or sense of humor. David Lynch writes, "Charlotte Stewart is my kind of girl-a talented, courageous actress-a loyal friend and one who brings happiness to work." Charlotte's story is far from over. She is set to reprise her role of Betty Briggs in the new Twin Peaks series to be seen on Showtime in 2017. Throughout the year, she is a featured celebrity in fan events and festivals for Little House on the Prairie and Twin Peaks both in the U.S. and abroad. Co-author Andy Demsky is a writer and journalist, whose work has been published in the San Francisco Chronicle, Los Angeles Times magazine and Better Homes & Gardens, and he co-wrote Doug Shafer's critically acclaimed memoir, A Vineyard in Napa.

    Published to coincide with Whedon's blockbuster movie The Avengers, it covers every aspect of his work, through insightful essays and in-depth interviews with key figures in the 'Whedonverse'.

    But in I Hate Everyone, Except You, he reveals some heretofore-unknown secrets about himself, like that he’s a finicky connoisseur of 1980s pornography, a disillusioned critic of New Jersey’s premier water parks, and perhaps the world’s least enthused high-school commencement speaker.Whether he’s throwing his baby sister in the air to jumpstart her cheerleading career or heroically rescuing his best friend from death by mud bath, Clinton leaps life’s social hurdles with aplomb. With his signature wit, he shares his unique ability to navigate the stickiest of situations, like deciding whether it’s acceptable to eat chicken wings with a fork on live television (spoiler: it’s not). Clinton delves into all these topics—and many more—in this thoroughly unabashedly frank and uproarious collection.Kamikaze --Brilliant ideas --Auditions, the universe, and other whatnot --Memorizing porn --Turd in the punchbowl --Freakin' fabulous, the sitcom --The switch --Clinton for president! --You young, me restless --Textbook penis --Stockholm syndrome --The way it went --I'm waiting --Your a psychopath --Salad days --Rich and famous --Afterword

    In the course of all these lives, I had a front-row seat at the birth of television; wrote, produced, created, or developed more than a hundred shows; had nine on the air at the same time; founded the 300,000-member liberal advocacy group People For the American Way; was labeled the “no. 1 enemy of the American family” by Jerry Falwell; made it onto Richard Nixon’s “Enemies List”; was presented with the National Medal of the Arts by President Clinton; purchased an original copy of the Declaration of Independence and toured it for ten years in all fifty states; blew a fortune in a series of bad investments in failing businesses; and reached a point where I was informed we might even have to sell our home. Having heard that we’d fallen into such dire straits, my son-in-law phoned me and asked how I was feeling. My answer was, “Terrible, of course,” but then I added, “but I must be crazy, because despite all that’s happened, I keep hearing this inner voice saying, ‘Even this I get to experience.’”Norman Lear’s work is legendary. The renowned creator of such iconic television programs as All in the Family; Maude; Good Times; The Jeffersons; and Mary Hartman, Mary Hartman, Lear remade our television culture from the ground up. At their peak, his programs were viewed by 120 million people a week, with stories that dealt with the most serious issues of the day—racism, poverty, abortion —yet still left audiences howling with laughter. In EVEN THIS I GET TO EXPERIENCE, Lear opens up with all the candor, humor, and wisdom to be expected from one of America’s greatest living storytellers.But TV and politics are only a fraction of the tale. Lear’s early years were grounded in the harshness of the Great Depression, and further complicated by his parents’ vivid personalities. The imprisonment of Lear’s father, a believer in the get-rich-quick scheme, colored his son’s childhood. During this absence, Lear’s mother left her son to live with relatives. Lear’s comic gifts were put to good use during this hard time, even as they would be decadeslater during World War II, when Lear produced and staged a variety show for his fellow airmen in addition to flying fifty bombing missions.After the war, Lear tried his hand at publicity in New York before setting out for Los Angeles in 1949. A lucky break had a powerful agent in the audience the night Danny Thomas performed a nightclub routine written by Lear, and within days his career in television began. Before long his work with Dean Martin and Jerry Lewis (and later Martha Raye and George Gobel) made him the highest-paid comedy writer in the country, and he was spending his summers with the likes of Carl Reiner and Mel Brooks. Movies followed, and soon he was making films starring Frank Sinatra, Dick Van Dyke, and Jason Robards. Then came the ’70s, and Lear’s unprecedented string of TV hits.Married three times and the father of six children ranging in age from nineteen to sixty-eight, Lear’s penetrating look at family life, parenthood, and marriage is a volume in itself. A memoir as touching, funny, and remarkable as any of Lear’s countless artistic creations, EVEN THIS I GET TO EXPERIENCE is nothing less than a profound gift, endlessly readable and characteristically unforgettable.

    Mailer, the winner of two Pullitzer Prizes, was the first writer to explore the relationship between Monroe and Bobby Kennedy.

