S. Byatt’s Possession and Geraldine Brooks’s People of the Book.Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.   As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents’ scribe, the elusive “Aleph.”   Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must make in order reconcile the life of the heart and mind.

    This Paul Dry Books rediscovered classic includes many photos courtesy of Leon Sciaky's son Peter, who has also written a short biographical sketch of his father's life in America."Farewell to Salonica is a fresh and charming book that throws a kindly light on a sector of human life unknown to most Americans."—New York Times"A gallery of beautiful and quaint sketches, revealing fascinating aspects of civilization in a strange city where East met West and the ancient past met the future…It creates an atmosphere of expectation and wonder and enjoyment. Most of all, an atmosphere of living."—Christian Science Monitor"An altogether charming book, so simply and truthfully written…The Salonica one reads about is not only a fascinating and complex city in which many national and cultural strains run side by side, but it is a critical city of Aegean politics…The breakdown of the Turkish Empire and its consequences for Balkan affairs are better understood when one has read this book. But it is not the political value of the book that should be emphasized so much as its quiet charm, its unpretentious and easy portrayal of a cultural pattern through an account of an engaging family…A warm and softly luminous book."—The Nation"This is a story of one man's intensely happy boyhood, set against the politically seething years at the turn of the century in the ever-coveted prize city of the Balkans, Salonica…written in a charming and effortless manner."—Philadelphia Inquirer"For the gift of a happy youth, Mr. Sciaky has repaid his city handsomely…it recalls Rebecca West's Black Lamb and Grey Falcon…It is an intensely personal story, yet so completely was [the young Sciaky] of his time and place that it is also the story of Salonica in the final phase of its existence; for the city that Sciaky knew, largely dominated by its 70,000 Spanish Jews, has gone…The author has made Salonica a living town, peopled by men and women of flesh and blood, people with all the human faults and weaknesses, but also with the lovable qualities that may be found in humanity everywhere by the man with skill to pick them out"—New York Herald Tribune"A charming portrait of an era."—Honolulu Advertiser"This picture of a Jewish childhood among rich merchants in Salonica has a glow, the radiant sunshine of a protected childhood."—Chicago SunLeon Sciaky was born in 1894, when the Turkish flag still waved over Salonica. His family left their beloved but turbulent homeland in 1915, settling in New York City. Sciaky lived in America—mainly upstate New York—with his wife, Frances, and son until his death in 1958. He taught at a number of progressive schools and camps and, in his last years, owned and operated a school and camp with Frances.

    For five thousand years, God’s chosen people have cornered the market on knee-slappers, zingers, and knock-knock jokes. Now Old Jews Telling Jokes mines mothers, fathers, bubbies, and zaydes for comic gelt. What we get are jokes that are funnier than a pie in the punim: Abie and Becky jokes; hilarious rabbi, doctor, and mohel tales; and those bits just for Mom (Q: What’s the difference between a Jewish mother and a Rottweiler? A: Eventually a Rottweiler will let go!). Some are just naughty and some are downright bawdy—but either way you’ll laugh till you plotz. With Borscht Belt gags from Brooklyn to Bel Air to Boca, Old Jews Telling Jokes is like chicken soup for your funny bone. I mean, would it kill you to laugh a little?

    The Baron of My Backside is perfectly content as the leader of a traveling klezmer band, until his bandmates are brutally murdered. He sets out for Odessa alone, inconsolable even after he is joined by Chava, a beautiful girl with a voice like an angel. Meanwhile, Yaacov is expelled from his yeshiva for stealing; he too makes his way to Odessa along with Vincenzo, a violinist, and Tshokola, a gypsy entertainer. When these five misfits finally come together, they must set aside their differences and learn to work together (and rock a crowd) through their music. Tragic, humorous, violent, and tender, Klezmer's rich watercolor art and simple but moving story-telling draws you into the lives of these fascinating characters.

    It spans the millennia and the continents - from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain.And a great story unfolds. Not - as often imagined - of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.

    But when the president of the synagogue absconds with a small fortune, far deeper—and more troubling—rifts emerge...In "The Closet," Evelyn's sister flees her family to take up residence in the attic—while the shunned Evelyn finds herself slipping into the waters of her sister's soul....In "Wish List," an expert on terrorism, vacationing at an academic retreat in England,receives a late-night phone call from National Public Radio. Asked for commentary on a hostage situation of which he is ignorant, Ed can whisper only: "It's unspeakable."Total ImmersionIn these and other exquisite stories, Allegra Goodman fills rooms with laughter and voices, captures dinner parties, seaside picnics, academic grudges, shul politics, and the kind of hurts that only families and lovers can know. Featuring two new stories previously published in The New Yorker, Total Immersion is Allegra Goodman's first collection of short fiction—a masterful work from one of the most powerful and eloquent voices on the American literary landscape.

    Also, blessings for the Torah and haftarot, full-color maps, glossary, timeline of biblical events, and indexes.

    Explains how the Jews and the Church are God's people.

