Forced to work as a servant in the home of her uncle, a rich rug designer in the court of the Shah, the young woman blossoms as a brilliant designer of carpets. But while her talent flourishes, her prospects for a happy marriage grow dim, and she finds herself faced with a daunting decision--to forsake her own dignity or to risk everything in an effort to maintain it.Both a sweeping love story and a luminous portrait of a city, The Blood of Flowers is the mesmerizing historical novel of an ill-fated young woman whose gift as a rug designer transforms her life. Illuminated with glorious detail of Persian rug-making, and brilliantly bringing to life the sights sounds and life of 17th-century Isfahan, The Blood of Flowers has captured readers' imaginations everywhere as a timeless tale of one woman's struggle to live a life of her choosing.

    The True Story of Pocahontas is the first public publication of the Powhatan perspective that has been maintained and passed down from generation to generation within the Mattaponi Tribe, and the first written history of Pocahontas by her own people.

    Focusing on offenses to the eyes, ears, noses, taste buds, and skin of inhabitants of England’s pre-Industrial Revolution cities, Hubbub transports us to a world in which residents were scarred by smallpox, refuse rotted in the streets, pigs and dogs roamed free, and food hygiene consisted of little more than spit and polish. Through the stories of a large cast of characters from varied walks of life, the book compares what daily life was like in different cities across England from 1600 to 1770.Using a vast array of sources, from novels to records of urban administration to diaries, Emily Cockayne populates her book with anecdotes from the quirky lives of the famous and the obscure—all of whom confronted urban nuisances and physical ailments. Each chapter addresses an unpleasant aspect of city life (noise, violence, moldy food, smelly streets, poor air quality), and the volume is enhanced with a rich array of illustrations. Awakening both our senses and our imaginations, Cockayne creates a nuanced portrait of early modern English city life, unparalleled in breadth and unforgettable in detail.

    This classic book teaches the importance of respectful silence in prayer, seeking God in fidelity in love, patience in prayer, collecting yourself inwardly, and total abandonment of self to God. Shortly after Madame Guyon wrote this book, she was imprisoned for 7 years because her prayer styles unsettled the established church of the time. In her own words, Madame Guyon's goal was to "to induce the world to love God and to serve Him with comfort and success, in a simple and easy manner." Little did she know that after her death in 1717 her little treatise would be published and read all over the world. Today Madame Guyon's book reminds us that God wants us to take time with him and let His word penetrate into our heart, by praying and then silently listening and waiting on God to speak to our hearts.

    Young, handsome, an expert horseman and crack pistol shot, his swaggering style irritated the stuffier of the king's courtiers almost as much as the Roundheads they were fighting. To the parliamentarians, above all Oliver Cromwell, he was the ultimate "malignant," one of those Royalists who fought on even after Charles was executed in 1649. Rupert commanded the Royalist forces in exile, who were one point reduced to little more than pirates before the triumphant restoration of the monarchy in 1660. In this thoroughly researched account, Prince Rupert is revealed as more than just a great general and dashing cavalier. He was a scientist and classical scholar, a true renaissance prince. From his dramatic childhood escape through the snows of Bohemia to his later life as a respected older statesman, this is the first comprehensive biography of the greatest cavalier of them all.

    "To know the Verneys is to know the seventeenth century," Adrian Tinniswood writes in this brilliant new book. The Verney family's centuries-long practice of saving every piece of paper that came into their possession-amassing some 100,000 pages of family and estate letters and documents-resulted in the largest and most complete private collection of seventeenth-century correspondence in the Western world to date. Given exclusive access to these documents, Tinniswood draws a sweeping portrait of the Verneys and the world among Buckinghamshire gentry in which they lived. In vivid detail Tinniswood introduces us to generations of the family: We meet Edmund Verney, King Charles I's standard bearer, who died in battle during the English Civil War in 1642 (his hand still clutching the king's standard). Edmund's son and heir, Ralph, struggled to hold the family together after his father's death, but lost the respect of his brothers and sisters because he alone of the family supported the Parliamentarian cause. Parliament, however, suspicious of his royalist connections, hounded him and his family into exile. Ralph's sons fared both better and worse than their father: Jack went to Syria and made a fortune, while Edmund married a girl who was rich, beautiful, and deeply in love with him-but within months of the marriage she succumbed to insanity. Rigorously researched, intensely insightful, and alive with drama, "The Verneys" is narrative history at its very best: fascinating, surprising, and enthralling.

