. . A man reading a mystery finds out too late that he is the murderer's victim . . . In the fifteen stories collected here—including "Blow-Up," which was the basis for Michelangelo Antonioni's film of the same name—Julio Cortazar explores the boundary where the everyday meets the mysterious, perhaps even the terrible.Axolotl House taken over Distances Idol of the Cyclades Letter to a young lady in Paris Yellow flower Continuity of parks Night face up Bestiary Gates of heaven Blow-up End of the game At your service Pursuer Secret weapons.

    Concerns about society, gender and imperialism dovetail irresistibly with flights of speculative wonder. And with a kitchen sink in the corner of even her wildest stories, Suzuki reminds us that while society may be limitless, relationships remain impossible

    And it can also be the perfect gift of guidance, encouragement, and uplifting inspiration to family, friends, and loved ones struggling with the many terrifying or disheartening life changes that come so close on the heels of a diagnosis of a chronic condition or even a life-threatening illness.The author, who became ill while a university law professor in the prime of her career, tells the reader how she got sick and, to her and her partner's bewilderment, stayed that way. Toni had been a longtime meditator, going on long meditation retreats and spending many hours rigorously practicing, but soon discovered that she simply could no longer engage in those difficult and taxing forms. She had to learn ways to make "being sick" the heart of her spiritual practice and, through truly learning how to be sick, she learned how, even with many physical and energetic limitations, to live a life of equanimity, compassion, and joy. Whether we ourselves are sick now or not, we can learn these vital arts of living well from How to Be Sick.

    Yet Nesbit had a much darker side, which revealed itself in her tales of terror and the supernatural. Most of these tales were written before the author established herself as a writer of children's stories, and were soon overshadowed, to be nearly forgotten—with one or two exceptions—for almost one hundred years.In 1988, Hugh Lamb edited In the Dark for the Equation Chillers series, and has now added a further seven stories for this expanded edition. Included are such famous tales as 'Man-Size in Marble' and 'John Charrington's Wedding', along with less well known—but equally chilling—stories of the supernatural and the macabre. In Nesbit's twilight world, the dead return from the grave; scientists pursue knowledge to the gates of death—and beyond; souls are bartered to the Devil in exchange for one last wish; a casual wager leads to madness; and a seemingly harmless maker of models exacts a terrible price for a wrong done years before.In his introduction, Hugh Lamb examines the colourful life of Edith Nesbit, painting a portrait of a woman whose unconventional life set her apart from her Victorian and Edwardian contemporaries in the ghost story genre. He also looks at some of the events and experiences which may have inspired Nesbit's supernatural fiction—events which, in the author's words, gave her 'nights and nights of anguish and horror, long years of bitterest fear and dread'.CONTENTS: Introduction by Hugh Lamb; Man-Size in Marble; Uncle Abraham's Response; From the Dead; The Haunted Inheritance; The Three Drugs; The Letter in Brown Ink; The Violet Car; John Charrington's Wedding; No. 17; The Pavilion; The House of Silence; The Mystery of the Semi-Detached; In the Dark; The Head; The Ebony Frame; Hurst of Hurstcote; The Five Senses; The Haunted House; The Shadow; The Detective; The Power of Darkness.

    All five authors are among the greatest Portuguese poets ever, but whereas the first two have been consistently translated in English and are now part of the global poetic legacy, the other three are far more ignored beyond the borders of the Portuguese-speaking world where they are widely praised.

    Together, these stories will enable English-speaking readers to go beyond the global media coverage and enter into the daily life of ordinary characters struggling to live with dignity in what is effectively the world’s largest prison. The authors range from highly acclaimed writers to exciting new voices in Arabic literature, including the “Father of the Palestinian” short story, Zaki Al Ela, and a new generation of young women bloggers and activists, such as Mona Abu Sharikhm, Dawlat Al Masri, and Najla Attalah.

    Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods. Lafcadio Hearn, a master storyteller, drew on traditional Japanese folklore, infused with memories of his own haunted childhood in Ireland, to create these chilling tales. They are today regarded in Japan as classics in their own right.

