Each item is accompanied by relevant notes about China’s social system, history and culture for readers’ reference. It also includes 45 photos taken at different stages of Xi’s life, providing readers with more information about his work and life.The publication of this book in various languages is of great significance. It will contribute to interpreting the concepts and principles of governance of the CPC leadership, and help the international community to learn more about and better understand China’s ideas, path of development, domestic and foreign policies, and response to international concerns about China.

    This abridged version of her two-volume autobiography takes her from her birthplace in czarist Russia to the socialist enclaves of Manhattan’s Lower East Side. Against a dramatic backdrop of political argument, show trials, imprisonment, and tempestuous romances, Goldman chronicles the epoch that she helped shape: the reform movements of the Progressive Era, the early years of and later disillusionment with Lenin’s Bolshevik experiment, and more. Sounding a call still heard today, Living My Life is a riveting account of political ferment and ideological turbulence.First time in Penguin ClassicsCondensed to half the length of Goldman's original work, this edition is accessible to those interested in the activist and her extraordinary era

    It offers a succession of incisive pen-portraits of outstanding leaders and decisive events and spans the nineteenth and twenty-first centuries. It draws on material from many national collections and several major languages and is the most up-to-date account produced since the 1960s. Ranging across not only the high politics and ideology of the most prominent communist regimes but also daily life under communism, culture and propaganda, Service analyses communism's appeal abroad as well as local attempts to set up communist administrations. He ends by showing that there was more to communism than mere brutality and demonstrates that while communism in its primordial form is now dead in most countries, the causes of its ability to gather support among intellectuals and ordinary people have not vanished: economic poverty and political oppression. And the lasting message of the book is that something must be done to eradicate poverty and oppression if the world is to avoid a repetition of totalitarianism in some new form. It is a highly readable, compellingly argued and an exciting work of history, if not always a comforting one.

    These 12 lectures invite you to go inside communism's journey from a collection of political and economic theories to a revolutionary movement that rocked the world. Rich with historical insights, they zero in on the "how" and "why" of the Bolsheviks' rise to power and how communist ideas worked in theory and practice - and how they didn't. First, you'll examine the utopian movements that influenced Marx and Engels, and how these leaders came to develop their revolutionary philosophies. From there, you'll discover how Lenin became the first person to put Marxist ideas into action by violently seizing power in Russia during the chaos of the First World War. Throughout, you'll meet thinkers and revolutionaries like Rosa Luxemburg and Leon Trotsky, unpack the meaning of texts like Das Kapital and The Communist Manifesto, and experience the shock and awe of events including the Paris Commune and the October Revolution. An uncompromising look at one of the dominant political ideologies of the 20th century, this is a fascinating, and sobering, study of how theories rise to power in a bid to create a new civilization - whatever the human cost.

    E.P. Thompson shows how the working class took part in its own making & recreates the whole life experience of people who suffered loss of status & freedom, who underwent degradation & who yet created a culture & political consciousness of great vitality. "Thompson's book has been called controversial, but perhaps only because so many have forgotten how explosive England was during the Regency & the early reign of Victoria. Without any reservation, The Making of the English Working Class is the most important study of those days since the classic work of the Hammonds."--Commentary "Mr Thompson's deeply human imagination & controlled passion help us to recapture the agonies, heroisms & illusions of the working class as it made itself. No one interested in the history of the English people should fail to read his book."--Times Literary Supplement

    But when I got the chance to join the popular clique and date the star quarterback, I dumbed myself down, ran with the cool kids, and my once brilliant life stalled on a road to nowhere.Now divorced, broke, with no clear direction or prospects, I run into my old Geek Squad. The three smartest guys of our class are all grown up, drop dead gorgeous billionaires. They not only know how to fill out a pocket protector, they fill out their designer suits as well.They offer me a night on the town that begins at the velvet rope of an exclusive club that caters to sensual desires. Their room at Club Sin is complete with arousing rope, stimulating toys, and new pathways to pleasure that sneak up from behind. Before the end of the night, I'm on Cloud 9. I see exactly who I want to be, and who I want to be with.Two of the guys have forgiven me for leaving all those years ago. But one still smarts from the wounds of my defection back in high school. If I want to regain the superlative of Most Likely to Succeed, I'll need to convince him that I'm all in this time. Otherwise, I won't only lose all three of them again, I'll lose sight of the woman I'm meant to be.Fantasies are meant to come true and the men of Club Sin will see to your every kinky desire. This November, 22 of your favorite steamy romance authors take you inside Club Sin, a forbidden place where you’ll find love and pleasure with multiple hot men in these Reverse Harem novellas. Can you handle the heat?22 rooms, 22 fantasies…Which door will you step through?

    Artists such as Mariko Mori, Paul McCarthy, Matthew Barney and Forced Entertainment can now be seen in the context of previous innovators, from the Dadaists to Laurie Anderson.First published in 1979, now extensively updated and expanded, this pioneering book has been supplemented by the definitive account of the current technological, political and aesthetic shifts in performance art.

