These include brownies, kelpies, trolls, mermen, and other beings from the unseen world that pop up again and again to assist, annoy, and otherwise meddle in the lives of simple country folk.This treasury was assembled by a noted folklorist who heard these picturesque traditional tales over a century ago while visiting in rural homes throughout Scotland. Recounted in their native vernacular, they include nursery tales and animal fables, stories of fairies, accounts of witchcraft, comic and literary lore, and more.Included in this collection are clever and imaginative stories of "The Strange Visitor," "How the Wolf Lost His Tail," "The Smith and the Fairies," "The Scottish Brownie," "The Witches of Delnabo," "The Witty Exploits of Mr. George Buchanan," "The Haunted Ships," and scores of other delightful tales. Together, they offer folklore lovers, readers, and listeners of all ages hours of imaginative storytelling entertainment.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    All the central characters are spirited females—decisive heroes of extraordinary courage, wit, and achievement who set out to determine their own fate. Some of their stories are comic, some adventurous, some eerie, and some magical. The Chicago Sun-Times writes: "A sparkling gathering of traditional, yet little-known, tales from all parts of the globe. The female characters. . . manage to outsmart, outdo, and over-power the villains with nerves of steel, cunning minds, and disarming senses of humor."

    Crowell Co. Subjects: Fairy tales Fiction / Fantasy / General Fiction / Fantasy / Historical Fiction / Fantasy / Short Stories Fiction / Fairy Tales, Folklore

    It includes hundreds of whimiscal superstitions as well as folk cures, charms, and chants practiced by the early settlers of Appalachia.

    M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one–in the words of Laurence Houseman, author of the classic Rocking-Horse Land– “is an expression of the joy of living.”Accompanied by the illustrations from the original editions of these works–by such celebrated Victorian artists as Dante Gabriel Rossetti, Maxfield Parrish, and Arthur Rackham–this collection will delight readers both young and old.

    You’ve heard about St. George, but how about the Green Man, who was believed to rule over the natural world? Or Black Shuck, the giant ghostly dog who was reputed to roam East Anglia? As well as looking at the history of this subject, this book has a directory of places you can go to see folklore alive and well today. The Whittlesea Straw Bear Festival, for example, or wassailing cider orchards in Somerset.

    These stories are about coming to terms with our animal natures, exploring the ways in which we might renegotiate our fractured relationship with the natural world, and uncovering the wildness - and wilderness - within. Beautifully illustrated by Helen Nicholson, Foxfire, Wolfskin and Other Stories of Shapeshifting Women is her first collection of short stories. All are either reimaginings of older tales, or contain characters, beings and motifs which appear in older tales.

    Some of the legendary monsters are funny and mischievous, others are downright frightening, and a number of them are wild and unpredictable. There's a dragon made of ice, another that takes refuge in the General Post Office, a scaly creature that carries off the largest elephant in a zoo, and even a dragon whose gentle purring comforts a tiny tot.And who challenges these amazing creatures? Why, daring heroes, of course, as well as a wicked prince, and even an entire soccer team — which, unfortunately, meets its fate with a fire-breathing brute that flies out of the pages of an enchanted book.E. (Edith) Nesbit (1858–1924) was one of the pioneers of fantasy fiction for children. Her classic novels — such as The Railway Children and Five Children and It — have remained popular for more than a century. 24 illustrations.

    Includes The Monkey and the Crocodile, The Merchant of Seri, The Turtle Who Wouldn't Stop Talking, The Foolish Timid Rabbit, The Banyan Deer, and others. Suitable for ages 7 and up.

    In this elegant and thought-provoking collection of original essays, Kate Bernheimer brings together twenty-eight leading women writers to discuss how these stories helped shape their imaginations, their craft, and our culture. In poetic narratives, personal histories, and penetrating commentary, the assembled authors bare their soul and challenge received wisdom. Eclectic and wide-ranging, Mirror, Mirror on the Wall is essential reading for anyone who has ever been bewitched by the strange and fanciful realm of fairy tales.Contributors include: Alice Adams, Julia Alvarez, Margaret Atwood, Ann Beattie, Rosellen Brown, A. S. Byatt, Kathryn Davis, Chitra Banerjee Divakaruni, Deborah Eisenberg, Maria Flook, Patricia Foster, Vivian Gornick, Lucy Grealy, bell hooks, Fanny Howe, Fern Kupfer, Ursula K. Le Guin, Carole Maso, Jane Miller, Lydia Millet, Joyce Carol Oates, Connie Porter, Francine Prose, Linda Gray Sexton, Midori Snyder, Fay Weldon, Joy Williams, Terri Windling.

    A whole family sat for hours around the fire in the middle of the room. That fire gave the only light. Shadows flitted in the dark corners. Smoke curled along the high beams of the ceiling. The children sat on the dirt floor close by the fire. The grown people were on a long narrow bench that they had pulled up to the light and warmth. Everybody's hands were busy with wool. As the family worked in the red fire-light, the father told of the kings of Norway, of long voyages to strange lands, of good fights. And in farmhouses all through Iceland these old tales were told over and over until everybody knew them and loved them. Men who could sing and play the harp were called "skalds," and they called their songs "sagas." Eventually these stories were written down on sheepskin or vellum so that we can enjoy them today. We follow the fortunes of Harald from the time he is acknowledged by his father as a baby and given his own thrall at the cutting of his first tooth, through his exploits as a viking adventurer, to his crowning as King of Norway. It is when Harald is King of Norway that population pressures at home and eagerness for adventure and booty from other lands combine to drive some of the bolder Vikings to set forth from their native land. Sailing ever westward across the Atlantic, they hop along the chain of islands that loosely connects Norway with America-Orkneys and Shetlands, Faeroes, Iceland, and Greenland. It is from link to link of this chain that the characters in our story sail in search of home and adventure. Discoveries are made by accident. Ships are driven by the wind into unknown ports, resulting in landings and settlements in Iceland, Greenland, and America. The crude courage of these men and strangeness of their adventures appeal strongly to children, while their love of truth, hardy endurance, and faithfulness to the promised word make them characters to emulate. Suitable for children ages 9 and up to read to themselves and for children as young as 6 as a read-aloud.

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    The fairy tale-based works of the tortured confessional poet, whose raw honesty and wit in the face of psychological pain have touched thousands of readers.

    . . An eye-opener to readers into the universality and importance of myth in human history and culture."--William E. Paden, Chair, Department of Religion, University of Vermont For as long as human beings have had language, they have had myths. Mythology is our earliest form of literary expression and the foundation of all history and morality. Now, in Parallel Myths, classical scholar J. F. Bierlein gathers the key myths from all of the world's major traditions and reveals their common themes, images, and meanings.Parallel Myths introduces us to the star players in the world's great myths--not only the twelve Olympians of Greek mythology, but the stern Norse Pantheon, the mysterious gods of India, the Egyptian Ennead, and the powerful deities of Native Americans, the Chinese, and the various cultures of Africa and Oceania. Juxtaposing the most potent stories and symbols from each tradition, Bierlein explores the parallels in such key topics as creation myths, flood myths, tales of love, morality myths, underworld myths, and visions of the Apocalypse. Drawing on the work of Joseph Campbell, Mircea Eliade, Carl Jung, Karl Jaspers, Claude L�vi-Strauss, and others, Bierlein also contemplates what myths mean, how to identify and interpret the parallels in myths, and how mythology has influenced twentieth-century psychology, philosophy, anthropology, and literary studies."A first-class introduction to mythology . . . Written with great clarity and sensitivity."--John G. Selby, Associate Professor, Roanoke College