*** Volume 1 plays a key role in the plot of the US movie Sex and the City. *** This Volume 2 includes love poems written by Matthew Arnold, Alfred Austin, Samuel Alfred Beadle, William Blake, Christopher Brennan, Lord Byron, Robert Burns, John Clare, Samuel Taylor Coleridge, Henry Constable, William Cowper, Michael Drayton, George Eliot, Thomas Ford, Stephen Foster, Robert Frost, Thomas Frost, Norman Rowland Gale, Johann Wolfgang von Goethe, Alfred P. Graves, Robert Herrick, Leigh Hunt, Benjamin Jonson, John Keats, Richard Lovelace, Pablo Neruda, Edgar Allen Poe, and William Shakespeare.

    Molly Malone Cook, who died in 2005, was Oliver's partner for many years, a pioneer gallery owner and photographer. Our World weaves forty-nine of Cook's photographs and selections from her journals with Oliver's extended writings, both reminiscence and reflection, in prose and in poetry. The result is an intimate revelation of their lives and art.Within the art world, Molly Malone Cook made her reputation as an early advocate of photography as an art form; she was a champion of the work of now-famous photographers, including Edward Steichen, Eugene Atget, Berenice Abbott, Minor White, Ansel Adams, Harry Callahan, and W. Eugene Smith. There are famous faces here as well, captured by Cook's camera, among them Walker Evans, Robert Motherwell and Henry Geldzahler, the first curator of twentieth-century art at the Metropolitan Museum.Cook and Oliver also lived among writers, and Cook caught several on film, including Lorraine Hansberry and Norman Mailer. Other artists and dozens of wonderful characters and scenes are also immortalized by Cook's unfailing eye for telling detail and composition. Oliver writes of Cook's work, the people they knew, and the places they visited or lived. The poet's beautiful text captures not only the vivifying qualities of her partner's work, but the texture of their shared world. In Mary Oliver's words, Cook taught the beginner poet "to see, with searching attention and compassion."

    Toklas was written in 1933 by Gertrude Stein in the guise of an autobiography authored by Alice B. Toklas, who was her lover. It is a fascinating insight into the art scene in Paris as the couple were friends with Paul Cézanne, Henri Matisse and Pablo Picasso. They begin the war years in England but return to France, volunteering for the American Fund for the French Wounded, driving around France, helping the wounded and homeless. After the war Gertrude has an argument with T. S. Eliot after he finds one of her writings inappropriate. They become friends with Sherwood Anderson and Ernest Hemingway. It was written to make money and was indeed a commercial success. However, it attracted criticism, especially from those who appeared in the book and didn't like the way they were depicted.

    The men who led the battle—Crazy Horse, Sitting Bull, and Colonel George A. Custer—have become legends. Here award-winning Lakota historian Joseph Marshall reveals the nuanced complexities that led up to and followed the battle. Until now, this account has been available only within the Lakota oral tradition. The Day the World Ended at Little Bighorn is required reading for anyone enthralled by the tale of the tragic fight that changed the scope of both America and the American landscape.

    Each volume includes a critical introduction biography of the author, discussions of dates and sources, textual details, a bibliography and information about the staging of the plav. New Mermaids include plays by Beaumont, Behn, Boucicault, Chapman, Congreve, Dekker, Dryden, Etherege, Farquhar, Ford, Goldsmith, Hevwood, Jonson, Kyd, Marlowe, Marston, Massinger, Middleton, Peele, Rowley, Sheridan, Synge, Tourneur, Vanbrugh, Webster, Wilde, and Wvcherley.

    Delany married white poet Marilyn Hacker right out of high school. The interracial couple moved into the city's new bohemian quarter, the Lower East Side, in summer 1961. Through the decade's opening years, new art, new sexual practices, new music, and new political awareness burgeoned among the crowded streets and cheap railroad apartments. Beautifully, vividly, insightfully, Delany calls up this era of exploration and adventure as he details his development as a black gay writer in an open marriage, with tertiary walk-ons by Bob Dylan, Stokely Carmichael, W. H. Auden, and James Baldwin, and a panoply of brilliantly drawn secondary characters.Winner of the 1989 Hugo Award for Non-fictionSamuel R. Delany is the author of numerous science fiction books including Dhalgren, other fiction including The Mad Man, as well as the best-selling nonfiction study Times Square Red, Times Square Blue. He lives in New York City and teaches at Temple University. The Lambda Book Report chose Delany as one of the fifty most significant men and women of the past hundred years to change our concept of gayness, and he is a recipient of the William Whitehead Memorial Award for a lifetime's contribution to lesbian and gay literature.