    He played a central role in provoking the English Civil War, and his execution led to the only republican government Britain has ever known. Historians have struggled to get him into perspective, veering between outright condemnation and measured sympathy.Richard Cust shows that Charles I was not 'unfit to be a king', emphasising his strengths as a party leader and conviction politician, but concludes that, none the less, his prejudices and attitudes, and his mishandling of political crises did much to bring about a civil war in Britain. He argues that ultimately, after the war, Charles pushed his enemies into a position where they had little choice but to execute him.

    From 1679 to 1682 the French crown investigated more than 400 people-including Louis XIV's official mistress and members of the highest-ranking circles at court-for sensational crimes. In Strange Revelations, Lynn Mollenauer brings this bizarre story to life, exposing a criminal magical underworld thriving in the heart of the Sun King's capital. The macabre details of the Affair of the Poisons read like a gothic novel. In the fall of 1678, Nicolas de la Reynie, head of the Paris police, uncovered a plot to poison Louis XIV. La Reynie's subsequent investigation unveiled a loosely knit community of sorceresses, magicians, and renegade priests who offered for sale an array of services and products ranging from abortions to love magic to poisons known as "inheritance powders." It was the inheritance powders (usually made from powdered toads steeped in arsenic) that lent the Affair of the Poisons its name. The purchasers of the powders gave the affair its notoriety, for the scandal extended into the most exalted ranks of the French court. Mollenauer adroitly uses the Affair of the Poisons to uncover the hidden forms of power that men and women of all social classes invoked to achieve their goals. While the exercise of state power during the ancien r�gime was quintessentially visible-ritually displayed through public ceremonies-the affair exposes the simultaneous presence of other imagined and real sources of power available to the Sun King's subjects: magic, poison, and the manipulation of sexual passions. Highly entertaining yet deeply researched, Strange Revelations will appeal to anyone interested in the history of court society, gender, magic, or crime in early modern Europe.

    Banquets showcased a host’s wealth and power, provided an occasion for nobles from distant places to gather together, and even served as a form of political propaganda. But what was it really like to cater to the tastes and habits of high society at the banquets of nobles, royalty, and popes? What did they eat and how did they eat it?In The Banquet, Ken Albala covers the transitional period between the heavily spiced and colored cuisine of the Middle Ages and classical French haut cuisine. This development involved increasing use dairy products, a move toward lighter meats such as veal and chicken, increasing identification of national food customs, more sweetness and aromatics, and a refined aesthetic sense, surprisingly in line with the late Renaissance styles found in other arts.

    Still very much an agrarian society, approximately 80% of the population lived in rural settlements, and even citydwellers were in walking distance of farmland. However, as the the century came to an end a growing proportion of the population was living in urban areas. London in particular grew from some 200,000 people in 1600 to 575,000 by 1700 and went from being the 3rd largest city in Europe to the largest. Homes were larger than previously and the wealth of a family could be determined by how many fireplaces were in the home. Clothing was another important facet of Stuart culture and not only protected the wearer against the elements but was a statement of their position in society. Clothing and homes weren't the only marker of social status, even sports and games were often divided along class lines - many in the lower classes played football while the upper-classes were consumed with billiards. Forgeng brings life in Stuart England alive for students and general readers alike. Chapters devoted to the course of life and cycles of time; the living environment; clothing and accoutrements; food and drink; and entertainments detail the day-to-day lives of those living in Stuart England; while the role of women; religion; science and technology; the military; and trade and economy are also explored.Greenwood's Daily Life through History series looks at the everyday lives of common people. This book will illuminate the lives of those living in Stuart England and provide a basis for further research. Black and white photographs, maps and charts are interspersed throughout the text to assist readers. Reference features include a timeline of historic events, sources for further reading, glossary of terms, bibliography and index.

