At its heart is one of the world's greatest love stories: the lifelong devotion of King Henri II of France to Diane de Poitiers, a beautiful aristocrat who was nineteen years older than her lover.At age fourteen, Henri was married to fourteen-year-old Catherine de' Medici, an unattractive but extremely wealthy heiress who was to bring half of Italy to France as her dowry. When Catherine met Henri on her wedding day, she fell instantly in love, but Henri could see no one but the beautiful Diane. When Henri eventually became king, he and Diane ruled France as one. Meanwhile, Catherine took as her secret motto the words "Hate and Wait" and lived for the day Diane would die and she could win Henri's love and rule by his side. Fate had another plan.Her Royal Highness Princess Michael of Kent, herself a descendant of both Catherine and Diane, imbues this seldom-told story with an insider's grasp of royal life. The Serpent and the Moon is a fascinating love story as well as a richly woven history of an extraordinary time.

    Travel back to the Georgian years, a time that changed life expectancy and the expectation of what life could be. Peek into the gilded drawing rooms of the aristocracy, walk down the quiet avenues of the new middle class, and crouch in the damp doorways of the poor. But watch your wallet - tourists make perfect prey for the thriving community of hawkers, prostitutes and scavengers.Visit, if you dare, the madhouses of Hackney, the workshops of Soho and the mean streets of Cheapside. Have a coffee in the city, check the stock exchange, and pop into St Paul's to see progress on the new dome.This book is about the Georgians who called London their home, from dukes and artists to rent boys and hot air balloonists meeting dog-nappers and life-models along the way. It investigates the legacies they left us in architecture and art, science and society, and shows the making of the capital millions know and love today.

    Earlier this year, the remains of a man with a curving spine, who possible was killed in battle, were discovered underneath the paving of a parking lot in Leicester, England. Phillipa Langley, head of The Richard III Society, spurred on by the work of the historian Michael Jones, led the team of who uncovered the remains, certain that she had found the bones of the monarch. When DNA verification later confirmed that the skeleton was, indeed, that of King Richard III, the discovery ranks among the great stories of passionate intuition and perseverance against the odds. The news of the discovery of Richard's remains has been widely reported by the British as well as worldwide and was front page news for both the New York Times and The Washington Post. Many believe that now, with King Richard III's skeleton in hand, historians will finally begin to understand what happened to him following the Battle of Bosworth Field (twenty miles or so from Leicester) and, ultimately, to know whether he was the hateful, unscrupulous monarch of Shakespeare's drama or a much more benevolent king interested in the common man. Written in alternating chapters, with Richard's 15th century life told by historian Michael Jones (author of the critically acclaimed Bosworth - 1485) contrasting with the 21st century eyewitness account of the search and discovery of the body by Philippa Langley, The King's Grave will be both an extraordinary portrait of the last Plantagenet monarch and the inspiring story of the archaeological dig that finally brings the real King Richard III into the light of day.

    Four kings were murdered, two came close to deposition, and another was killed in a battle by rebels. Shakespeare wrote plays about six of them, further entrenching them in the national myth. Based on major contemporary sources and recent research, acclaimed historian Desmond Seward provides the first readable overview of the whole extraordinary dynasty, in one volume."

    This biography by Brigitte Hamann reveals the truth of a complex and touching, curiously modern personality, her refusals to conform, escaping to a life of her own, filled with literature, ideas and the new political passions of the age.This edition is a translation into English from the original German by Ruth Hein.

    He was the youngest, a strong-willed, likeable character with an immense thirst for life who faced two overwhelming handicaps. One was haemophilia, then barely understood, which might have killed him at any moment, and in any case subjected him to recurring pain and disability. The other was his mother’s determination to keep complete control over his life. Leopold’s struggle for independence is a compelling human story, using previously unseen correspondence to explore his illness and treatment, his troubled and often stormy relationship with the Queen, and his place in the royal family. It touches on the wider worlds of Victorian Oxford and of literature, art and politics and the varied friendships he made, with Lewis Carroll, John Ruskin, Oscar Wilde, and Disraeli among others. Set against this background, Leopold’s story is a moving account of one man’s search against the odds for personal happiness and a meaningful role in the world.