    (1886-1961) is what can best be described as a 'find', a posthumous treasure. In writing this book, H.D. returned to a year in her life that was 'peculiarly blighted.' She was in her early twenties--'a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone... 'I am Hermione Gart, a failure'--she cried in her dementia, 'I am Her, Her, Her.' She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life.

    Spanning more than 400 years, this classic bottom-up history examines the legacy of Indigenous peoples' resistance, resilience, and steadfast fight against imperialism.Going beyond the story of America as a country "discovered" by a few brave men in the "New World," Indigenous human rights advocate Roxanne Dunbar-Ortiz reveals the roles that settler colonialism and policies of American Indian genocide played in forming our national identity.The original academic text is fully adapted by renowned curriculum experts Debbie Reese and Jean Mendoza, for middle-grade and young adult readers to include discussion topics, archival images, original maps, recommendations for further reading, and other materials to encourage students, teachers, and general readers to think critically about their own place in history.

    Speculative fiction is the literature of questions, of challenges and imagination, and what better to question than the ways in which gender and sexuality have been rigidly defined, partitioned off, put in little boxes? These seventeen stories explore the ways in which identity can go beyond binary from space colonies to small college towns, from angels to androids, and from a magical past to other worlds entirely, the authors in this collection have brought to life wonderful tales starring people who proudly define (and redefine) their own genders, sexualities, identities, and so much else in between.

    

    What it will be like to live in a world where growth is over? Economist and resource analyst Jeff Rubin is certain that the world's governments are getting it wrong. Instead of moving us toward economic recovery, measures being taken around the globe right now are digging us into a deeper hole. Both politicians and economists are missing the fact that the real engine of economic growth has always been cheap, abundant fuel and resources. But that era is over. The end of cheap oil, Rubin argues, signals the end of growth--and the end of easy answers to renewing prosperity. Rubin's own equation is clear: with China and India sucking up the lion's share of the world's ever more limited resources, the rest of us will have to make do with less. But is this all bad? Can less actually be more? Rubin points out that there is no research to show that people living in countries with hard-charging economies are happier, and plenty of research to show that some of the most contented people on the planet live in places with no-growth or slow-growth GDPs. But it doesn't matter whether it's bad or good, it's the new reality: our world is not only about to get smaller, our day-to-day lives are about to be a whole lot different.

    Yet the true story begins much earlier, and its final recent chapter adds a major twist. Jake Page, one of the Southwest's most distinguished writers and a longtime student of Indian history and culture, tells a radically new story, thanks to an explosion of recent archaeological findings, the latest scholarship, and an exploration of Indian legends. Covering no less than 20,000 years, "In the Hands of the Great Spirit" will forever change how we think about the oldest and earliest Americans.Page writes gracefully and sympathetically, without sentimentality. He explores every controversy, from the question of cannibalism among tribes, to the various theories of when and how humans first arrived on the continent, to what life was actually like for Indians before the Europeans came. Page dispels the popular image of a peaceful and idyllic Eden, and shows that Indian societies were fluid, constantly transformed by intertribal fighting, population growth, and shifting climates.Page uses Indian legends and stories as tools to uncover tribal origins, cultural values, and the meaning of certain rituals and sacred lands. He tells the story of contact with Europeans, and the multipower conflicts of the Seven Years War, the Revolutionary War, and the War of 1812, from the Indians' point of view. He explains the complex and shifting role of the U.S. government as expressed through executive decisions and through the role of the courts. Finally, he tells the fascinating story ofthe late-twentieth-century upsurge in Indian population and resources, which began as a social movement and exploded once casinos came into fashion.Author and editor of over a dozen books on American Indian life and culture, Page is a masterful teller of this incredible story. "In the Hands of the Great Spirit" will forever change the familiar story of recent centuries, replacing it with a far more sweeping and meaningful story of tribes and peoples who have suffered enormously yet endure and enrich the American experience.