    It was also a source of social and cultural change within England. Finding evidence of cultural exchange between England and the Caribbean as early as the seventeenth century, Susan Dwyer Amussen uncovers the learned practice of slaveholding.As English colonists in the Caribbean quickly became large-scale slaveholders, they established new organizations of labor, new uses of authority, new laws, and new modes of violence, punishment, and repression in order to manage slaves. Concentrating on Barbados and Jamaica, England's two most important colonies, Amussen looks at cultural exports that affected the development of race, gender, labor, and class as categories of legal and social identity in England. Concepts of law and punishment in the Caribbean provided a model for expanded definitions of crime in England; the organization of sugar factories served as a model for early industrialization; and the construction of the "white woman" in the Caribbean contributed to changing notions of "ladyhood" in England. As Amussen demonstrates, the cultural changes necessary for settling the Caribbean became an important, though uncounted, colonial export.

    A painting shows a military officer in a Dutch sitting room, talking to a laughing girl. In another, a woman at a window weighs pieces of silver. Vermeer's images captivate us with their beauty and mystery: What stories lie behind these stunningly rendered moments? As Timothy Brook shows us, these pictures, which seem so intimate, actually offer a remarkable view of a rapidly expanding world. The officer's dashing hat is made of beaver fur, which European explorers got from Native Americans in exchange for weapons. Those beaver pelts, in turn, financed the voyages of sailors seeking new routes to China. There--with silver mined in Peru--Europeans would purchase, by the thousands, the porcelains so often shown in Dutch paintings of this time. Moving outward from Vermeer's studio, Brook traces the web of trade that was spreading across the globe. The wharves of Holland, wrote a French visitor, were an inventory of the possible. Vermeer's Hat shows just how rich this inventory was, and how the urge to acquire the goods of distant lands was refashioning the world more powerfully than we have yet understood.

    Written in lively vernacular prose interspersed with poems and songs, the novel takes its readers over vast distances across China, to the heavens, and into the underworld. Readers listen to debates among Confucians, Daoists, and Buddhists and witness trials of faith and the performance of magical feats. Similar in style, content, and vintage to the popular Buddhist novel Journey to the West (also known in English as Monkey), The Story of Han Xiangzi uses colorful characters, twists of plot, witty dialogue, and action suitable for a superhero comic book to convey its religious message--that worldly life is ephemeral and that true contentment can be found only through Daoist cultivation. This is the first translation into any Western language of Han Xiangzi quanzhuan (literally, The Complete Story of Han Xiangzi). On one level, the novel is a delightful adventure; on another, it is serious theology. Although The Story of Han Xiangzi's irreverent attitude toward the Confucian establishment prevented its being taken seriously by literary critics in imperial China, it has remained popular among Chinese readers for four centuries. Philip Clart's Introduction outlines the Han Xiangzi story cycle, presents Yang Erzeng in his social context, assesses the literary merits and religious significance of the text, and explores the theory and practice of inner alchemy. This unabridged translation will appeal to students of Chinese literature, readers who enjoy international fiction, and readers with an interest in Daoism.

    Soon, her quick sense of humor and natural charm get her noticed by those who have the means to make her life easier. But the street-smart Nell knows a woman doesn’t get ahead by selling her body. Through talent, charm, intelligence, and sheer determination—as well as a keen understanding of how the world operates—Nell works her way out of the pit and onto the stage to become the leading comedic actress of the day. Her skills and beauty quickly win the attention of all of London—eventually even catching the eye of King Charles II. Their attraction is as real as it is unlikely, and the scrappy orange girl with the pretty face and the quick wit soon finds herself plunged into the confusing and dangerous world of the court, where she learns there are few she can trust—and many whom she cannot turn her back on.From the gritty streets of seventeenth-century London, to the backstage glamour of its theaters, to the glittering court of Charles II, The Perfect Royal Mistress is a love story for the ages, the rags-to-riches tale of a truly remarkable heroine.

