La Brava, Cat Chaser, and Split Images received rave reviews and make it clear why this New York Times bestselling author has been hailed coast to coast as the hottest thriller writer of our time.

    In Can't Find My Way Home, journalist and filmmaker Martin Torgoff chronicles what a long strange trip it's been as the American Century became the Great Stoned Age. Weaving together first-person accounts and historical background, Can't Find My Way Home is a narrative vast in scope yet rich in intimate detail. Torgoff tells the stories of those whose lives became synonymous with the drug culture, from Charlie Parker, Allen Ginsberg, Timothy Leary, and John Belushi to ordinary people who felt their consciousness "expanded" or who plumbed the depths of addiction. He also examines the broader impact of drugs on society and politics, from the war on drugs to the recovery movement, and the continuing debate over drug policy. A vivid work of cultural history that neither demonizes nor romanticizes its subject, Can't Find My Way Home is a provocative and fascinating look at how drugs have entered the American mainstream.

    They include "The Preliminary Notes", "The Apocalypse of Bob Paisner", and "Primary Sources". The title piece was awarded the Aga Khan Prize for Best Fiction published in the "Paris Review" during 1994.

    Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as “the supreme heir of Wallace Stevens.” In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: “Bus Stop,” “Men at Forty,” “Dance Lessons of the Thirties,” “The Small White Churches of the Small White Towns.” This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration.School Letting Out(Fourth or Fifth Grade)The afternoons of going home from schoolPast the young fruit trees and the winter flowers.The schoolyard cries fading behind you then,And small boys running to catch up, as thoughIt were an honor somehow to be near—All is forgiven now, even the dogs,Who, straining at their tethers, used to bark,Not from anger but some secret joy.From the Hardcover edition.

    Witness the exploits of Jim and Tammy Faye Bakker, Elvis, Liz, Di, Tricky Dicky and Bill Clinton!

    A soul-sucking Mummy stalks Elvis and John F. Kennedy. Joe Bob Briggs has a moral dilemma: If your girlfriend turns zombie on you, what do you do?And that’s the tame stuff.In this red-hot collection from world-champion Mojo storyteller Joe R. Lansdale, you’ll find his best, most outrageous stories. The high priest of Texan weirdness does it all: horror, mystery, satire, suspense, and even Westerns. Prepare to be offended, shocked, and cackling like a crazed redneck.Featuring five Bram Stoker Award–winning stories, this career retrospective contains some of Lansdale’s rarer work, his nonfiction forays into drive-in theaters and B-movies, and the novella Bubba Ho-Tep, later made into a cult-classic major motion picture.Come on in—the weirdness is fine.

    This third installment in the DOA series offers thirty stories from the originators of splatterpunk as well as the newest voices in extreme horror. You'll laugh...you'll cry...you'll vomit Don't say we didn't warn you.

    Kennedy's dark ambitions for his children--even the last & least of them. His book focuses in particular on the extraordinary 60s, a decade that began in glory for the family with Jack's ascension to the presidency, & ended--after the murders of Jack & Bobby, the tragedy at Chappaquidick & their father's death--with Teddy, the last brother, standing alone in the rubble of Camelot. While The Last Brother is both shocking & newsworthy, Teddy Kennedy emerges as a curiously tragic figure, the victim of his own family, forever "the fat, awkward little boy" who was ignored by his siblings, his father & his mother, then propelled, unwilling & unprepared, into the public limelight. Searing, yet strangely moving & even sympathetic, The Last Brother presents a detailed, tragic portrait of a man at war with himself, doomed to live in the giant shadow of his brothers, trapped in the glorious but hollow Kennedy myth, longing--but unable--to escape.

    Skipp and Spector'slatest chiller, their most intimate, potent and gripping work yet.

    Cain hammered high art out of the crude matter of betrayal, bloodshed, and perversity.

    EstlemanA cold foggy day / Bill PronziniSwamp search / Harry WhittingtonTake care of yourself / William Campbell GaultA matter of ethics / Robert J. RandisiTough / John LutzThis world, then the fireworks / Jim ThompsonSoft monkey / Harlan EllisonYellow gal / Dennis LyndsScrap / Max Allan CollinsSet 'em up, Joe / Barbara BemanShut the final door / Joe L. HensleyDeath and the dancing shadows / James ReasonerA killer in the dark / Robert Edmond AlterPerchance to dream / Michael SeidmanHorn man / Clark HowardShooting match / Wayne DundeeThe pit / Joe R. LansdaleTurn away / Edward GormanThe second coming / Joe GoresMore stories in this series can be read in The Second Black Lizard Anthology of Crime Fiction

    Here are the best stories and every major writer who ever appeared in celebrated Pulps like Black Mask, Dime Detective, Detective Fiction Weekly, and more. These are the classic tales that created the genre and gave birth to hard-hitting detectives who smoke criminals like packs of cigarettes; sultry dames whose looks are as lethal as a dagger to the chest; and gin-soaked hideouts where conversations are just preludes to murder. This is crime fiction at its gritty best.Including:• Three stories by Raymond Chandler, Cornell Woolrich, Erle Stanley Gardner, and Dashiell Hammett.• Complete novels from Carroll John Daly, the man who invented the hard-boiled detective, and Fredrick Nebel, one of the masters of the form.• A never before published Dashiell Hammett story.• Every other major pulp writer of the time, including Paul Cain, Steve Fisher, James M. Cain, Horace McCoy, and many, many more of whom you’ve probably never heard.• Three deadly sections–The Crimefighters, The Villains, and Dames–with three unstoppable introductions by Harlan Coben, Harlan Ellison, and Laura LippmanFeaturing:• Plenty of reasons for murder, all of them good.• A kid so smart–he’ll die of it.• A soft-hearted loan shark’s legman learning–the hard way–never to buy a strange blonde a hamburger.• The uncanny “Moon Man” and his mad-money victims.

    Love in the shape of Lu Anne. Following her to Mexico where she is filming a movie he's scripted, it doesn't matter to Gordon that Lu Anne is fighting for survival too, and that Gordon may push her over the edge.

    The complete scripts to six Sam Shepard plays: The Unseen Hand, Forensic and the Navigators, The Holy Ghostly, Back Bog Beast Bait, Shaved Splits, 4-H Club.

    Immediately the Los Angeles Police Department concluded that the assassin, Sirhan Sirhan, had acted alone. The FBI conducted a parallel inquiry and concurred. And the vast majority of the American people accepted their opinion.In this compelling book—mysteriously suppressed on its initial publication—former FBI agent William Turner and investigative reporter Jonn Christian expose convincing evidence that Sirhan did not act alone.Based on more than ten years of intensive research, Turner and Christian raise serious questions about RFK’s murder:•What was the virtually apolitical Sirhan’s motive?•Why, if Sirhan was standing in front of his victim, were the fatal wounds in the back of Kennedy’s head?•Why were there too many spent bullets (some the wrong size) for Sirhan’s gun?•Did the LAPD discredit witnesses, try to make them alter their stories, and destroy key records?•Was Sirhan, in fact, a “Manchurian Candidate,” programmed through hypnosis either to kill Kennedy or divert attention while others did the job?The Assassination of Robert F. Kennedy makes the case that the murder of RFK, and the subsequent police and government investigations, bear all the hallmarks of the conspiracy surrounding the assassination of John F. Kennedy and the resulting Warren Commission. It is a fascinating and chilling reexamination of the tragic events that undoubtedly changed the course of American history.