    In Imperial Requiem, Justin C. Vovk narrates the epic story of four women who were married to the reigning monarchs of Europe's last empires during the late nineteenth and early twentieth centuries. Using a diverse array of primary and secondary sources, letters, diary entries, and interviews with descendants, Vovk provides an in-depth look into the lives of four extraordinary women who stayed faithfully at their husbands' sides throughout the cataclysm of the First World War and the tumultuous years that followed. At the centers of these four great monarchies were Augusta Victoria, Germany's revered empress whose unwavering commitment to her bombastic husband made her a national icon; Mary, whose Cinderella story and immense personal strength made her the soul of the British monarchy through some of its greatest crises; Alexandra, the ill-fated tsarina who helped topple the Russian monarchy through her ineffective rule; and Zita, the resolute empress of Austria whose story of loss and exile captivated the world's attention for seven decades. Imperial Requiem shares the fascinating story of four princesses who married for love, graced imperial thrones, and watched as their beloved worlds were torn apart by war, revolution, heartache, and loss.

    From Sophia who died shortly before she would have become Queen as heir to Queen Anne, to Adelaide, consort to William IV whose failure to provide an heir ensured the succession passed to his niece Queen Victoria. During this period, an array of colourful personalities came and went - George I's ill-fated wife Sophia Dorothea of Celle who was imprisoned for adultery for over 30 years until her death; the equally tragic Caroline Matilda, Queen of Denmark and sister of George III who married an incipient schizophrenic, saw her lover put to death, was divorced and imprisoned, released after pressure from her brother, only to die of typhoid or scarlet fever aged just 23; George IV's notorious consort , his cousin Caroline of Brunswick, who danced naked on tables and was refused access to his coronation; and their daughter Charlotte, whose death in childbirth in 1817 necessitated the hasty marriages of several of her middle-aged uncles in a desperate race to provide a legal heir to the throne.

    Yet the reality was very different, as Kelcey Wilson-Lee shows in this vibrant account of the five daughters of the great English king, Edward I. The lives of these sisters - Eleanora, Joanna, Margaret, Mary and Elizabeth - ran the full gamut of experiences open to royal women in the Middle Ages. Living as they did in a courtly culture founded on romantic longing and brilliant pageantry, they knew that a princess was to be chaste yet a mother to many children, preferably sons, meek yet able to influence a recalcitrant husband or even command a host of men-at-arms

    Ricks, a dual biography of Winston Churchill and George Orwell, whose farsighted vision and inspired action preserved democracy from the threats of authoritarianism, from the left and right alike.Both George Orwell and Winston Churchill came close to death in the mid-1930s—Orwell shot in the neck in a trench line in the Spanish Civil War, and Churchill struck by a car in New York City. If they'd died then, history would scarcely remember them. At the time, Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century they would be considered two of the most important people in British history for having the vision and courage to campaign tirelessly, in words and deeds, against the totalitarian threat from both the left and the right. In a crucial moment, they responded first by seeking the facts of the matter, seeing through the lies and obfuscations, and then acting on their beliefs. Together, to an extent not sufficiently appreciated, they kept the West's compass set toward freedom as its due north.It's not easy to recall now how lonely a position both men once occupied. By the late 1930s, democracy was discredited in many circles and authoritarian rulers were everywhere in the ascent. There were some who decried the scourge of communism, but saw in Hitler and Mussolini men we could do business with, if not in fact saviors. And there were others who saw the Nazi and fascist threat as malign but tended to view communism as the path to salvation. Churchill and Orwell, on the other hand, had the foresight to see clearly that the issue was human freedom—that whatever its coloration, a government that denied its people basic freedoms was a totalitarian menace and had to be resisted.In the end, Churchill and Orwell proved their age's necessary men. The glorious climax of Churchill and Orwell is the work they both did in the decade of the 1940s to triumph over freedom's enemies. And though Churchill played the larger role in the defeat of Hitler and the Axis, Orwell's reckoning with the menace of authoritarian rule in Animal Farm and 1984 would define the stakes of the Cold War for its 50-year course and continues to give inspiration to fighters for freedom to this day. Taken together, in Thomas E. Ricks' masterful hands, their lives are a beautiful testament to the power of moral conviction and to the courage it can take to stay true to it, through thick and thin.