    A more human Milton appears in these pages, a Milton who is flawed, self-contradictory, self-serving, arrogant, passionate, ruthless, ambitious, and cunning. He is also among the most accomplished writers of the period, the most eloquent polemicist of the mid-century, and the author of the finest and most influential narrative poem in English, Paradise Lost, which the book examines in detail. What Milton achieved in the face of crippling adversity, blindness, bereavement, and political eclipse, remains wondrous. Here is a fascinating biography of this towering literary figure--the first new serious study in forty years--one that profoundly challenges the received wisdom about one of England's leading poets and thinkers.

    As purveyors of practical techniques, inventions, and cures, these entrepreneurs were prized by princely patrons, who relied upon alchemists to bolster their political fortunes. At the same time, satirists, artists, and other commentators used the figure of the alchemist as a symbol for Europe’s social and economic ills. Drawing on criminal trial records, contracts, laboratory inventories, satires, and vernacular alchemical treatises, Alchemy and Authority in the Holy Roman Empire situates the everyday alchemists, largely invisible to modern scholars until now, at the center of the development of early modern science and commerce. Reconstructing the workaday world of entrepreneurial alchemists, Tara Nummedal shows how allegations of fraud shaped their practices and prospects. These debates not only reveal enormously diverse understandings of what the “real” alchemy was and who could practice it; they also connect a set of little-known practitioners to the largest questions about commerce, trust, and intellectual authority in early modern Europe.

    Gathering the work of more than 100 poets-including many poems never previously anthologized and some published here for the first time-it is the most comprehensive collection of its kind ever assembled, a celebration of the rich, varied, and often surprising beginnings of American poetry. The range of voices is unprecedented: broadside and newspaper satires, epitaphs, children's verse, popular songs, ballads, and Christian hymns evoke the vital currency of poetry in the daily lives of average people; exhortatory elegies for public figures and historical epics declaimed on occasions of state stand alongside intricate meditative lyrics and private epistolary verses. The dramatic unfolding of American history is made immediate and vivid in the words of the participants: William Bradford reflects on the growth of New England's first colonies; Roger Wolcott recounts the incidents of the Pequot War; Thomas Paine hails the victories of the American Revolution; Ann Eliza Bleecker describes her flight from General Burgoyne's invading army; loyalist Jonathan Odell bitterly mocks the new Continental Congress. The first comprehensive anthology of early American poetry in more than a generation, this volume incorporates recent scholarly discoveries that have altered our understanding of the early American literary landscape. Alongside generous selections from long-admired New England poets such as Anne Bradstreet, Edward Taylor, and Michael Wigglesworth are poets from the Middle Colonies and the South, newly emerged from the archives. Along with familiar favorites by Phillis Wheatley, celebrated pioneer of the African-American tradition in poetry, are little-known verses by Benjamin Banneker, known as "the Sable Astronomer," and African-American Minuteman Lemuel Haynes. The anthology includes hymns recently attributed to Mohegan preacher Samson Occom and the earliest known translation of a traditional Native American chant, Henry Timberlake's Cherokee "War-Song." The unpublished poems of Henry Brooke, Elizabeth Graeme Fergusson, Joseph Green, Hannah Griffitts, Margaret Lowther Page, and Annis Boudinot Stockton, among others, reflect the rediscovered vitality and importance of manuscript exchange as a form of publication in an era when it was sometimes considered indecorous, especially for women, to appear in print. Unprecedented in its textual authority and unrivaled in its scope, the anthology includes newly researched biographical sketches of each poet and extensive notes.