    Robert Coles's enthusiastic appraisal of teaching Williams and Dr. William Eric Williams's personal and touching filial account, "My Father, the Doctor," make up an intriguing and timely study of the poet as a physician of rare humanity and self-knowledge. As Coles suggests, Dr. Williams's writing can help many others take a knowing look at the medical profession.Mind and body --Old Doc Rivers --The girl with a pimply face --The use of force --A night in June --Jean Beicke --A face of stone --Dance pseudomacabre --The paid nurse --Ancient gentility --Verbal transcription : 6 a.m. --The insane --Comedy entombed : 1930 --The practice (from The autobiography) --Poems: The birth ; Le médecin maglré lui ; Dead baby ; A cold front ; The poor ; To close --Afterword: My father, the doctor / by William Eric Williams

    From “The Fig Tree” written in 1960, his first year as an undergraduate at Makere University College in Uganda, to the playful “The Ghost of Michael Jackson,” written while a Distinguished Professor of English and Comparative Literature at the University of California Irvine, these collected stories reveal a master of the short form.Covering the period of British colonial rule and resistance in Kenya to the bittersweet experience of independence—and including two stories that have never before been published in the United States—Ngũgĩ’s characters include women fighting for their space in a patriarchal society, big men in their Bentleys and Mercedes who have inherited power from the British; and rebels who still embody the fighting spirit of the downtrodden. One of Ngũgĩ’s most beloved stories, “Minutes of Glory,” tells of Beatrice, a sad, but ambitious waitress who fantasizes about being feted and lauded over by the middle class clientele in the city’s beer halls. Her dream leads her on a witty and heartbreaking adventure.Published for the first time in America, Minutes of Glory and Other Stories celebrates the storytelling might of one of Africa’s best-loved writers.

    Her wry, often darkly funny voice describes the repressed underside of a range of middle-class characters living in the South.

    This collection brings together Dahl’s finest work, illustrating his genius for the horrific and grotesque which is unparalleled.Contents- Madame Rosette- Man from the South- The Sound Machine- Taste- Dip in the Pool- Skin- Edward the Conqueror- Lamb to the Slaughter- Galloping Foxley- The Way Up to Heaven- Parson's Pleasure- The Landlady- William and Mary- Mrs. Bixby and the Colonel's Coat- Royal Jelly- Georgy Porgy- Genesis and Catastrophe- Pig- The Visitor- Claud's Dog (The Ratcatcher, Rummins, Mr. Hoddy, Mr. Feasy, Champion of the World)- The Great Switcheroo- The Boy Who Talked with Animals- The Hitchhiker- The Wonderful Story of Henry Sugar- The Bookseller

    This volume brings together for the first time in English a collection including a series of stories and a novella, formed of a group of linked autobiographical pieces first published posthumously in France as Mon Amie Valentine.

    Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.

    Italo Calvino once said about her, “I don’t know another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don’t show us.” Thus Were Their Faces collects a wide range of Ocampo’s best short fiction and novella-length stories from her whole writing life. Stories about creepy doubles, a marble statue of a winged horse that speaks to a girl, a house of sugar that is the site of an eerie possession, children who lock their perverse mothers in a room and burn it, a lapdog who records the dreams of an old woman.Jorge Luis Borges wrote that the cruelty of Ocampo’s stories was the result of her nobility of soul, a judgment as paradoxical as much of her own writing. For her whole life Ocampo avoided the public eye, though since her death in 1993 her reputation has only continued to grow, like a magical forest. Dark, gothic, fantastic, and grotesque, these haunting stories are among the world’s finest.

    Yet the literary landscape of this dynamic part of the world has been bound together not by borders and nationalities, but by a common experience of Western imperialism. Keenly aware of the collected scars left by a legacy of colonial rule, the acclaimed writer Reza Aslan, with a team of four regional editors and seventy-seven translators, cogently demonstrates with Tablet and Pen how literature can, in fact, be used to form identity and serve as an extraordinary chronicle of the disrupted histories of the region.Acting with Words Without Borders, which fosters international exchange through translation and publication of the world’s finest literature, Aslan has purposefully situated this volume in the twentieth century, beyond the familiar confines of the Ottoman past, believing that the writers who have emerged in the last hundred years have not received their full due. This monumental collection, therefore, of nearly two hundred pieces, including short stories, novels, memoirs, essays and works of drama—many of them presented in English for the first time—features translated works from Arabic, Persian, Urdu, and Turkish. Organized chronologically, the volume spans a century of literature—from the famed Arab poet Khalil Gibran to the Nobel laureates Naguib Mahfouz and Orhan Pamuk, from the great Syrian-Lebanese poet Adonis to the grand dame of Urdu fiction, Ismat Chughtai—connected by the extraordinarily rich tradition of resplendent cultures that have been all too often ignored by the Western canon.By shifting America’s perception of the Middle Eastern world away from religion and politics, Tablet and Pen evokes the splendors of a region through the voices of its writers and poets, whose literature tells an urgent and liberating story. With a wealth of contextual information that places the writing within the historical, political, and cultural breadth of the region, Tablet Pen is transcendent, a book to be devoured as a single sustained narrative, from the first page to the last. Creating a vital bridge between two estranged cultures, "this is that rare anthology: cohesive, affecting, and informing" (Publishers Weekly).