Lots of aisles. Long lines. Mama is too busy to notice that Llama Llama is getting m-a-d! And before he knows it, he's having a full-out tantrum! Mama quickly calms him down, but she also realizes that they need to make shopping more fun for both of them. Parents and children are sure to recognize themselves in this fun-to-read follow-up to the popular Llama Llama Red Pajama.Watch a Video

    Readers will certainly spot the glorious beast, plus an array of big-city icons they can count. Is the dragon taking the crosstown bus, or breathing his fiery breath below a busy street? Maybe he took a taxi to the zoo or is playing with the dogs in the park.

    When he sees one at the museum and says, "It would be nice to play with a dinosaur," a voice answers, "And I think it would be nice to play with you." So begins Danny's and the dinosaur's wonderful adventure together!This edition contains altered illustrations, but not the later recolored ones.

    Right away, a dragon moves in. The boy decides to befriend his dragon and they spend time roaming the shore, flying a kite, braving the waves, defying bullies, and roasting marshmallows—all while Dad is busy sunbathing and Mom is engrossed in her book. Unfortunately, no one believes the boy when he tries to share the news of this magnificent creature. That’s when the mischief begins, and the dragon becomes a force to be reckoned with. While adults will recognize the naughty antics as a ploy for attention, children will dissolve into giggles as the dragon devours every last sandwich, blows bubbles in the lemonade, and leaves claw prints in the brownies. Maybe the dragon really is running amok on the beach, or maybe it’s a little boy’s imagination that is running wild.

    To be your favorite animal. 2. To get to the delicious salad at the end of the book.But when he gets to the salad, he discovers that there's a carrot in it. And Escargot hates carrots. But when he finally tries one—with a little help from you!—he discovers that it's not so bad after all

    Little mouse goes for a walk in a dangerous forest. To scare off his enemies he invents tales of a fantastical creature called the Gruffalo. So imagine his surprise when he meets the real Gruffalo.

    She's got a lot of gusto and one mean human cannonball routine. So what if her greatest show on Earth won't fit between the bookshelves? Elise Parsley's boldly expressive illustrations perfectly complement this mostly-librarian-approved guide on how to be everything BUT quiet in the library!

    With the zookeeper in hot pursuit, Walrus cleverly tries on all sorts of hats to disguise himself. Will a yellow hardhat point to a new life as a construction worker? Or will a red swimming cap reveal his true talents? Follow the happy-go-lucky runaway as he hides amongst firefighters, businessmen, and even high-stepping dancers in this delightful wordless picture book.

    Goodnight goon. Goodnight Martians taking over the moon."It's bedtime in the cold gray tomb with a black lagoon, and two slimy claws, and a couple of jaws, and a skull and a shoe and a pot full of goo. But as a little werewolf settles down, in comes the Goon determined at all costs to run amok and not let any monster have his rest.A beloved classic gets a kind-hearted send up in this utterly monsterized parody; energetic art and a hilarious text will have kids begging to read this again and again.

    There's only one problem: he can't read! But when a kind librarian invites him to join for storytime, this literature-loving pig discovers the treasure that books really are.Geisel Medalist Greg Pizzoli presents a new character who is sure to steal your heart in this picturebook full of humorous charm and vivid illustrations.

    Imogene, the cook, and the kitchen maid, however, make the best of things, finding unusual uses for Imogene's new horns. Meanwhile, the problem appears to be solved when Imogene awakes the next morning antler-free. But the family (and the reader) are in for a surprise when Imogene comes down to breakfast.

    Green's class. In his nightmare, Mrs. Green is a monster with a tail and smoke coming out of her nostrils. He is so happy when he awakes to see the real Mrs. Green that he gives her a hug.

    After her royal father decides to retire and become a wood carver, Princess Paulina has no idea what to do with herself. She can't survey the kingdom from her leaky cottage roof, and no one waves back when she proceeds through the town on her father's cart.When she hears that a neighboring queen is seeking a bride for her son, Prince Drupert, Paulina sees her chance to get back to princessing. But it will take all her wit and determination to pass the Queen's tests. . . . and in the end, maybe there are better fates than a royal marriage.Full of tongue-in-cheek references to stories like Rapunzel, Snow White, and the Princess and the Pea, this fractured fairy tale is an hilarious twist on traditional tales in which a young woman's practicality, good humor, and intelligence let her shape her own happy ending-- with extra cheese and all the toppings her heart desires.

    ‘Superb fantasy.' 'BL. Notable Children's Books of 1967 (ALA)1968 Fanfare Honor List (H)Best Books of 1967 (SLJ)Children's Books of 1967 (Library of Congress)

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.