    These tours were exercises in political theater that took the Manchu emperor through one of the Qing empire's most prosperous regions.This study elucidates the tensions and the constant negotiations characterizing the relationship between the imperial center and Jiangnan, which straddled the two key provinces of Jiangsu and Zhejiang. Politically, economically, and culturally, Jiangnan was the undisputed center of the Han Chinese world; it also remained a bastion of Ming loyalism and anti-Manchu sentiment. How did the Qing court constitute its authority and legitimate its domination over this pivotal region? What were the precise terms and historical dynamics of Qing rule over China proper during the long eighteenth century?In the course of addressing such questions, this study also explores the political culture within and through which High Qing rule was constituted and contested by a range of actors, all of whom operated within socially and historically structured contexts. The author argues that the southern tours occupied a central place in the historical formation of Qing rule during a period of momentous change affecting all strata of the eighteenth-century polity.

    One was nonconsummation owing to the sexual impotency of one of the partners. Even then, an annulment was granted only after a church court had conducted a lengthy investigation of the case, soliciting testimony from numerous witnesses as well as from the aggrieved couple, and had subjected the allegedly impotent spouse (and sometimes both spouses) to an intimate physical examination. Edward J. Behrend-Martinez has studied the transcripts of eighty-three impotency trials conducted by the ecclesiastical court of Calahorra (La Rioja), a Spanish diocese with urban and rural parishes, both Basque and Castilian. From these records, he draws a detailed, fascinating portrait of private life and public sexuality in early modern Europe. These trials were far more than a salacious inquiry into the intimate details of other people’s lives. The church valued marital sex as a cornerstone of stable society, intended not only for procreation but also for maintaining domestic harmony. Every couple’s sex life, however private in practice or intention, was a matter of public and ecclesiastical concern.Unfit for Marriage offers vivid accounts of marital sex and the role that property, gender, and personal preference played in marriage in early modern Europe. It is essential reading for anyone interested in social history, sexuality, gender studies, canon law, legal history, and the history of divorce in western Europe.

     Appeals to a broad spectrum of people with an interest in the ever popular arena of military history The first serious attempt to arrive at global estimates of the human and economic costs of the wars Thoroughly explores spiritual questions such as morale, combat motivation and the role of religion

    Its broad acres has had more than its fair share of highprofile murders, especially though not exclusively in its burgeoning urban centres. Now there is a reference work to bring together most of the principal murders, from the mid-eighteenth century when Dick Turpin went to the York gallows, through to the end of hanging in 1964.In a time-span of two centuries, Yorkshire has witnessed a range of tragic narratives including husbands killing their wives, homicidal attacks in the night alleys and courts, gangs at work looking for vulnerable victims on dark streets and country lanes.Many of these tales are from the countryside too. Revenge and jealousy on and around farms, clashes between poachers and gamekeepers and shootings in rolling hills and valleys.Other factors in the social scene are also recounted, including legal and historical features, definitions, explanations, even short accounts of lives of murderers and of course the enigmatic hangmen.STEPHEN WADE specialises in writing criminal and military history. He hasauthored several volumes in Wharncliffes Foul Deeds Series as well as Unsolved Yorkshire Murders. He teaches courses in crime writing and crime history at the University of Hull and also works as a writer in prisons.

    These striking pictures reveal much more about Dutch society and capitalist culture of the seventeenth century than has been previously understood, says the author of this engaging book. Julie Berger Hochstrasser explores for the first time the significance of various foods and commodities rendered on canvas during the Dutch Republic’s phenomenal rise to prosperity.From domestic cheese to the wines of Europe to exotic commodities like pepper, porcelain, and even slaves imported by the Dutch East and West India Companies, the fruits of global commerce glowed in paintings of the time. Yet an uncomfortable tension exists between these elegant representations of products of trade and the darker aspects of their commodity histories. With penetrating insights, Hochstrasser offers a new and provocative view of Dutch still life paintings.