    It's a revisionist tendency discernible in the work of authors such as Ernst Nolte, who traces the impetus behind the Holocaust to the excesses of the Russian Revolution; or François Furet, who links the Stalinist purges to an 'illness' originating with the French Revolution.The intention of these revisionists is to eradicate the revolutionary tradition. Their true motives have little to do with the quest for a greater understanding of the past, but lie in the climate of the present day and the ideological needs of the political classes, as is most clearly seen now in the work of the Anglophone imperial revivalists Paul Johnson and Niall Ferguson.In this vigorous riposte to those who would denigrate the history of emancipatory struggle, Losurdo captivates the reader with a tour de force account of modern revolt, providing a new perspective on the English, American, French and twentieth-century revolutions.

    Technological advances during the 20th century have expanded production in the pursuit of corporate profit at the expense of human need and ecological sustainability. New possibilities for human freedom must combine an ecological outlook with the dissolution of hierarchical social relations, capitalism and canonical political orientation. Bookchin’s utopian vision, rooted in the realities of contemporary society, remains refreshingly pragmatic. “Book-chin makes a trenchant analysis of modern society and offers a pointed, provocative discussion of the ecological crisis.”—Library JournalMurray Bookchin has been an active voice in the ecology and anarchist movements for more than 40 years.In Oakland, California on March 24, 2015 a fire destroyed the AK Press warehouse along with several other businesses. Please consider visiting the AK Press website to learn more about the fundraiser to help them and their neighbors.

    Although mainstream economists and commentators once dismissed Marx's work as outmoded and flawed, some are begrudgingly acknowledging an analysis that sees capitalism as inherently unstable. And of course, there are those, like Michael Heinrich, who have seen the value of Marx all along, and are in a unique position to explain the intricacies of Marx's thought. Heinrich's modern interpretation of Capital is now available to English-speaking readers for the first time. It has gone through nine editions in Germany, is the standard work for Marxist study groups, and is used widely in German universities. The author systematically covers all three volumes of Capital and explains all the basic aspects of Marx's critique of capitalism in a way that is clear and concise. He provides background information on the intellectual and political milieu in which Marx worked, and looks at crucial issues beyond the scope of Capital, such as class struggle, the relationship between capital and the state, accusations of historical determinism, and Marx's understanding of communism. Uniquely, Heinrich emphasizes the monetary character of Marx's work, in addition to the traditional emphasis on the labor theory of value, this highlighting the relevance of Capital to the age of financial explosions and implosions.

    Written in a direct, inviting way by Harry Braverman, whose years as an industrial worker gave him rich personal insight into work, Labor and Monopoly Capital overturned the reigning ideologies of academic sociology.This new edition features an introduction by John Bellamy Foster that sets the work in historical and theoretical context, as well as two rare articles by Braverman, The Degradation of Work in the Twentieth Century (1975) and Two Comments (1976), that add much to our understanding of the book.

    The Bolsheviks, however, pursued their goals with an iron fist rather than with a free and idealistic hope that nurtured the individual. Russell was also staunchly opposed to the way that Bolshevism saw itself as a religion, with practices and beliefs that could brook no doubt. This, he determined, was no better than the Catholic Church, which he opposed.Anyone with an interest in Communism and the Soviet Union will find this a deeply thoughtful book.British philosopher and mathematician BERTRAND ARTHUR WILLIAM RUSSELL (1872-1970) won the Nobel Prize for Literature in 1950. Among his many works are Why I Am Not a Christian (1927), Power: A New Social Analysis (1938), and My Philosophical Development (1959).

    The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources.In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism.Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power.In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.

    Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists' demands that art should move from depicting to transforming the world. The revolutionaries of October 1917 promised to create a society that was not only more just and more economically stable but also more beautiful, and they intended that the entire life of the nation be completely subordinate to Communist party leaders commissioned to regulate, harmonize, and create a single "artistic" whole out of even the most minute details. What were the origins of this idea? And what were its artistic and literary ramifications? In addressing these issues, Groys questions the view that socialist realism was an "art for the masses." Groys argues instead that the "total art" proposed by Stalin and his followers was formulated by well-educated elites who had assimilated the experience of the avant-garde and been brought to socialist realism by the future-oriented logic of avant-garde thinking. After explaining the internal evolution of Stalinist art, Groys shows how socialist realism gradually disintegrated after Stalin's death. In an undecided and insecure Soviet culture, artists focused on restoring historical continuity or practicing "sots art," a term derived from the combined names of socialist realism (sotsrealizm) and pop art. Increasingly popular in the West, sots-artists incorporate the Stalin myth into world mythology and demonstrate its similarity to supposedly opposing myths.

    He's put it all in: the origins of Marxist philosophy, history, economics; of capital, labor, the class struggle, socialism. And there's a biography of "Charlie" Marx besides.Like the companion volumes in the series, Marx for Beginners is accurate, understandable, and very, very funny.