    Pamela Mountbatten entered a remarkable family when she was born at the very end of the Roaring Twenties.As the younger daughter of the glamorous heiress Edwina Ashley and Lord Louis Mountbatten, Pamela spent much of her early life with her sister, nannies, and servants—and a menagerie that included, at different times, a bear, two wallabies, a mongoose, and a lion. Her parents each had lovers who lived openly with the family. The house was always full of guests like Sir Winston Churchill, Noël Coward, Douglas Fairbanks, and the Duchess of Windsor (who brought a cold cooked chicken as a hostess gift).When World War II broke out, Lord Mountbatten was in command of HMS Kelly before being appointed chief of Combined Operations, and Pamela and her sister were sent to live on Fifth Avenue in New York City with Mrs. Cornelius Vanderbilt. In 1947, her parents were appointed to be the last viceroy and vicereine of India and oversee the transfer of power to an independent Indian government. Amid the turmoil of political change, Pamela worked with student leaders, developed warm friendships with Gandhi and Nehru, and witnessed both the joy of Independence Day and its terrible aftermath. Soon afterwards, she was a bridesmaid in Princess Elizabeth’s wedding to Prince Philip, and was a ladyin- waiting at the young princess’s side when she learned her father had died and she was queen.Vivid and engaging, well-paced and superbly detailed, this witty, intimate memoir is an enchanting lens through which to view the early part of the twentieth century.

    With her family ruined by war, penniless thirteen year old Sarah Jennings is overjoyed to be chosen as a maid of honor at the bawdy Restoration court of Charles II. She soon wins the trust of Lady Anne of York, a lonely princess who becomes one of her staunchest allies. And though Sarah's beauty stirs the desires of the jaded aristocrats, she wants a grander future for herself than that of a pampered mistress. Only one man possesses ambition and passions that match her own: John Churchill, a dashing young military hero. He would ask for her hand and win her heart for a life timeBrimming with the intrigue and sensuality of one of history's most decadent courts, Duchess brings to vivid life the story of the unforgettable woman who determined her own destiny, outspoken, outrageous, but most of all true to herself.

    In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion--the vehicle she used to secure her triumphs--was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.

    Although his scandalous liaisons with prostitutes and duchesses, a "secret" marriage to his true love - the Catholic Mrs. Fitzherbert - and a publicly ridiculed (bigamous) marriage to Caroline of Brunswick threatened to eclipse his contributions to British history, Saul David's engrossing biography Prince of Pleasure shows a man of high intelligence and political ambition. His actions reflected the ambivalent relationship of the monarchy to Parliament at a time when the nation was infected by revolution fervor in America and France. The participation of George IV in public affairs had enduring positive influences. His support for overseas campaigns against Napoleon, culminating in such historic victories as Trafalgar and Waterloo, consolidated Britain's status as the preeminent world power amid the great social and economic upheavals of the industrial revolution. His passion for the arts left England with cultural legacies such as the Royal Pavilion in Brighton, Regent's Park and the National Portrait Gallery in London, and the defining architectural image of Regency style. At once farce, tragedy, and melodrama, the story of George IV is depicted with artistry and great force, introducing a cast of contemporary figures such as Beau Brummell, Lord Byron, and Jane Austen.

    "To know the Verneys is to know the seventeenth century," Adrian Tinniswood writes in this brilliant new book. The Verney family's centuries-long practice of saving every piece of paper that came into their possession-amassing some 100,000 pages of family and estate letters and documents-resulted in the largest and most complete private collection of seventeenth-century correspondence in the Western world to date. Given exclusive access to these documents, Tinniswood draws a sweeping portrait of the Verneys and the world among Buckinghamshire gentry in which they lived. In vivid detail Tinniswood introduces us to generations of the family: We meet Edmund Verney, King Charles I's standard bearer, who died in battle during the English Civil War in 1642 (his hand still clutching the king's standard). Edmund's son and heir, Ralph, struggled to hold the family together after his father's death, but lost the respect of his brothers and sisters because he alone of the family supported the Parliamentarian cause. Parliament, however, suspicious of his royalist connections, hounded him and his family into exile. Ralph's sons fared both better and worse than their father: Jack went to Syria and made a fortune, while Edmund married a girl who was rich, beautiful, and deeply in love with him-but within months of the marriage she succumbed to insanity. Rigorously researched, intensely insightful, and alive with drama, "The Verneys" is narrative history at its very best: fascinating, surprising, and enthralling.