    In what may be the world’s first religious, scholarly comic book, Waldman tells the epic tale of exile and redemption in graphic form.When Esther, a Jewish woman, is made Queen of Persia she must keep her identity hidden, all the while maneuvering to save her people from annihilation. This is a story familiar to many Jews who have heard it recounted every year on the holiday of Purim. But readers of all backgrounds will be entranced by what artist Waldman depicts in his interpretation of the text. At once traditional and groundbreaking Megillat Esther will challenge secular assumptions about the Bible.Each page of Megillat Esther is a visual tour de force and features the Hebrew text with original English translation, as well as opulent drawings depicting the story of the Persian Queen. Traditional interpretations of the story are woven throughout the panels.Megillat Esther presents the reader with a topsy-turvey world in which fortunes reverse and nothing is what it seems. This vibrant, edgy retelling of a classic Biblical tale is sure to amaze and intrigue scholars and laypeople of all religions and comic book lovers alike.

      Even as a child, Chaya Deitsch felt that she didn’t belong in the Hasidic world into which she’d been born. She spent her teenage years outwardly conforming to but secretly rebelling against the rules that tell you what and when to eat, how to dress, whom you can befriend, and what you must believe. Loving her parents, grandparents, and extended family, Chaya struggled to fit in but instead felt angry, stifled, and frustrated. Upon receiving permission from her bewildered but supportive parents to attend Barnard College, she discovered a wider world in which she could establish an independent identity and fulfill her dream of a life unconfined by the strictures imposed upon her by a belief system that she had never bought into, a life that would be filled with the secular knowledge and culture that were anathema to her friends and relatives in Crown Heights, Brooklyn. As she gradually shed the physical and spiritual trappings of Hasidic life—the long skirts and long-sleeved blouses, the rules of kashrus, the meticulous observance of the Sabbath and the Jewish holidays—Chaya found herself torn between her desire to be honest with her parents about who she now was and her need to maintain loving relationships with the family that she still very much wanted to be part of.   As she navigated the complexities of her new life, Chaya and her parents eventually came to an understanding that was based on unqualified love and a hard-won but fragile form of acceptance. With honesty, sensitivity, and intelligence, Chaya Deitsch movingly shows us that lives lived differently do not have to be lives lived apart.

    What resulted is this book: an honest, intelligent, no-holds-barred discussion of virtually every “hot button” issue on which Reform and Orthodox Jews differ, among them the existence of a Supreme Being, the origins and authenticity of the Bible and the Oral Law, the role of women, assimilation, the value of secular culture, and Israel.Sometimes they agree; more often than not they disagree—and quite sharply, too. But the important thing is that, as they keep talking to each other, they discover that they actually like each other, and, above all, they respect each other. Their journey from mutual suspicion to mutual regard is an extraordinary one; from it, both Jews and non-Jews of all backgrounds can learn a great deal about the practice of Judaism today and about the continuity of the Jewish people into the future.From the Hardcover edition.

    It was stolen moments spent with the empowered literary characters of Jane Austen and Louisa May Alcott that helped her to imagine an alternative way of life. Trapped as a teenager in a sexually and emotionally dysfunctional marriage to a man she barely knew, the tension between Deborah’s desires and her responsibilities as a good Satmar girl grew more explosive until she gave birth at nineteen and realized that, for the sake of herself and her son, she had to escape.

    Kirsch reveals that Judaism has never been a religion of strict and narrow orthodoxy. For every accepted tradition in Jewish faith there are countertraditions rooted in biblical antiquity: the Maccabee freedom fighters who closed the Bible and picked up swords, dervish-like ecstatics who claimed to enjoy direct communication with God even after they had been excommunicated by a distrustful rabbinate, and courageous men and women who were the forgotten heroes of the Holocaust. With drama and narrative verve, Kirsch explores these and many other Judaisms that make up the rich tapestry of Jewish identity.

    By turns philosophical, suspenseful, and passionate, this debut novel transports readers into a mystical world and takes them on a journey they won't soon forget.

    . . Inspiring . . . Important.” —Library Journal, starred review “A marvelous yarn, loaded with near-calamitous adventures and characters as memorable as Singer creations.” —The New York Post      “What began as a quixotic journey was also a picaresque romp, a detective story, a profound history lesson, and a poignant evocation of a bygone world.” —The Boston Globe “Every now and again a book with near-universal appeal comes along: Outwitting History is just such a book.” —The Sunday Oregonian As a twenty-three-year-old graduate student, Aaron Lansky set out to save the world’s abandoned Yiddish books before it was too late. Today, more than a million books later, he has accomplished what has been called “the greatest cultural rescue effort in Jewish history.” In Outwitting History, Lansky shares his adventures as well as the poignant and often laugh-out-loud stories he heard as he traveled the country collecting books. Introducing us to a dazzling array of writers, he shows us how an almost-lost culture is the bridge between the old world and the future—and how the written word can unite everyone who believes in the power of great literature.A Library Journal Best Book A Massachusetts Book Award Winner in Nonfiction An ALA Notable Book