    No wonder her younger sister Jan was jealous! For countless adolescents across America who came of age in the early 1970s, Marcia was the ideal American teenager. Girls wanted to be her. Boys wanted to date her. But what viewers didn't know about the always-sunny, perfect Marcia was that offscreen, her real-life counterpart, Maureen McCormick, the young actress who portrayed her, was living a very different—and not-so-wonderful—life. Now, for the very first time, Maureen tells the shocking and inspirational true story of the beloved teen generations have invited into their living rooms—and the woman she became.In Here's the Story, Maureen takes us behind the scenes of America's favorite television family, the Bradys. With poignancy and candor, she reveals the lifelong friendships, the hurtful jealousies, the offscreen romance, the loving support her television family provided during a life-or-death moment, and the inconsolable loss of a man who had been a second father. But The Brady Bunch was only the beginning. Haunted by the perfection of her television alter ego, Maureen landed on the dark side, caught up in a fast-paced, drug-fueled, star-studded Hollywood existence that ultimately led to the biggest battle of her life.Moving from drug dens on Wonderland Avenue to wild parties at the Playboy mansion and exotic escapades on the beaches of Hawaii, this candid, hard-hitting memoir exposes a side of a beloved pop-culture icon the paparazzi missed. Yet it is also a story of remarkable success. After kicking her drug habit, Maureen battled depression, reconnected with her mother, whom she nursed through the end of her life, and then found herself in a pitched battle for her family in which she ultimately triumphed.There is no question: Maureen McCormick is a survivor. After fifty years, she has finally learned what it means to love the person you are, insight that has brought her peace in a happy marriage and as a mother. Here's the Story is the empowering, engaging, shocking, and emotional tale of Maureen McCormick's courageous struggle over adversity and her lifelong battle to come to terms with the idea of perfection—and herself.

    Originally published in 1960, Zolotow's book was the first to take Marilyn seriously as an actress at a time when she was thought to be just an eccentric, gorgeous blonde. 16 pages of photographs.

    Peepers, the gibberish-spouting Suel Forrester, or one half of the head-bopping brothers in A Night at the Roxbury. Maybe you remember him as the forlorn gothic kid Azrael Abyss, Gay Hitler, or the guitarist in the "More Cowbell" sketch. Whichever it is, Chris Kattan has earned a spot in the hearts of a generation of comedy fans . Chris Kattan has defied comparison, expectations, and sometimes gravity with his inimitable style of physical comedy. By creating some of the most memorable Saturday Night Live characters, as well as his many roles in film and television, Kattan has remained one of the most fearless and versatile comedians in the world.Not long after Chris was labeled one of the improv group Groundlings' "must-see" performers in the company, he was cast on SNL--and within the first six weeks, Chris's film career also took off.Now, for the first time, Kattan opens up about eight seasons on SNL, performing alongside friends and future legends including Will Ferrell, Jimmy Fallon, and Tina Fey, and guest hosts from Charlize Theron to Tom Hanks to David Bowie. He also shares stories of his unusual childhood (involving a secluded mountain with zen monks) with Leonard Cohen and Alan Watts. Baby, Don't Hurt Me offers an unprecedented look into Chris's life, from his fascinating relationship with Lorne Michaels, a private Valentine's Day dinner with Tom Cruise and Katie Holmes, an unforgettable flight with Beyonc�, and even breaking his neck on live television.Baby, Don't Hurt Me is a candid, revealing memoir from a timeless comedian and a window into the world of millennium-era SNL, from the rehearsals to the after-after parties, as narrated by your hilarious and inspiring friend--who just so happened to be there for all of it.

    Even when I was very small. Dad was such a positive influence on people’s lives that to be so closely associated with him was always a blessing. People can’t help but smile when they think of my father, which has to be the greatest legacy of all. When people hear my name for the first time, they usually ask the same question: “Any relation?” “Yes,” I reply proudly, “he’s my father.” They smile and cry, “Oh, I love your father! I’ve loved him all my life.” Sometimes, just sometimes, they ask me the most important question of all: “Was he a good father?” To their surprise, I shake my head and smile. “No,” I reply. “He wasn’t a good father, but he was a good man.” Where Dad came from, that meant a great deal more.So begins Deana Martin’s captivating and heartfelt memoir of her father, the son of an Italian immigrant from modest beginnings who worked his way to the top of the Hollywood firmament to become one of the greatest stars of all time.Charming, debonair, and impeccably attired in a black tuxedo, Dean Martin was coolness incarnate. His music provided the soundtrack of romance, and his image captivated movie and television audiences for more than fifty years. His daughter Deana was among his most devoted fans, but she also knew a side of him that few others ever glimpsed.In page-turning prose, Deana recalls her early childhood, when she and her siblings were left in the erratic care of Dean’s loving but alcoholic first wife. She chronicles the constantly changing blended family that marked her youth, along with the unexpected moments of silliness and tenderness that this unusual Hollywood family shared. Deana candidly reveals the impact of Dean’s fame and characteristic aloofness on her efforts to forge her own identity, but delights in sharing wonderful, never-before-told stories about her father and his pallies known as the Rat Pack. It may not have been a normal childhood, but Deana’s enchanting account of life as the daughter of one of Hollywood’s sexiest icons will leave you entertained, delighted, and nostalgic for a time gone by.

    A determined perfectionist with an incredible ego, her beauty, her style, her sense of the outrageous, made her a star. In this candid, illuminating, and detailed biography full of photographs, her only daughter Maria Riva, tells the incredible, fascinating, story of the star's life and career, loves and hates, hits and misses, as only a daughter can. From the Trade Paperback edition.

    "[S]urprisingly vivid accounts" (People) of such public icons as Lana Turner, Rock Hudson, Kim Novak, and Mae West explore the private scandals exploited by tabloids such as Confidential. Highlighting Hollywood's curious religious revival with The Robe, the film industry's exploitation of the potboiler Peyton Place, and the life of anarchic director Nick Ray of the enduring classic Rebel without a Cause, the authors "[give] a compelling sense" (Kirkus Reviews) of the unique obsessions of the era and the city's attempts to reinvent the magic and mystery of its past glories. Guided by the authors' historical savvy and intimate storytelling, we discover a city at a crossroads, attempting to reinvent the magic and mystery of its past glories. Tragic, irreverent, and always entertaining, The Bad and the Beautiful reveals the underground history of this turbulent decade in American film.

    He more or less invented modern politi­cal consulting and helped Richard Nixon, Ronald Reagan, and George H. W. Bush win their races for the White House. Then he reinvented himself as a master of cable television, first as the head of CNBC and, since 1996, as the creator and leader of Fox News, the most influential news network in the country. To liberals, Ailes is an evil genius who helped polarize the country by breaking the mainstream media’s long monopoly on what constitutes news. To conservatives, he’s a champion of free speech and fair reporting whose values and view of Amer­ica reflect their own. But no one doubts that Ailes has transformed journalism. Barack Obama once called him “the most powerful man in America”— and given that Fox News has changed the way millions understand the world, it may be true. Yet for all that fame and infamy, very few people know the real person behind the headlines. Journalist Zev Chafets received unprecedented access to Ailes and his family, friends, and Fox News colleagues. The result is a candid, compelling portrait of a fascinating man. We see Ailes in action at Fox News and hear him reflect on personal mat­ters he has never before discussed publicly. And we discover the heart of his sometimes surprising political beliefs: his profane piety and his unwav­ering belief in the values of his small-town Ohio boyhood. Ailes loves to fight, but he is a happy warrior who has somehow managed to charm and befriend many of the people he has defeated in political campaigns and television wars. Barbara Walters, Rachel Maddow, Jesse Jackson, the Kennedy clan— all are unexpected Ailes fans. Chafets also gives us an unprecedented look at the inner workings of Fox News and explores Ailes’s relationships with Bill O’Reilly, Sean Hannity, Megyn Kelly, Neil Cavuto, Chris Wallace, and the other stars he has nurtured. Ultimately, Ailes is neither villain nor hero but a man full of contradictions and surprises. As Chafets writes, “What will he do next? What stokes his competitive fires and occasional rages? How to reconcile his acts of exceptional loyalty and pri­vate generosity (even to rivals) with his impulse to present himself to the world as a ruthless leg breaker? What makes Roger run—and where, if anywhere, is the finish line? As Ailes himself might say: I report, you decide.”

    Now Sex and the City, the first true comedy about sex and love from a female point of view (and the show that made cosmopolitans and designer shoes part of every single woman's night out), lives on in this luscious, uniquely entertaining, and one-of-a-kind book. Sex and the City: Kiss and Tell, the official companion book, celebrates the show with behind-the-scenes stories on all six seasons and original interview with each of the primary actors. Ever wonder which designer made that outrageous outfit of Carrie's? What real-life stories inspired those shocking episodes? How many dates the fabulous foursome have really been on? Packed with over 750 full-color photographs, this stunning volume will answer all these questions and more with information not available anywhere eels. Topped off with a introduction by Sarah Jessica Parker, Sex and the City: Kiss and Tell will excite anyone who has experienced even the slightest flirtation with the sexiest, funniest show on television.

    The Big Show gives you the honest, horrifying, yet always entertaining story of two men, three cameras, and highlights run amok: that voodoo that Keith and Dan do to make The Big Show run slicker than Pat Riley's do; Keith's controversial list of should-be baseball Hall of Famers (100 of them, for Pete's sake); Dan and Keith's on-air flubs - errors that make even Bill Buckner's blunder seem minor; and Keith and Dan's complaints about sports idiocies - and each other!

    Plus 16 pages of photographs. Black cloth, gilt, over boards. Dust jacket. Inscribed and signed by Stephanie Powers on the title page. A fine as new copy.